List of Articles contemporary Persian poetry

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  1 - A Study on Surrealism School and its Manifestations in Qeysar Aminpour’s Poetry
  Asgar Babazadeh Aqdam Yaqoub Norouzi
  Surrealists believe in "automatic writing" and think that the poet must disturb his senses and recite poetry in a state of ecstasy and unconsciousness. They care about dreams and a work of art should be a dream from their viewpoint. They attribute surrealism charac More

  Surrealists believe in "automatic writing" and think that the poet must disturb his senses and recite poetry in a state of ecstasy and unconsciousness. They care about dreams and a work of art should be a dream from their viewpoint. They attribute surrealism characteristics to objects and phenomena. In the contemporary period, Persian literature was also influenced by this school by European literature and the poets of the poetic currents "New Wave" and "Spacementalism" were influenced by the opinions of the poets of this school. In addition to these two currents, independent poets such as Sepehri have been influenced by this school and have introduced the special tricks and in their poetry and have written poetry in accordance with the accepted theories of this school. In Qeysar's poetry, there are some splendors of the influence of this school, and in the present article, examples of this influence have been mentioned, studied and analyzed. Although Qeysar is not a surrealist poet, the influence of this school on some of his poems is undeniable. Manuscript profile
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  2 - Manifestations of Resistant Literature in Iranian Literature and Contemporary Palestine
  Mohammad reza Beigi mehdi mohammadi Khadijeh Safari kendsari
  10.30495/cls.2022.691934
  Language is undoubtedly the embodiment and symbol of the mind. Mental action is expressed when it comes to the stage of language, and expression is nothing but a combination of words and phrases. In fact, poets make their invisible minds visible and understandable in "w More

  Language is undoubtedly the embodiment and symbol of the mind. Mental action is expressed when it comes to the stage of language, and expression is nothing but a combination of words and phrases. In fact, poets make their invisible minds visible and understandable in "what to say" and "how to say". The occupation of Arab countries, including Iraq and Palestine, as well as the imposed war after the victory of the Islamic Revolution, were a great test for the field. Anyone could protect the homeland in any way he could. This current remains to this day and is necessary to preserve the values of sacred defense. The present article is descriptive-analytical and the research findings indicate that the language of contemporary stability poetry with persuasive functions has religious, epic, cultural and mythological themes, and using structures such as allusion, simile, metaphor, aberration, The archetype, etc. depicts the blowing of the spirit of morality and the strength and heroic authority with a suitable and eloquent tone and meaning for the audience. Manuscript profile
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  3 - Analysis of the Content of Belief in Resurrection in Free Poems by Mahdi Akhavan Sales
  Masoumeh Sadat Mirjafari Alireza Fouladi
  10.30495/dk.2021.682095
  under the influence of the Western culture, modern contemporary poet, Mahdi Akhavan Salis, tried pay attention to Iranian culture and, to this end, tried to create a reconciliation of Zoroaster's personal and charitable tendencies, social orientations, and justice-seeki More

  under the influence of the Western culture, modern contemporary poet, Mahdi Akhavan Salis, tried pay attention to Iranian culture and, to this end, tried to create a reconciliation of Zoroaster's personal and charitable tendencies, social orientations, and justice-seeking. The present article tries to answer the question of the extent of his beliefs in the afterworld, using exact qualitative content analysis. The aim was to see whether in his belief in resurrection, Akhavan Salis proceeded to the same extent as the ancient Iranians? According to the scholars' view, Mazdak has been a follower of the Zoroastrian religion in terms of the principles of theology. In this tradition, the divine and individual judgment and the Chinadopal, the same path, paradise and hell, and collective judgment, and the ultimate punishment of the sinners to free them from the oppression of sin, and finally, The scarlet has a clear plan. This article   Finally, it concludes that 153 semi poetry and 5 white poems have been released, and in total 158 free verses of the Brotherhood, 59 times in 50 poetry and 4 times in 4 poems, and 63 times in total 33 poems related to resurrection, and the percentage of poems related to resurrection The poet's poetry ratio is 88/20. However, concludes that his view of the resurrection, in his free poems, is more of a gloomy, sometimes mocking and even libelous, nature and, therefore , does not coincide with the resurrection of the ancient Persians or any other belief in the resurrection. Manuscript profile
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  4 - Ambiguity in Maftun Amini’s Poetry
  Alireza Tayogh Najibeh Honarvar Farhad Falahatkhah
  Art needs beauty and to believe that poetry is one of the types of art, it needs beauty. There are many elements and factors of the beauty of poetry, and every poet in every era tries to decorate his poems with these elements. The main topic of this research is the stud More

  Art needs beauty and to believe that poetry is one of the types of art, it needs beauty. There are many elements and factors of the beauty of poetry, and every poet in every era tries to decorate his poems with these elements. The main topic of this research is the study of the science of expression in the poetry of Maftun Amini, which was carried out using a descriptive-analytical method based on library sources. In this article, the beautiful images of Maftun's poetry have been explained by addressing the components of ambiguity, irony, recognition, metaphor, paradox, and simile. By using all the tricks of imaginative elements and with a new attitude, he freed his poetry from the repetitive images of traditional poetry and succeeded in creating original and creative images by using innovative crafts. In the "Anarestan" and "Hidden Season" collections, the poet's language moves towards poetic ambiguity, vagueness, and brevity. Maftun uses poetic images and stereotypes to personalize the language of his poetry to wrap his poems in an aura of ambiguity and make the audience's mind struggle to understand it. In this way, by making the reader participate in the work, a special place is given to him to find a different meaning in the poetry. Manuscript profile
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  5 - Analyzing the Didactic teachings of 'Anti-Oppression' in the Poem Derafsh-e-Kāviān by Hamid Mosaddegh on the Basis of the Theory of Speech Acts of John Searle
  hasan lakzian akbar shabany
  10.30495/pars.2021.681654
  Contemporary poetry has experienced fundamental changes compared to the classical period regarding the words and content. In terms of content, poets have avoided referring directly to ethics and have used it as a tool to represent political and social issues, which resu More

  Contemporary poetry has experienced fundamental changes compared to the classical period regarding the words and content. In terms of content, poets have avoided referring directly to ethics and have used it as a tool to represent political and social issues, which results in the complexity and multiplicity of the poems. Hamid Mosaddegh, as one of the prominent representatives of the social symbolic poetry in the contemporary era, has benefited this technique. In Derafsh-e-Kāviān, by reflecting a set of moral teachings and their connection with the political and social issues, he takes a new step in describing and designing didactic themes. At the infrastructure level, he has encouraged his audience to build a better world in accordance with justice-oriented standards, by using didactic capacities such as God-centeredness, unify of people, self-belief, intellectual and behavioral passivity, negation of determinism, etc. Analyzing Derafsh-e-Kāviān with a descriptive-analytical method and on the basis of John Searle's theory of speech acts shows that using expressive, persuasive, emotional, obligatory and declarative acts resulted in representing anti-oppression as a macro moral concept. Other didactic teachings. Teaching methods have been used to reinforce this fundamental concept.  Manuscript profile
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  6 - Examining the Translations of Forough Farrokhzad’s Selected Poems by a Native and a Non-Native Speaker Using Vinay and Darbelnet’s Model
  Enayat A. Shabani Nafiseh Emadi Fatemeh Daftari
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