Being and Time in George R. R. Martin's A Song of Ice and fire Series: Based on Heidegger's Philosophy
الموضوعات : نشریه زبان و ترجمه
Ehsan Khoshdel
1
(Arak Branch, Islamic Azad University, Arak, Iran)
Fatemeh َAzizmohammadi
2
(Arak Branch, Islamic Azad University, Arak, Iran)
Mojgan Yarahmadi
3
(Arak Branch, Islamic Azad University, Arak, Iran)
الکلمات المفتاحية: phenomenology, Heidegger, A Song of Ice and Fire, Being and Time Dasein, George R. R. Martin,
ملخص المقالة :
The significance of “being” has been an essential topic for theory. One of the main logicians of the 20th century Martin Heidegger (1889-1976), looks at this inquiry fundamentally in his Being and Time (1927). Heidegger applies what he calls phenomenological metaphysics as the methodological way to deal with the subject of being by which he examines Dasein as the site for the comprehension of being. As per Heidegger in Being and Time Dasein, individuals should make accessible the appropriate ground for the subject of being. This research study examined the medium of Dasein in George R. R. Throughout the story, and the characters confirmed their existence in the society, which is associated with power relations and death. Death is manifested metaphorically in each stage of life to depict their Dasein through their actions. Consequently, the researchers investigated Martin’s A Song of Ice and Fire and sows how death attempts to take over while the characters try for survival.
Farrell, M. A. (2012). Exploring Children's Literature (2nd edition) Nikki Gamble and Sally Yates (2008) London: Sage Publications Inc, ISBN: 978–1-4129–3013-0, £19.99, 216pp. Literacy, 46(2), 109-109. Retrieved from https://onlinelibrary.wiley.com/doi/abs/10. 1111/j.1741-4369.2012.00506.x. doi: https: //doi. Org /10 .11 11 /j. 17 41 -43 69. 20 12.00506.x
Heidegger, M. (2010). Being and Time, trans. by Joan Stambaugh, revised by Dennis J. Schmidt (Albany: State University of New York Press, 2010).
Krueger, R. L. (2000). The Cambridge companion to medieval romance: Cambridge University Press.
Lacy, N. J., Ashe, G., Ihle, S. N., Kalinke, M. E., & Thompson, R. H. (2013). The new Arthurian encyclopedia: New edition: Routledge.
Larrington, C. (2016). Winter is Coming: The Medieval World of Game of Thrones (1 ed.). London • New York: I.B.Tauris.
Leštinská, P. (2018). Archetypes in Contemporary Anglophone Literature: A Song of Ice and Fire. (Bachelor), Tomas Bata University in Zlín, Retrieved from http://hdl.handle.net/10563/41778
Lewis, B. (2001). Postmodernism and literature. In The Routledge Companion to Postmodernism. London: Routledge.
Lowder, J. (2012). Beyond the Wall: Exploring George RR Martin's a Song of Ice and Fire: BenBella Books.
Martin, G. R. R. (1997). A Game of Thrones: Bantam Books.
Pleasance, C. (2014, 11 May 2014). Revealed: The REAL history behind Game of Thrones' fantastical characters (and it's surprisingly like the Wars of the Roses).
Reeves, J. A. (2017). Yaaaas Queen!-Daenerys Targaryen as a Contemporary Feminist. Appalachian State University,
Rohani, S., & Abootalebi, H. (2015). Mending Wall: A Study of Restorative Justice in George RR Martin’s A Song of Ice and Fire and Tales of Dunk and Egg. k@ ta, 17(2), 58-63.
Sandqvist, E. (2012). Politics, Hidden Agendas and A Game of Thrones: An Intersectional Analysis of Women's Sexuality in George RR Martin's A Game of Thrones. In.
Selling, K. (2004). Fantastic neomedievalism": The image of the middle ages in popular fantasy. Flashes of the fantastic, 211-218.
Vaught, S. (2012). The Brutal Cost of Redemption in Westeros. Or, What Moral Ambiguity. Beyond the Wall. Exploring George RR Martin’s A Song of Ice and Fire. Dallas [BenBella], 89-106.
Verweij, L. (2017). Subversion of Medieval Ideals in George R. R. Martin’s A Song of Ice and Fire. (Master), Leiden
