List of Articles Yong Example Forms

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  1 - Application of paradigm archetypes in Astarabadi's Happiness Letter and Tarshizi Letter Letter based on Jung
  Zeinab Norouzali Ahmad Khatini Khiyali Ali Asqhar Halabi
  10.30495/dk.2021.1905635.2025
  The present article is an attempt to find an ancient paradigm in the Court of Saadatnameh of Astarabadi and Saghinameh Tarshizi. Archaeologists are a treasure trove of collective psyche and thought that emerges, regardless of tradition, wherever and whenever, and becaus More

  The present article is an attempt to find an ancient paradigm in the Court of Saadatnameh of Astarabadi and Saghinameh Tarshizi. Archaeologists are a treasure trove of collective psyche and thought that emerges, regardless of tradition, wherever and whenever, and because of the abundance of human experience, the number of archetypes cannot be determined. Since archetypes express certain psychological states of human beings, their specific psychological and worldview features of poets can be achieved by interpreting them in poems. Examples of Jungian personality models include the model mother, Anima-Animus, Shadow, Persona, and herself. Jung considers these concepts to be inherited structural components of the human psyche. Moving from me to myself requires the development of different layers of the subconscious that we will address in this article. Saghi's letter of emergence of Tarshizi and Saadatnameh of Nizamuddin Astarabadi are among the works that have not been sufficiently researched and many of their ammunition have been hidden. Therefore, by extracting the ancient pattern of examples in these two works, we can help to interpret the verses. This article has been evaluated with the aim of comparative study of proverbs in two poetry collections; and it aims to answer the questions raised. Did Astarabadi and Tarshizi use all the ancient concepts of parables in the works in question? And which of the concepts of exemplary forms (Persona, anima, animus, shadow, self, material mother) has the highest and lowest frequency in Astarabadi and Tarshizi poems? After extracting the archetype of exemplary forms in both courts, it was concluded that both poets used all the concepts of archetype in their work. Shadow and Anima have the highest frequency in Saadatnameh and Saqinameh, and Animos has the lowest frequency in both works. The proposed result is expressed in a library-analytical-descriptive manner. Manuscript profile