Molana’s Meaning induction in ‘’Divane Kabir’’ through music plectrum
Subject Areas : Research Allegory in Persian Language and Literature
1 - professor of Persian language and literature, Islamic Azad university Karaj branch- Iran
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Abstract :
In Persian poetry any poet hasn’t exploited as much as Molana Jaleledin Mohammad Balkhi (604-672 AH) from rhythms and various capacities of music for explaining and interpreting philosophical and mystical meanings and any eloquent hasn’t used like Molana from music in different meanings of poetry and no poet as Molana has grasped at music harp for explaining mystical and philosophical issues, and no poet to the extent of Molana hasn’t relied on music in using music terms and music instruments, wind and percussion, and using prosodic verbs and periodic rhythms and different rhythms in a single Ghazal and letters and words neighborhood magic and inducing various meanings from mystical terminology, even in the loving Sufism, no poet has resorted to music for stating worship manners and spiritual wayfaring that is of Sufis' conventional trainings and in using mystics' books and theses and authentic learnings of this dynasty's great persons hasn’t been like him the guidance source of seekers of Tarighat (mystical path), Shari'a (shariat) and truth (haghighat).
