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        1 - Rhetoric Aesthetic Criticism by a Comparative Approach on Arabic & Persian Eloquence
        Habibollah Jadidol Eslami Hamideh Jamal Zahi
        The common aspects which have existed between Iranians and Persians in different fields such as poetry, literature and music – and more important the religious language and the connection made by Islam between them – caused a wide relation, interaction and m More
        The common aspects which have existed between Iranians and Persians in different fields such as poetry, literature and music – and more important the religious language and the connection made by Islam between them – caused a wide relation, interaction and mutual effects. One of the manifestations of the mutual effect in Islamic culture is undoubtedly in the field of eloquence or better to say Persian and Arabic aesthetics. Thus this paper intends to express some of these literary effects and affects from aesthetic criticism point of view and then study them comparatively. Accordingly, some vague and challenging common expressions such as allegory, simile and etc. Manuscript profile
      • Open Access Article

        2 - The Artistic Quality of Rhetorical Structures in the Newly Found Work from Fathollah Aref
        Mohammad Reza Amir Khani Dehbalaee Ahmad Reza Yalameha
        Abstract         The subject of this research is to study and evaluate the application of crafts of rhetorics and their criticism in the newly found work from Fathollah Aref, the poet of the 10th century and the composer of The Shahna More
        Abstract         The subject of this research is to study and evaluate the application of crafts of rhetorics and their criticism in the newly found work from Fathollah Aref, the poet of the 10th century and the composer of The Shahnameh in the court of Soleiman Ghanuni. One of the specifications that distinguishes one literary work from the other is the kind of its utility from its rhetoric structure which are illustrated by the writer in different ways. Regarding the epic genre of this poetry, Aref tries to create his poetry in higher or the same rank of the Shahnameh of Ferdowsi. In the discussion of rhetorics, he sometimes succeeds and the other times fails. Aref's most significant craft in this work is the sensitive expression in the description of the scenes and the choice of similarity in a different atmosphere in a distich. Aref, by posing ironic expressions and in an unexpected manner , unveils his praised one (criticizes him) . Expression together with authority, and questioning in the excellency of the abstract of the book are of his outstanding and successful crafts. Manuscript profile