نگرش، تخیل و تصویر در شعر ملک‌الشعرای بهار
محورهای موضوعی : ادبیات فارسی
کلید واژه: شعر معاصر, تخیل, contemporary poetry, real estate, Imagination, spring, نگرش و تصویر, تصویر سطح, تصویر اعماق, surface image, depth image, attitude and image,
چکیده مقاله :
هدف مقاله حاضر آن است تا با بررسی روند تصویرسازی‌های ادبی در قلمرو تخیّلات شاعرانه که از مباحث بنیادین و قابل‌توجّه در بلاغت امروزی است؛ به معرفی سطوح مختلف خیال در تصاویر مستخرج از شعر ملک الشعرای بهار بپردازد. مساله بنیادی این مقاله که نگارنده در پی پاسخ‌گویی به آن هستند، کیفیت طبقاتی تصاویر شعری ملک الشعرای بهار از نظرگاه خیال و سطوح ادراکی وی، گذر از لایه‌های سطحی و میانی تخیّل آن‌ها به لایه‌های درونی و عمیق و نمایش توانایی‌های شاعر در عرصه خیال‌پردازی و هنر تصویرگری است. در این راستا پس از معرفی لایه‌های مختلف تصویر در دو حوزه تصویر سطح و تصویر این نتیجه حاصل می‌شود که میزان پیچیدگی شبکه تصویری در شعر بهار، ارتباطی مستقیم با شبکه ذهنی وی دارد به گونه‌ای که سطوح مختلف این تصاویر به تدریج جزو ویژگی‌های سبکی وی می‌شود.
The purpose of this paper is to examine the process of literary imagery in the domain of poetic imagery, which is one of the fundamental and significant topics in today's rhetoric, to introduce different levels of imagination in the illustrations depicted in the poems of Malekal and Sharabi. The fundamental issue of this article, which the writer seeks to answer, is the quality of the appearance of the illustrious poetic images of the spring from the point of view of his imagination and his perceptual levels, passing through the superficial layers of their imagination into the inner and deep layers and displaying the poet's abilities in the field of imagination and art Illustration. In this regard, after introducing different layers of image in two areas of surface image and image, it is concluded that the complexity of the visual network in the spring poetry is directly related to his mental network, so that the various levels of these images gradually become one of their lightweight features. GetsThe purpose of this paper is to examine the process of literary imagery in the domain of poetic imagery, which is one of the fundamental and significant topics in today's rhetoric, to introduce different levels of imagination in the illustrations depicted in the poems of Malekal and Sharabi. The fundamental issue of this article, which the writer seeks to answer, is the quality of the appearance of the illustrious poetic images of the spring from the point of view of his imagination and his perceptual levels, passing through the superficial layers of their imagination into the inner and deep layers and displaying the poet's abilities in the field of imagination and art Illustration. In this regard, after introducing different layers of image in two areas of surface image and image, it is concluded that the complexity of the visual network in the spring poetry is directly related to his mental network, so that the various levels of these images gradually become one of their lightweight features.
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