Analysis and Consideration of Sociological Effect in Sasanian Period and its Relation with Symbolic Motifs in Sasanian art

Subject Areas : Sociological Studies of Youth

Nafiseh Sedaghat ¹ , Gholamali Hatam ^{2 *} , Ali Asghar Mirfatah ³ , Reza Shabani Samghabadi ⁴

1 - Department of Archeology, Science and Research Branch, Islamic Azad University, Tehran, Iran
2 - Department of Archeology, Central Tehran Branch, Islamic Azad University, Tehran, Iran
3 - Department of Archeology, Science and Research Branch, Islamic Azad University, Tehran, Iran
4 - Department of Archeology, Science and Research Branch, Islamic Azad University, Tehran, Iran

Received: 2018-03-05 Accepted : 2018-03-05 Published : 2018-03-01

Keywords: Art, Mythology, Sociological, Sasanian,

Abstract :

Since the Sassanid era, many reliefs and seals have left and by reviewing their designs, the mythical and religious attitudes of those people can be understood. The purpose of this article is to decode and interpret the symbolic paintings and to review and study the myths, concepts, and religious rituals of this period. The question is that what the divine and human origin of the symbolic paintings and myths on reliefs, and seals over the Sasanian period is? In this regard, historical and archaeological evidences have been matched with each other, and checked using a technique called "Iconology". The result is that the powerful influence of mythical and religious attitudes of Zoroastrianism religion can be observed in divine and human symbolic paintings and myths in this period.

References:

1. Ahmadi, B. (2005).  From image to text.  Tehran: Tehran Publication.


2. Amozegar, J. (1996). Mythological history of Iran. Tehran: Compilation of Human Sciences Books.


3. Ardakani, M., Dadvar, A. (2008).  The role of woman on Iranian seals from the prehistoric period to the end of the Sassanid period. Journal of Women's Research, 26, pp. 47-34.


4. Armstrong, K.  (2011). A brief history of myth. Tehran: Tehran Publication.


5. Brunner, C. (1980). Sasanian seals in the moor collection: Motive and meaning in some popular subject. Tehran: Metropolitan Museum of Art.


6. Dadvar, A., Mansouri, E. (2006). An introduction to the myths and symbols of Iran and India during the ancient. Tehran: Al-Zahra University.


7. Gholizadeh, Kh. (2014). The mythological encyclopedia of animals and its related terms. Tehran: Publishing House of the Parseh Book.


8. Goebel, R. (2005).  Flower seals of Takht Soleiman. Tehran: Cultural Heritage Organization.


9. Grishman, R. (2011). Iranian art during the Parthian and Sassanid period. Tehran: Scientific Cultural Company.


10. Haff, D. (1987). Technological observations on clay Bullae from Takht-I-Soleiman, Mesopotamia.


11. Hall, J. (2011). Symbolic culture in the art of East and West. Tehran: Farhang Contemporary Publishing.


12. Hinlez, J. (2013). Recognition of Iranian mythology. Tehran: Fountain


13. Ishraqi, E., Naderi, H. (2007). The role of coins and seal in the Sasanian economy. Tehran: Geography and Planning.


14. Karimi, S. (2013).  Rite symbols. Moon Art, No. 47 and 48, p. 117-112.


15. Kasirer, E. (2011). Language and myth. Tehran: Pearl Publishing.


16. NAS, J. (1993). A comprehensive history of religions. Tehran: Islamic Revolution.


17. Panofski, E (2009). Iconography and iconology: An introduction to the study of Renaissance Art. New York: Oxford University Press.


18. Perkhanian, A. (1997). Thousand judgments: a Sasanian low-book. New York.


19. Pope, A., Ackerman, P. (2011). Iranian art from prehistoric to the present day. Tehran: Cultural Science.


20. Prada, I. (1997). Ancient Iranian art. Tehran: Tehran University.


21. Riyazi, M. R. (2014). Patterns and designs of Sassanid clothing and wares. Tehran: Ganjina Art Publishing.


22. Sattari, J. (1996). Myth and art. Tehran: Soroush.


23. Soodavar, A. (2016). Farah Izadi in the kingdom of the ancient Iran. Tehran. Tehran Publishing.