• List of Articles exaggeration

      • Open Access Article

        1 - The Comparison of Exaggeration between Firdausi's Epic Language and Motenabbi's
        Hassan SHavandi Saman Khani Esfand Abad
        Abstract: The exaggerated flaunts are so different among various nations and it does matter with taking into account to the cultural and Geographical conditions, and various ethnic beliefs. In Iran and Arab cultures the exaggeration has further objective aspects and us More
        Abstract: The exaggerated flaunts are so different among various nations and it does matter with taking into account to the cultural and Geographical conditions, and various ethnic beliefs. In Iran and Arab cultures the exaggeration has further objective aspects and usually emerged in physical zooming as Very Height Mountains, deep wells tall athletes, Insatiable overeating and so…on. The distinctions between the exaggerated use of high frequency has been failed. May be the reason behind it, returns to the same famous phrase "say whatever you want if king exists" so Motenabi' Poetry exaggeration, belonged to the scope of praise and worship the kings, which means with the existence of unique art of poetry, the Poet has diminished in his poetry. On the other hand this problem caused to decline Persian Poetry after Firdausi periods. So, Motenabi's poetry, unlike Firdausi's poetry, contained Powerful figures. Sometimes, a lot of bounce in it is found. In fact the accurate consideration in Shahnama exaggeration or Motenabi' poetry should prepare a huge book as the size of Firdausi's Shahnama or the motenabi's poetry court. The main purpose of this investigation, was a kind of attempting to select some valuable subjects with more artistic value and tried to be avoided from failed exaggerated or invaluable subjects. We hope to make them enjoyable for right readers in this field. Manuscript profile
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        2 - Terminology in Al-Kashaf Commentary
        Saeid Najafi Asadollahi Shafi Borhani
        The present article is about the Zemakhshari’s Al-Kashaf commentary. In this book the author has paid a lot of attention to the literary aspects of Quran.One of the most important aspects of this commentary is it’s lexical analysis of the words. The research More
        The present article is about the Zemakhshari’s Al-Kashaf commentary. In this book the author has paid a lot of attention to the literary aspects of Quran.One of the most important aspects of this commentary is it’s lexical analysis of the words. The researcher then compares these analyses with those which exist in Quran while providing reasons and explaining his views about them. Manuscript profile
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        3 - Investigation and analysis of grotesque images in the poems of Shams Langroudi
        Teymout Karami Mah Nazari
        Grotesque images in Shams Langroudi's poems can be considered according to the social and personal developments of his life. He has always been very influenced by the events around him. Shams Langroudi depicts adversity and bitterness in the form of his poems and using More
        Grotesque images in Shams Langroudi's poems can be considered according to the social and personal developments of his life. He has always been very influenced by the events around him. Shams Langroudi depicts adversity and bitterness in the form of his poems and using the tools and aspects of grotesque for the audience of his works.    Until the publication of "Grotesque in Literature" in 1957 by Wolfgang Kaiser, grotesque was only a violent comedy. But Kaiser and Mikhail Bakhtin introduced other dimensions and aspects of grotesque, such as comedy and horror, disharmony, incoherence, and grotesque exaggeration to literature. In this research, using analytical-descriptive method and using library sources, while examining the grotesque poems of Shams Langroudi, we try to find out which aspect of the grotesque aspects is used in his poems and has more expression? Given our knowledge of his character, it is expected that the comedic aspect of horror will be more prevalent in his poems. The result of the research, however, indicates a higher frequency of inconsistency than other grotesque aspects in Shams Langroudi's poems. Manuscript profile
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        4 - Semantic Interpretation and Analysis of the Current Historical Prefix par Based on Persian Language and Literature Texts
        abdollaziz dolati bakhshan Ali Mohammad Moazani
        The verbal prefix par or por and its changed forms (far, fal) in one-prefix verbs as /parastidan/ , /farmoudan/ and two-prefix verbs as /paragandan/, /falakhmidan/ and /forghanidan/ is among dozen prefixes added to the beginning of simple infinitives in Persian Language More
        The verbal prefix par or por and its changed forms (far, fal) in one-prefix verbs as /parastidan/ , /farmoudan/ and two-prefix verbs as /paragandan/, /falakhmidan/ and /forghanidan/ is among dozen prefixes added to the beginning of simple infinitives in Persian Language and other Iranian languages since the ancient Persian language and have added a special meaning to the verb, but with the passage of time and the course of the natural development of the Persian language, and more importantly, the transfer of the cultural and political center of Persian language from its origins in Khorasan and Transoxiana  to the center and west of Iran (Non-Arab Iraq, Azerbaijan, and Fars), where the general people spoke in languages ​​other than Persian, and only bilingual elite, scholars, pots and writers have learned Persian as official, educational, and literary language, many of the prefix infinitives and simple infinitives which had taken prefix have remained unknown and their application in official, literary, and historical texts has been considered sufficient. The simple infinitives as /setidan/, /moodan/, /gandan/, /midan/, /nidan/ have even been abandoned in Khorasan. Searching for the historic prefix / par /por/ in the written texts of Persian language and other languages and dialects (dead and common), and even neighbor (Sanskrit language domain), and its data collection and interpretation and analysis, this term that pundits have placed in the category of )Letters( has been promoted to a compound word of the current root and the )re(suffix Manuscript profile
