Adaptation and analysis of romantic elements in poetry of Nader Naderpour and Paul Eluard translated by Ahmad Shamloo

Subject Areas : Persian language and literature texts

Farhad Mohammadi ¹

1 - Assistant Professor, Department of Persian Language and Literature, Hashtgerd Branch, Islamic Azad University, Hashtgerd, Iran.

Received: 2018-10-01 Accepted : 2018-11-14 Published : 2021-12-22

Keywords: comparative literature, Romanticism elements, poetry, Eluard, Naderpour,

Abstract :

Romanticism is one of the most complicated and at the same time the most attractive literary schools in the world. Its emergence in France in the eighteenth century was against the tradition of neoclassicalism. Nader Naderpour, as one of Nima Youshij's disciples who is the source of romanticism in contemporary Persian poetry, has used many of his features in the Romantic school of poetry, and their comparison with surreal poetry such as Paul Eluard is attractive, Because romanticism itself later opened the way to surrealism, and the poetry of the surreal school effectively utilizes romanticism in their poetry. Especially Paul Eluard, who sometimes romances so much in his poems that the poet's audience is skeptical about his surreal thoughts. In this essay, we try to discuss the elements of romanticism in his poetry with the poet Paul Eluard, a French poet who later became the founder of the school of surrealism, which aims to find common doctrines between two poets from two lands and two cultures from the school's point of view of Romanticism is that the literature is universal and epidemic by  this common vision of poet and writer. This speech was conducted in a descriptive analytical manner (library research).

References:

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Abrams, M.H. (1978) The Norton Antology of English Literature. Fifth ed. New york and London: w.w.norton and company.

Abrams, M.H. and Galt Harpham, Geoffrey (2007) A Glossary of the literary terms. tenth ed. Boston: Wadsworth Cengage Learning.

Arana, R. Victoria (2008) The Facts on File Companion to World Poetry: 1900 to the Present. New York. Facts On File, Inc.

Keynes, Geoffrey (1939) A vision of the Last Judgment in Poetry and Prose of William Blake. Forth ed. London. The nonesuch press.