List of Articles prelude

• Open Access Article
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  1 - Interpretation of the World of Images and Copies in Ayn-al-Qożāt Hamadānī’s
  roya rabizadeh fateme heydari
  The World of Images or in away the purgatory is a realm of existence which is the partition between the material world and the intellectual one, and it has been discussed and analyzed from the time of Plato up to now. On the one hand, the said world is similar to the ma More

  The World of Images or in away the purgatory is a realm of existence which is the partition between the material world and the intellectual one, and it has been discussed and analyzed from the time of Plato up to now. On the one hand, the said world is similar to the material one, as it has quantity and form, and on the other hand, it is similar to the intellectual one, as there is no material or physical body inside it. The world of images is the vehicle and a place for the advent and formation of imaginations, the imaginations which are to imagine the imaginary forms without any changes in their nature, and it is only possible in the world of images. Imagination is a subject mentioned in the Holy Quran and Hadiths and consequently the mystics have been engaged with it. Ayn-al-Qożāt regards imaginations highly significant, and considers different functions and uses for it. In fact, imagination is an excellent method to know God and the facts of the world of existence. Manuscript profile
• Open Access Article
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  2 - Analysis of Ode Form in Poems of Jarollah Zamakhshari
  Hassan Dadkhah Tehrani Kheyrieh Ajrash Gholam Reza Karimifard Zohreh Azari
    Since the days of ignorance, ode in Arabic literature has been written based on a specified system and poets and critics have used this defined structure as foundation of their works. Arabic ode consists of several parts, each of which is an introduction to the n More

    Since the days of ignorance, ode in Arabic literature has been written based on a specified system and poets and critics have used this defined structure as foundation of their works. Arabic ode consists of several parts, each of which is an introduction to the next part; first verse of an ode is called matla'. After matla' are placed tashbib (to mention youth affairs) or nasib (soft poetry about women), taxallos (pseudonym) (escape of poet from lyricism to main theme), main theme (praise, glory, whimper, etc.), and maqta' (section) (prayer of approval and desire to immortality for desired person of the poem) respectively. This is the exact criterion which past poets obliged themselves to it and critics make future poets to follow it. Jarollah Zamakhshari is one of the poets that this paper analyzes his adherence to Arabic ode of ignorance period through investigating odes and methods applied in composing prelude, matla', pseudonym (connection of prelude with main purpose of the poem),final part and unity of subject. Manuscript profile