The purpose of this study was to study and highlight the elements of feminine language in Alice Munroe's book. The research universe consisted of "My Mother's Dream" Stories. The sample subsummed the feminine writing and language semiotics of Alice Munroe's works. More
The purpose of this study was to study and highlight the elements of feminine language in Alice Munroe's book. The research universe consisted of "My Mother's Dream" Stories. The sample subsummed the feminine writing and language semiotics of Alice Munroe's works.The research desgine was qualtive.The data collecting was conducted through the selction of gendered terminologies of the Persian version of the mentioned book. Few stories of Munroe's works with frequent feminine writing and language semiotics were reviewed via content analysis method to bold the feminine language experineces based on the conventional elements of the content analysis. To maintain the balance between language as a social product and translation as a media of social interaction, more attention was taken to the character and atmosphere of the story than words.The study concluded that promotion and bolding the elements of feminine language would provide a way to prevent the continuation of gender inequality. As a result, the findings of this study showed that in the gendered literature, the subject of one gender experience was deliberately given less attention so that women's experiences in societies with hidden masculine structures could be reflected. Thus, feminine writing sometimes went to the extremes to portray the masculine ineffectuality.
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The aim of the present study was to retrieve the signs of feminine language in the Bayati of Azerbaijan. The statistical population of the study was 4567 Bayaties. The sample of the study was the written and linguistic feminine signs of the Bayaties of Azerbaijan. The r More
The aim of the present study was to retrieve the signs of feminine language in the Bayati of Azerbaijan. The statistical population of the study was 4567 Bayaties. The sample of the study was the written and linguistic feminine signs of the Bayaties of Azerbaijan. The research design was discourse qualitative study and the method was descriptive-analytical. In order to obtain the data of the research, based on the library studies, the poems of women were retrieved through the linguistic symbols used in the poems. After presenting the descriptions and the library information the data were analyzed analytically. The results showed that some of the Bayaties had explicit verbal cues indicating the female gender of the poet. In some of the Bayaties, the poetess's femininity was revealed by examining the hidden layers of the text. In Bayaties, while talking about topics such as love, expressing life problems, glory and complaint, issues related to marriage, etc., women revealed their gender with obvious or hidden allusions, and in lullabies, inner desires and aspirations. They expressed themselves. Based on the results 3495 Bayaties had no gender symbol. 749 Bayati had a clear gender symbol, of which 508 Bayati had a masculine connotation and 241 had a feminine connotation. Therefore, 82% of the poems had no gender symbol, 12% of the poems had a male symbol and 6% of the poems had a female symbol.
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Love is one of the most common topics which found in Arabic literature especially in romantic literature. This topic has found new form in contemporary era which caused some new language properties in poetries of contemporary poets.In this study, an attempt has made to More
Love is one of the most common topics which found in Arabic literature especially in romantic literature. This topic has found new form in contemporary era which caused some new language properties in poetries of contemporary poets.In this study, an attempt has made to survey these properties in poetries of the two Arabic poets, Nazik Al-Malaika and Suad Al-Sabah. By using descriptive-analytic method, it has been found that feminine spirit and language is greatly evident in poetries of these two Arabic poets which can be studied at different language levels. This feminine element is clear in three levels in poetries of these two poets phonetic, syntactic and semantic.They were using some techniques such as repetition of phonemes, letters in speaking about their sorrow and sadness. Not being sure of social conditions in a world which pay attention to men caused women to use interrogative methods in their poems. Women poets also use indirect methods like metaphor because they don't have liberty of speaking in love.
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Language is a fundamental factor in story writing. One of the important topics in language study is the consideration of gender and its relationship with the implemented language in the literatures. Most of the researchers believe that there is a difference between wome More
Language is a fundamental factor in story writing. One of the important topics in language study is the consideration of gender and its relationship with the implemented language in the literatures. Most of the researchers believe that there is a difference between women’s and men’s writing and language. The current researches reviewed the characteristics of females in Simin Daneshvar’s writings and then compare them with women’s language in Jalale Ale Ahamad’s writings. The study showed how femininity emerged in dialects, words, point of view on the life and dealing with different issues and made the women’s writing differ from the men’s writing and effected their characterizing. Words and expression like drat, God give me death! and so on…, interrogative, broken language, using slang and being shaky with maybe, should, mistrust, mentality, feeling expressing, thinking with fear, casting activities like sewing, knitting, cooking and being attentive in private affairs highlighted such differences .
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The way a poet looks at the world and connects with that, also their inner feelings, emotions, and utilizing a proper language to express these feelings specifies their style of poetry. This article tries to investigate the poets of Pantea Safayi, Kobra Musavi and Najme More
The way a poet looks at the world and connects with that, also their inner feelings, emotions, and utilizing a proper language to express these feelings specifies their style of poetry. This article tries to investigate the poets of Pantea Safayi, Kobra Musavi and Najmeh Zareh based on their thought and feminine language. To achieve this goal, feminine emotion in their poetry language has been studied at first. In all these poetry, love and human emotions are the main contents that organizes the content. Hope and disappointment can be observed in their poetry with different frequencies, at the same time. Effect of religious branch and religious beliefs have been investigated in their poems, also their creativity and imagination power with a feminine look has been explained. In the end, differences and similarities in their poets are mentioned considering their poetry content
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