List of Articles dramatic aspect

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  1 - Manifestation of Hallaj's Mask in Abd al-Wahhab al-Bayati's Poetry
  Foad Abdollah Zadeh Ali Asghar Habibi Ali Akbar Ahmadi Chenari Mojtaba Behrouzi
  Poetic symbolization based on past symbols in order to create a romantic situation is one of the important poetic evolutions. Abd al-Wahhab al-Bayati is one of the modernism strongest poets in this field who could express his poetic approaches in the most effective way More

  Poetic symbolization based on past symbols in order to create a romantic situation is one of the important poetic evolutions. Abd al-Wahhab al-Bayati is one of the modernism strongest poets in this field who could express his poetic approaches in the most effective way by applying different symbols of dream. This article – which is done in descriptive – analytic method – studies symbolization and its importance in al-Bayati's poetry in general as well as analyzing Hallaj symbol. He has applies this symbol in many different poetries such as "Hallaj's Torture". The common points in two characters caused forming mask technique in the best way. Manuscript profile
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  2 - The study of the dramatic aspects of folk literature with emphasis on the story of Amir Arsalan Namdar
  Atefeh Nourpisheh Ghadimi
  The story of Amir Arsalan Namdar is a nightly storytelling in the chamber of Nasereddin Shah Ghajar which was told by the narrator of his court, Naghib al-Mamalek and then was written down by the pen of Shah’s daughter.  Despite the aristocratic ambience of i More

  The story of Amir Arsalan Namdar is a nightly storytelling in the chamber of Nasereddin Shah Ghajar which was told by the narrator of his court, Naghib al-Mamalek and then was written down by the pen of Shah’s daughter.  Despite the aristocratic ambience of its origin it was rapidly turned into the most popular and admired Persian folk tales.  Unfortunately such works precisely due to being folkloric have never been truly analyzed in terms of literary and dramatic aspects.  However in this article first the European equivalent of this genre of literature namely romance is dealt with, then certain theories of Northrop Fry, the great literary critic regarding the structure of such stories are presented, and finally the main story of Amir Arsalan is told and its outstanding dramatic points and theatrical potentialities are analyzed.     Manuscript profile