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        1 - A Comparative Study of Abstraction in Iranian Islamic poetry and architecture and Arabic-Islamic Poetry and Architecture ( Emphasizing on traditionalists' views on Islamic art(
        foroogh elahi Nima Ettehadi
        Traditionalist philosophers have described Islamic art as abstract, cryptic, and meaningful. Accordingly, pure abstraction has a special place in the art of Islamic architecture in Iran and the Islamic world , as one of the important features of Islamic art, which is ta More
        Traditionalist philosophers have described Islamic art as abstract, cryptic, and meaningful. Accordingly, pure abstraction has a special place in the art of Islamic architecture in Iran and the Islamic world , as one of the important features of Islamic art, which is taken from the first aesthetic source of abstraction in Islam, the Holy Quran, and is based on mystery and semantics. However, this important element and indicator has received less attention the art of Persian and Arabic poetry , which is one of the most prominent and widespread arts that was composed in the Islamic period with the aim of embodying abstract and transcendental concepts based on monotheistic and mystical beliefs Of These two nations. Accordingly, the current descriptiveanalytical method paper examined and explained the element of abstraction, review and compare in ArabicIslamic and Iranian Islamic poetry and architecture with emphasis on the views of traditionalists. Studies show that the emergence of Sufism and mysticism in Islamic poetry and architecture has been the peak of the tendency to pure abstraction these arts between these two nations. Thus, concepts such as unity of existence, manifestation, love, annihilation and survival in the form of geometric shapes, lines, colors and words and phrases and through common artistic tools such as rhythm, balance, repetition, code, simile and ... is reflected in Arab-Islamic and iranian Islamic architecture and poetry, so that almost everything that has happened in the world of mysticism has entered the field these two Iranian and Islamic arts in abstract language. Manuscript profile
      • Open Access Article

        2 - Transformation of Zandiqeh applications and its Continuity in Iran's Political Culture during the Qajar Era
        shahnaz yazdanpanah Reza Dehghani Nemat Ahmadi Nasab
        The anti Zandiqeh movement has been a prevalent issue in Iran's political culture throughout history due to the intertwining of religion and politics. However, their applications have varied in each period. During the Qajar era, their applications underwent a trans More
        The anti Zandiqeh movement has been a prevalent issue in Iran's political culture throughout history due to the intertwining of religion and politics. However, their applications have varied in each period. During the Qajar era, their applications underwent a transformation due to the clash between tradition and modernity. The question is how did the circumstances of the new era, particularly the influence of European modernity on religious and political reformists, affected the transformation of Zandiqeh? The hypothesis is that in religious-dominated societies like Iran, the applications of Zandiqeh undergo changes in accordance with the requirements of each era. This article seeks to analyze the actions of certain fanatic traditionalists and extremist reformists who, by polarizing society, contributed to the spread of Zandiqeh. Data collection for this article is based on library research and analytical methods. According to the findings, the transformation of Zandiqeh during the Qajar era was influenced not only by religious concerns but also by the cultural and religious conditions of society and personal motives. Manuscript profile