Abstract In this paper, the description of nature is compared and contrasted from specific perspectives in the Divans (collected works) of two Persian old poets named Toghtaei and Manouchehri Damghani.First, the status and mission of comparative literature is studied. More
Abstract In this paper, the description of nature is compared and contrasted from specific perspectives in the Divans (collected works) of two Persian old poets named Toghtaei and Manouchehri Damghani.First, the status and mission of comparative literature is studied. A brief review of Toghraei and Manouchehri biographies is presented. Then, the literary, cultural, and environmental features of their period and they are presented with a descriptive-analytical approach comparative study of description of inanimate and animate nature is carried out. In addition, the involvement and depiction of these poets is accompanied with examples and poems in which the effect can be seen.
Manuscript profile
Color has an undeniable role in Persian literature. Every color has its own special effect, and each effect from a special color creates the special mental state. In the extent of non-verbal communications, poets and authors have done effective works by their emotional More
Color has an undeniable role in Persian literature. Every color has its own special effect, and each effect from a special color creates the special mental state. In the extent of non-verbal communications, poets and authors have done effective works by their emotional and sometimes rational conceptions to clarify the unknown secrets of color. The findings of this research analyzing the rhetorical and literary language of color in non-verbal communications in the poetry of Roudaki and Manouchehri, shows that colors in these poets' poetry are their second and communicative language. These two poets, as great naturalist poets of Khorasani style like other poets of this style, have extremely used the various range of colors and their language to create the words, themes, interpretations, and literary and artistic images by inspiration of the colorfulness of chromatic nature to transfer and excite their thoughts and inner messages in the world of non-verbal communications. The colors like red, black, white, and yellow have high frequency rather than other colors. Happiness has been portrayed by the red and green colors, and dark colors like black has been their communicative language in sadness and sorrowfulness. In addition, they have selected the white color to express the purity, and dark colors to show their disappointment
Manuscript profile
Seven Pendants (Moallaghat -e Sab’eh) is one of the great cultural treasures of mankind and one of the honors of the history of Arabic literature and literature. Iran has been influenced by Arabic language, literature and culture due to its proximity to Arab lands More
Seven Pendants (Moallaghat -e Sab’eh) is one of the great cultural treasures of mankind and one of the honors of the history of Arabic literature and literature. Iran has been influenced by Arabic language, literature and culture due to its proximity to Arab lands. Although this effect is reciprocal and profound; But undoubtedly the influence of Arabic literature on the poets of the early periods of Persian literature has been deeper and greater. One of the main objectives of this research is to analyze and compare the poems related to the description of Atlalal and Deman in Seven Pendants with the poems of four of the most prominent poets of Khorasani style; That is, Ansari is Manouchehri Damghani, Amir Moezi and Naser Khosrow. In this research, the author intends to study, analyze and describe the duration and duration in the commentaries of Mo’laghat -e Sab’eh and prominent poets of Khorasani style in a descriptive-analytical manner and as a library tool. The vast majority of scholars who have written about the influence of Persian poetry on Arabic poetry in the category of description of Atlal and Daman agree that Iranian poets have followed the poetry of Arab poets and well-known Arab poets. They have used the background as a model for their work. The results of the research indicate that Persian poets, like Arab poets, have not been able to convey the feeling of sadness and separation of the lover from seeing the audience to the audience and have failed in this way and in this type of literature, their poetry has resulted in nothing but rhetoric.
Manuscript profile
In this article attempt is made to investigate the impact of Jahili poetry on Manouchehri’s poetry. Since many themes in Manouchehri’s poems are taken from the poetry of poets in this period of ignorance, this question arises that if this genre of Arab More
In this article attempt is made to investigate the impact of Jahili poetry on Manouchehri’s poetry. Since many themes in Manouchehri’s poems are taken from the poetry of poets in this period of ignorance, this question arises that if this genre of Arabic poetry was not at his disposal, would we have witnessed such expressions in Manoucheri’s poetry or not? Meanwhile that this article answers the above question, it provides evidences to show the influence of subject matters used by Arab Poets on Manouchehri’s poetry.
Manuscript profile
Sanad
Sanad is a platform for managing Azad University publications
