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        1 - Aesthetics of self-censorship in prose works of the Mughal period )Relying on JahangOsha and Naftha al-Masdoor(
        Mohammad Amin Rajbi Reza Sadeghi Shahpar Shahrooz Jamali
        Self-censorship is an action during which the author takes into account the political and social conditions of the society and for the purpose of self-censorship, it is one of the actions taken by the author or poet, based on reasons such as the influence of individual More
        Self-censorship is an action during which the author takes into account the political and social conditions of the society and for the purpose of self-censorship, it is one of the actions taken by the author or poet, based on reasons such as the influence of individual power, social, political, religious and belief conditions and under the cover of titles such as Self-restraint and expediency are applied to the produced works. This action can be seen in the works of most authors of the Mughal period. Attamalek Joyni and Zaydri Nesvi are among these writers; Therefore, the present research was conducted with the aim of aesthetic investigation of self-censorship in Jahangasha and Naftha al-Masdoor; In order to clarify the beauty and self-censorship topics in the works of these two prominent writers of the Mongol era. The authors' method in this essay is descriptive-analytical and based on library studies. The results show that the authors of this period have played a major role in the beauty of this literary phenomenon by being ambiguous and using techniques and techniques such as metaphor, allegory, symbol, code and irony, and complexity. Manuscript profile
      • Open Access Article

        2 - Investigation of self-censorship in the prominent works of poetry and prose of the Mughal period
        Mohammad Amin Rajabi Reza Sadeghi Shahpar Shahrooz Jamali
        Self-censorship is an action in which the author censors his own work according to the political and social conditions of the society and for the purpose of self-restraint and expediency. Self-censorship is, in fact, a motivation for action, the main cause of which is v More
        Self-censorship is an action in which the author censors his own work according to the political and social conditions of the society and for the purpose of self-restraint and expediency. Self-censorship is, in fact, a motivation for action, the main cause of which is various degrees of fear. The intense fear and panic that existed among the people in the Mongol era caused writers and poets to adopt this method in creating their works and to self-censor in various ways. In this research, which was carried out using a descriptive-analytical method and based on library studies, an attempt is made to investigate the phenomenon of self-censorship in the important works of Manzoom and Mansoom of the Mughal period, with an emphasis on Naftha al-Masdoor, Tarikh Jahangasha Jovini, Saadi's Kaliyat, and Hafez's Divan. To identify the causes of self-censorship in this period and the methods used by the creators of these works in self-censorship. The result of the research shows that self-censorship is one of the indirect ways of criticizing the situation of the Mughal society. Writers and poets, in most cases, expressed the political and social issues of their era in covertly, and they did this by using artificiality and complexity, obscurity and symbolic literature (using metaphor, allegory, symbol and irony). . Also, the method of randy and changing verses is another method of self-censorship that has only been seen in Hafez Shirazi's court. Manuscript profile