Handling an Object without Leaving Fingerprints? Translators’s Presence in the Persian Translations of The Dead
الموضوعات : نشریه زبان و ترجمه
1 - Assistant Professor of Translation Studies, University of Kashan, Iran
الکلمات المفتاحية: voice, free indirect discourse, Bakhtinian perspective, Translator’s presence,
ملخص المقالة :
This study investigated the translator’s presence in three Persian translations of The Dead according to the Bakhtinian approach. To this effect, the presence is traced at three levels. First, following Hermans’ advice, the translations were analyzed apart from the source text for the noticeable presence of the translator. Second, following Munday’s advice, a stylistic analysis was conducted focusing on the features of free indirect discourse in both the source and translated texts. In light of this analysis, the author identified two types of alterations in the interaction of the source voices indicating the presence of translators: suppressing the characters' voice through empowering the narrator’s voice and suppressing the voice of the narrator by empowering the characters’ voice. The analysis at this level added one more piece of evidence to May’s hypothesis regarding the tendency of translators toward reducing the voices. To have a thorough examination of the translator’s presence, a third level of analysis was also added at which translations were compared with one another to look into the presence of the antecedent translator in the work of the following one. The author justifies this last kind of presence building on the Bakhtinian concepts of dialogism, heteroglossia, and assimilation. The use of the Bakhtinian perspective for justifying what goes on in translation is extended in this study to include the notion of originality and, thereby, wise assimilations on the part of translators were reflected on.
André, J. S. (2011). Metaphors for translation. Handbook of translation studies, 2, 84-87.
Aubry, T. (2006). Reading as therapy: What contemporary fiction does for middle-class Americans: University of Iowa Press.
Baker, M. (2000). Towards a methodology for investigating the style of a literary translator. Target. International Journal of Translation Studies, 12(2), 241-266.
Bakhtin, M. M. (1981). The dialogic imagination: Four essays (Vol. 1): University of Texas Press.
Beebe, M. (1972). Ulysses and the Age of Modernism. James Joyce Quarterly, 10(1), 172-188.
Corseuil, A. R. (2001). John Houston’s Adaptation of James Joyce´ s “The Dead”: the Interrelationship between Description and Focalization. Cadernos de Tradução, 1(7), 67-79.
Daiches, D. (1960). The Novel and the Modern World. Revised Edition: University of Chicago Press.
Fargnoli, A. N., & Gillespie, M. P. (2014). Critical Companion to James Joyce: A Literary Reference to His Life and Work: Infobase Publishing.
Gharaei, Z., & Dabaghi, A. (2014). What Do Voices Say in The Garden Party? An Analysis of Voices in the Persian Translation of Mansfield's Short Story. Journal of Language and Translation, 4(1), 91-100.
Gharaei, Z., & Dastjerdi, H. V. (2012). Free indirect discourse in Farsi translations of Woolf's Mrs. Dalloway. CLCWeb: Comparative Literature and Culture, 14(1), 13.
Hermans, T. (1996). The translator's voice in translated narrative. Target. International Journal of Translation Studies, 8(1), 23-48.
Hermans, T. (2007). The Conference of the Tongues. Manchester: St. In: Jerome Publishing.
House, J. (2009). Book. Oxford & New York: Oxford University Press.
McArthur, T. B., McArthur, T., & McArthur, R. (2005). Concise Oxford companion to the English language: Oxford University Press, USA.
Millán-Varela, C. (2004). Hearing voices: James Joyce, narrative voice and minority translation. Language and Literature, 13(1), 37-54.
Munday, J. (2013). Style and ideology in translation: Latin American writing in English (Vol. 8): Routledge.
Pascal, R. (1977). The dual voice: Free indirect speech and its functioning in the nineteenth-century European novel: Manchester University Press.
Pym, A. (2014). Exploring translation theories (2 ed.). London & New York: Routledge.
Richardson, B. (2006). Unnatural voices: Extreme narration in modern and contemporary fiction: Ohio State University Press.
Schiavi, G. (1996). There is Always a Teller in a Tale. Target. International Journal of Translation Studies, 8(1), 1-21.
Snell-Hornby, M. (1990). Linguistic transcoding or cultural transfer? A critique of translation theory in Germany. Translation, history and culture, 82.
Wales, K. (2001). A Dictionary of Stylistics. London, New York. Reading, San Francisco: Pearson Education Longman.