Repetition and circle are the main axes of the formation of musical elements. This pattern is also found in the musical system of modern poetry and covers three inner, outer and aside music areas. Based on these patterns, Monzavi has created the music of his poems. This More
Repetition and circle are the main axes of the formation of musical elements. This pattern is also found in the musical system of modern poetry and covers three inner, outer and aside music areas. Based on these patterns, Monzavi has created the music of his poems. This study aims to examine the music creator arrays in sonnets of the collection "HANJAREY ZAKHMI TAGHAZOL" (sore throat lyricism) and the method of using these elements and also their function in Monzavi poems has been shown. The findings of this research suggest that Monzavi use different ways for the musical richness of his own lyrics including: pay attention to the diversity of prosodic rhythms, employing useful rhythms, create proper meaning and thematic with the rhythm of prosody, pun utilizing, repetition, contrast, rhymes musical function that make his poems unison, totally, Monzavi poem musicality elements classified in four categories: Outer music, aside music, internal music and spiritual music.
Manuscript profile
Understanding and examining literary works is one of the significant features in determining the linguistic, literary, and intellectual parameters of that work. Being one of the prominent Persian poets, Nezami Ganjavi is the one whose poems especially in regard to Styli More
Understanding and examining literary works is one of the significant features in determining the linguistic, literary, and intellectual parameters of that work. Being one of the prominent Persian poets, Nezami Ganjavi is the one whose poems especially in regard to Stylistics have many things to discuss. Examining Stylistic features, to some extent, one can understand his poetic structure and specify his position in the poetry and literature of Iran. The purpose of this study is understanding the Stylistic features of Nezami Ganjavi and reaching to his personal style at last. In this regard, the present study tries to derive the most significant linguistic, intellectual and literary features of his poems to present a better understanding of the poetry and style of the mentioned poet, systematically. In the preset study after examining the different samples from Nezami’s two books of poetryKhosroo and Shririn and Leyli and Majnoonusing descriptive and analytical method, Nezami’s outstanding characteristic of poems appeared which the most important were: the diversity of vocabulary used, poetic combinations, creating new concepts, didacticism, diversity of subjects, concerning different sciences, folklore and creating original imagery.
Manuscript profile
Abstract
Anwari is of the innovative and impressive poets who has played basic and historic role in the stability of ode with a special theme and organization. He has been able to combine the Persian poetry with a thorough ima More
Abstract
Anwari is of the innovative and impressive poets who has played basic and historic role in the stability of ode with a special theme and organization. He has been able to combine the Persian poetry with a thorough imaginative lyricism and in this way to use its implications and relations as an integrative part of the ode. The ode that Anwari has innovated and introduced to the literary society has exclusive theme and specification which has modern and unprecedent approach. This has resulted in the emergence of innovation in his structure and the form of odes and has paved the way in using lingual and expressional norms other than what was in traditional system. Anwari has merged the mold of lyricism with a simple and fluent language and in this way has eliminated the space between colloquial and poetic words by utilizing the talents of speech language and created a kind of loyalty between them. This lingual behavior has suitably integrated the language of art and ordinary language and has adapted the elements and possibilities of speaking language to speaking one. Consequently, has created an emotive and exquisite language that is artistic and poetic, at the same time it is simple, fluent and natural and is far from preciosity.
Manuscript profile
Vahid Ghazvini belongs to a family who has earned his life as a civil servant and like many civil servants in the Safavid era he was a poet and incidently a prolific one. Vahid’s poetry is concerned with various subjects such as epic themes to lyrical and mo More
Vahid Ghazvini belongs to a family who has earned his life as a civil servant and like many civil servants in the Safavid era he was a poet and incidently a prolific one. Vahid’s poetry is concerned with various subjects such as epic themes to lyrical and moral themes and Shahr Ashoub. His main poetic style is Isfahani or Indian style which is the style of the poets in Safavid era. In this article, the features of his style in composing odes, his language (diction and syntax), and rhetorics (rhetorical devices) have been analyzed and examples were given for each case.
Manuscript profile
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