David Foster Wallace’s Infinite Jest: Acquiring Post-Postmodern Shared Identity via Virtual Communication
الموضوعات : نشریه زبان و ترجمه
Abdolreza Goudarzi
1
(English Department, Borujerd Branch, Islamic Azad University, Borujerd, Iran)
Morteza Lak
2
(English Department, Science and Research Branch, Islamic Azad University, Tehran, Iran)
الکلمات المفتاحية: Communication, Social networks, Post-postmodernism, Shared identity,
ملخص المقالة :
The current paper examines the ways David Foster Wallace’s (1962-2008) encyclopedic and all-encompassing novel The Infinite Jest, can be considered a piece of art in which the central features of post-postmodernism can be traced. Furthermore, the paper tries to investigate the nature of human identity during a time when programs, applications, and virtual products such as WhatsApp, Viber, Telegram, Facebook, Twitter, and YouTube have made it incomprehensibly conceivable to create a sense of communication and the ability to share between those who used to be painful, fragmented, separated, and alienated in the previous era of postmodernism. Alternatively, each painful, separated, fragmented, and alienated person is thought to be a dynamic operator, communicator, and lastly, a maker as opposed to a sole inactive watcher, peruser, and one-route communicator portrayed in postmodern narratives. Employing post-postmodern criticism as the theoretical framework and utilizing the ideas of post-postmodern critics such as Fredric Jameson, Alan Kirby, and Charles Reginald Nixon, the current study unravels that humans living in the post-postmodern era have been able to successfully receive such a new personality and identity thereby making a new chance to express it to have the capacity to leave the postmodern inactiveness, passivity, and detachment.
Fuller, R. (2010, January 13). Change in the 20th Century. Rpfuller. HTTPS:// www. rpfuller.com/gcse/history/1.html/
Gary, Aylesworth. (2015) “Postmodernism,” The Stanford Encyclopedia of Philosophy. Edward N. Zalta (ed.).
Green, David Michael (2000) “The End of Identity? The Implications of Postmodernity for Political Identification.” Nationalism and Ethnic Politics, 6:3, pp. 68-90,
Greenwood, Natasha. (2012). Tranny Trivia: The Question of Identity in a Postmodern World. Political Science.
Hardt, Michael and Antonio Negri, (2000) Empire. Cambridge, Mass., London: Harvard University Press.
James, Henry. (1884) “The Art of Fiction.” Longman's Magazine (4), September.
Jameson, Fredric. (2003) Fear and Loathing in Globalisation. New Left Review 23.
Jameson, Fredric. (1982) “Postmodernism and Consumer Society.” Whitney Museum Lecture.
Jameson, Fredric. (1991) Postmodernism, or, the Cultural Logic of Late Capitalism Durham, NC: Duke University Press.
Kirby, Alan. (2006) “The Death of Postmodernism and Beyond.” British journal Philosophy Now, no. 58.
Lawrence, D. (2012). Social Media - the 21st Century News Source. Social Media Today.https://www.socialmediatoday.com/content/social-media-21st-century-news-source/
McLaughlin, Robert L. (2004) “Post-Postmodern Discontent: Contemporary Fiction and the Social World.” symploke 12.1-2.
Levich, A.P. (2009). “What We Expect from Studying Time.” Journal on Time.
Nealon, Jeffrey T. (2012) Post-Postmodernism or, The Cultural Logic of Just-in-Time Capitalism. Stanford University Press.
Nixon Reginald, Charles. (2013) The work of David Foster Wallace and post-postmodernism. The University of Leeds, School of English.
Timmer, Nicoline. (2010) Do You Feel it Too?: The Post-postmodern Syndrome in American Fiction at the Turn of the Millennium. Rodopi.
Trotter, David. (2013) Literature in the First Media Age. Cambridge: Harvard University Press.
Wallace, David Foster. (2006) The Infinite Jest. Back Bay Books; 10 Anv edition.
Wurgaft, Lewis D. (1995) “Identity in World History: A Postmodern Perspective.” History and Theory. Vol. 34, No. 2, pp. 67-85
