List of Articles Shawqi

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  1 - A Comparative Study of Political Views of "Mohammad Taghi Bahar" and "Ahmad Shawghi
  ALI SABERI ELAHEh razaghi
  Abstract This research paper is about the political views of Mohammad Taqi Bahar (1330-1265 SSI) and Ahmad Shawghai (1932-1868 AD), two outstanding poets of Persian and Arabic literature in the contemporary period. Both Poets’ expression changed after the industri More

  Abstract This research paper is about the political views of Mohammad Taqi Bahar (1330-1265 SSI) and Ahmad Shawghai (1932-1868 AD), two outstanding poets of Persian and Arabic literature in the contemporary period. Both Poets’ expression changed after the industrial revolution that began in the Language Arts. In this paper, three of their political views, "colonialism", "freedom" and "war" are studied; and at the end, the similarities and differences in their perspectives and their ways of explaining of each topic have been presented. Manuscript profile
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  2 - Literal Image of Iranian Characters and Characterization in Showqi's Qambeez Play
  Mahmoud Heidari Dariush Rastkhiz
  One of the comparative literature branches is nation's imageologie and a hometown in other nation's literature. Ahmed Shawqi – contemporary poet – has versed a play called "Qambeez" or Cambyses II which is about an Iranian king and has depicted Iranians in a More

  One of the comparative literature branches is nation's imageologie and a hometown in other nation's literature. Ahmed Shawqi – contemporary poet – has versed a play called "Qambeez" or Cambyses II which is about an Iranian king and has depicted Iranians in a way its analysis is precious from comparative literature point of view and the reader can have a better understanding of our ancient history and culture. Although the main aim of the present paper is to present the Iranians images in the mentioned play, the technical aspect of the characters and Characterization is also studied and analyzed. Manuscript profile
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  3 - Case Study of Shawqi's Haamziyeh and Mo'ayyeri's "in Commemoration of Prophet"
  Ensiyeh Khazali Mahboubeh Parsaei
  The remarkable differences between Ahmed Shawqi and Rahi Mo'ayyeri are as follows: epic and social concepts in shawqi's against Mo'ayyeri sonnet – like poetries. Showqi's poetries are simple and fluent while Mo'ayyeri's own complex lexicon and figures of speech. I More

  The remarkable differences between Ahmed Shawqi and Rahi Mo'ayyeri are as follows: epic and social concepts in shawqi's against Mo'ayyeri sonnet – like poetries. Showqi's poetries are simple and fluent while Mo'ayyeri's own complex lexicon and figures of speech. In Showqi's poetry a logical procedure can be seen whereas analyzing different aspects of Prophet Mohammad's life as well as studying his characteristics. Although realism, deep honor and ignoring beautiful depicting is common in both poetries. The outstanding concept in Showqi's poetry is appealing to Ahl – e Beit while there is no trace of it in Mo'ayyeri's in spite of his growth in Shia's environment. Manuscript profile
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  4 - Comparative Study of Quranic Themes Effectiveness on Christianity in Ahmed Shawqi's Poetries
  Seifali Zahedifar Ameneh Mousavi Shajari
  The present paper deals with issues relating Christianity, such as titles and prominent attributes of Jesus, his birth and miracles. It also discusses Jesus Crucifixion and his Ascension and the Gospel among Christians which is one of the most centra More

  The present paper deals with issues relating Christianity, such as titles and prominent attributes of Jesus, his birth and miracles. It also discusses Jesus Crucifixion and his Ascension and the Gospel among Christians which is one of the most central issues of Christianity. The division in Christianity, the Companions of Jesus and the ranks of the Christian clergy are other topics discussed in this article. This study intends to study each of the topics discussed in Ahmed Shawqi's poetries with emphasis on the Verses of Holy Quran; and make comparisons with Christian and Islamic texts and express how a poet is influenced by those texts if necessary. Manuscript profile
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  5 - A study of the aesthetics of semantic deviation in the poetry of Shawky Bazieh and Manouchehr Achi Based on the model of Farzan Sajdi
  arman mohamadi shahreyar hemmati
  10.30495/cls.2022.1945006.1348
  Shawqi Bazie and Manouchehr Achi are among the innovative poets in Lebanese and Iranian literature due to their special poetic language and are highly skilled in the process of constructing new words and innovative poetic structures. In this way, they used various liter More