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        5 - Going Begond the Lethargy custom Ferdosis Best Letter al Ferdosi from Prosodic Perspect.ve
        fateme Salehi ahmad zakeri
        Being mythological is the first and best characteristic of natural and national epics which its instinctive feature is being extraordinary. Therefore, epics through linkage to myths - and myths correlating with the extraordinaries become holy. To spur their audiences&rs More
        Being mythological is the first and best characteristic of natural and national epics which its instinctive feature is being extraordinary. Therefore, epics through linkage to myths - and myths correlating with the extraordinaries become holy. To spur their audiences’attention and emotions, narrators of epics attempt to tint and polish and magnify the extraordinaries. It is well-known that every nation would like to see their heroes at the peak of holiness and splendidness and, so they approach exaggeration of the heroes in order to stimulate a feeling of surprise and astonishment in audiences. This cause the nation to be honored for own heroes. Magnification process is the inherent trait of poem and all kinds of this process is particularly exposed in epic literature. For instance, describing Afrasiab, The Poet Ferdosi composes: If a mountain of iron heard Afrasiab’s name, it will be scared to thaw and become a sea. It is noticeable that composers of epic texts are not the creators of those epic and myths, although, they make use of their art of creativity in making up and magnification of scenes. Manuscript profile
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        6 - Checking the norms in the Beyidel Dehlavi’s Quatrains
        Abdolreza Modarreszadeh Zainab Khoshvatan Mohammad Salamatian
        Disfamiliarization, exaggeration, normalization, deviation from the natural form of language and the rules governing the most influential methods of creating a new style in poetry and it is one of the important components for the arrangement of speech and literary richn More
        Disfamiliarization, exaggeration, normalization, deviation from the natural form of language and the rules governing the most influential methods of creating a new style in poetry and it is one of the important components for the arrangement of speech and literary richness because it transforms the language of the criterion and highlighting the language forms. If meta-normality is more novice, it will be more acceptable and the style of the poet will be more personal. Because one of the Indian style features is fresh and imaginative themes. Bidel Dehlavi is one of the poets of this genre with the highest degree of artistic tenderness and creativity in personal style. Bidel’s quatrains are full of imaginative and ingenious literary initiatives. The tendency to use fresh ingredients, novel themes and artistry imagery makes Bidel stretch from the natural language and it create stunning images with its amazing structure. In this article, the normality of the Bidel’s quatrains have been studied in eight lexical, syntactic, phonetic, semantic, dialectal, archaic, and written phrases،we encounter the various types of normality in Bidel, but the most prominent Bildel style attribute is related to syntactic normality is a semantic, lexical, and stylistic form by constructing specific numerical affiliations, new combinations, modern imagery, and algebraic terms. Manuscript profile
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        7 - A Survey on Concept Making in Kalim Kashani Lyrics
        Ali Dehghan Habibeh Zahedi Kia
        Concept creating is making or discovering the relationship or finding a new integration between a subject and an object which have no apparent relationship. Concept creating is more common in one of the Persian poetry styles called Indian style that Kalim Kashani, a fam More
        Concept creating is making or discovering the relationship or finding a new integration between a subject and an object which have no apparent relationship. Concept creating is more common in one of the Persian poetry styles called Indian style that Kalim Kashani, a famous poet of 11th century, is an adherent of this style, and his book (complete poetical works) containing 590 lyrics is one of the significant works of the era. One of the prominent characteristics of his lyrics is concept creating. Methods and tricks of concept creating include: equation style, exaggeration, wide simile and motifs, which have been used in perfection by Kalim. In order to examine the methods and tricks of concept creating, Kalim’s book has been studied and facts containing concepts have been extracted, evaluated and described in some sections of equation styles including: exaggeration, wide simile and motifs.  Examining concept creating in Kalim’s poems, it became clear that this poet has used equation style to create concept more than all the other methods by applying wide simile, motifs and exaggeration. Manuscript profile