  Shawqi Bazie and Manouchehr Achi are among the innovative poets in Lebanese and Iranian literature due to their special poetic language and are highly skilled in the process of constructing new words and innovative poetic structures. In this way, they used various literary strategies and techniques, including semantic deviations in their poetry. Farzan Sajoudi is also a well-known expert in the field of semiotics and signs. He divides his usual model of semantic deviation into two main parts, perception and abstraction, and each of them is divided into subsections. The current article attempts to study and analyze the homogeneity of their poetry in the light of a comparative perspective and based on the American School of Comparative Literature, regardless of the phenomenon of influence and vulnerability, in the light of a prostration model. The results of the research showed that Bazi' and Achi deviated from the rules of the normal language by relying on the typical axis of words in the context of animalism and humanity and relying on the element of life and metaphor in their poetic words, inventing the meaning of imagination that differs from its general meaning. Based on the grammatical axis of the vocabulary and using the imaginative power of simile, they grouped a group of heterogeneous words into a semantic chain within the context of the text, and returned the verbs and traits of plants to humans, and created different meanings for the words of the poem that differ in their semantic Manuscript profile
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  6 - Ahmed Shawqi, poet of Islam
  Zahra Saeedi Leila Saeedi
  Shawqi was harmonic with Islamic concepts which made Muslims eager towards Prophet Mohammad. He demanded for His health and wellbeing as well as Islamic societies' problems pleadingly; he also intends to introduce Him as a role model to return the majesty to Islamic nat More

  Shawqi was harmonic with Islamic concepts which made Muslims eager towards Prophet Mohammad. He demanded for His health and wellbeing as well as Islamic societies' problems pleadingly; he also intends to introduce Him as a role model to return the majesty to Islamic nation. His poetry represents Islamic idea and exact recognition of Islam religion which magnifies poet's facts. By looking at Shawqi's poetry there is no trace of infidelity but commitment and belief in Islam and Muslims. There are three poems on Mohammad's praise called "Burda approach", "Al Hamzah al- Nabawi" and "Prophet's Birthday" in which the importance of Islam in life is expressed. The mentioned odes are the best witnesses of his cognition of Islam in his life. This paper intends to research it analytically. Manuscript profile
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  7 - A New-Historicist Reading Of Contemporary Arabic Poetic Play; "Case Study in Shawqis's the Death of Cleopatra
  Ebrahim Hassani Javad Yaghoobi Derabi
  New Historicists believe that a literary work should be evaluated in its historical context. It means that a work of art is written under the impacts of social conditions, formed in a particular context, impressed by various discourses, and it impacts on them mutually. More

  New Historicists believe that a literary work should be evaluated in its historical context. It means that a work of art is written under the impacts of social conditions, formed in a particular context, impressed by various discourses, and it impacts on them mutually. On this ground, power as a set of relations (and discourses) is available at all times and has an intimate relationship with the dominant discourse and other narratives. So through written workes belong to a given era, critics will be able to find out power relations in that era and this helps them to achieve its meaning. Ahmad Shawqi in his verse play, under influences of social conditioning, embodied power relations. And his picture of power meets Foucault's terms regarding power. Foucault, as a new historicist, pursues power everywhere. As he says "Where there is power, there is resistance, and yet, or rather consequently, this resistance is never in a position of exteriority in relation to power", he crystallizes a binary operation between power and resistance. Furthermore, by evaluating this work, I show power relations among characters e.g. Cleopatra and Romans, Cleopatra and Caesar, Egypt and Rome. In the following, I illustrate the ways characters resist in the chain of power relations. Attendance of Eastern women in power positions is another matter which will be shown respectively. Manuscript profile
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  8 - A Comparative Analysis of the Tradition and Modernity in Arabic Dramas: A Case Study of the play 'Death of Cleopatra'
  Majid Saleh Bek
  Researchers believe that the first steps of the Arabic drama’s art, especially poem dramas, were taken by the Lebanese writer Marun al-Naqqash, the Lebanese writer. Although this art had weaknesses at the beginning, it can be said that its first steps were by and More

  Researchers believe that the first steps of the Arabic drama’s art, especially poem dramas, were taken by the Lebanese writer Marun al-Naqqash, the Lebanese writer. Although this art had weaknesses at the beginning, it can be said that its first steps were by and large acceptable. They also believe that its early stages of formation carried out by Ahmed Shawqi, the Egyptian genius poet, whose knowledge of western literature, especially French literature, strengthened his motivation to benefit from this new literary genre. Fascinated in the French literature and especially dramatic literature, Ahmed Shawqi pursued the way of the great playwrights such as Pierre Corneille, Racine and Moliere in his works. He introduced dramatic stories, as a new literary genre into the Arabic language and turned to historical poems, a way that enhanced the status of historical poem dramas. In the present article "The Death of Cleopatra" is chosen among Shawqi's historical plays. This play was written in 1927 to defend a character that Ahmed Shawqi imagined the history distorted her face. In this play, he defends surprisingly Cleopatra, the queen of the pharaonic era, and portrays her as a patriot who is infatuated with her country, Egypt. In his opinion, Cleopatra was wrongly judged by western historians. They portrayed her as a reveler and capricious woman who does not care about the interests of her country. In his historical dramas, Ahmed Shawqi is not satisfied only with plotting the events of history; rather, his goal in representation historical events and characters is to use them symbolically in order to raise moral, social, political and even psychological issues. He presents an art that is structurally complete and possessed the features of the show. Therefore, it can be said that the historical poem dramas were created and flourished by this revivalist poet under the influence of the greats of this field, such as Racine, Pierre Corneille, Moliere, and Shakespeare. Manuscript profile