Iranian Poets and writers have always been using different kinds of allegories to express the symbolicand moral concepts during ages of Persian classic literature. Allegory is one of the tools that not only creates literal enjoyment&n More
Iranian Poets and writers have always been using different kinds of allegories to express the symbolicand moral concepts during ages of Persian classic literature. Allegory is one of the tools that not only creates literal enjoyment and provokes emotional feelings in the reader but also expresses emotions and poetical concepts as if they are carved on a piece of stone. Hafez and Molavi have used different kinds of allegories to induce symbolic and moral concepts. Molavi has used more allegorical tales and equation techniques but Hafez has used exemplums and equation techniques to express the inner and outer beauty .Hafez has described the inner beauty as “ Aan” and Latifeh but Molavi by using allegories has preferred the inner beauty which originates from purity of the heart and knowledge to the superficial beauty which is irrelevant to the purity of the heart.
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Quipped one of the modes of expression are covered, and the main elements of illustration in the book is Bha’vld Maaref. He mystical effect, using expressive and creative elements, especially irony, his prose style from ordinary prose and poetic prose scientific a More
Quipped one of the modes of expression are covered, and the main elements of illustration in the book is Bha’vld Maaref. He mystical effect, using expressive and creative elements, especially irony, his prose style from ordinary prose and poetic prose scientific approach and has added to the beauty of writing. Lack of attention to prose mystical teachings and illustrations of Persian Language and Literature, has caused that this beautiful work has been forgotten. In this study, it functions as a metaphor and imagery in Maaref e Bha’vld studied and analyzed. Thus, images of Maaref e Bha’vld ironic in terms of inner meaning, based on the views of traditional rhetoric examined and then to issue a statement on Maaref e Bha’ vld irony as one of the factors to be explored. The result of this study indicates that the use Bha’ vld ironic imagery in his work, the art style of his speech, that the word of his prominence and eventually leads to its proximity to the poetic prose.
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Maaref, sermons and speeches of Soltan Ulama (King scientists) Bahaevalad, including outstanding works and wondrous mystical prose style mixed prose and simple written and mental, is similar to poetry. One of the ways of expressing and communicating experiences and conc More
Maaref, sermons and speeches of Soltan Ulama (King scientists) Bahaevalad, including outstanding works and wondrous mystical prose style mixed prose and simple written and mental, is similar to poetry. One of the ways of expressing and communicating experiences and concepts, at the same time it is a different sense of audience influence In that case, we can increase our power to instill concepts to several times. In this article, one of the most beautiful imagery in Maaref e Bahaevalad the Synaesthesia is analyzed; This Literary figure, sometimes through the use of words and phrases related to the sensory feeling on the other. Thus, after the definition and introduction of this innovative industry, to cite examples of it in Maaref, who have paid a higher frequency. The result of this study indicates that the use Bahaevalad of Synaesthesia, especially in his sense of taste, the art style of his speech, which he has been instrumental bumps.
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The present article deals with the sayings of Baha al-din Valad written in his famous journal, entitled Maaref which has been published in 13333 by the efforts of Professor Fourouzanfar. It is an attempt to make a comparison between the characteristics of thebelov More
The present article deals with the sayings of Baha al-din Valad written in his famous journal, entitled Maaref which has been published in 13333 by the efforts of Professor Fourouzanfar. It is an attempt to make a comparison between the characteristics of thebeloved in the words of BahaValad with what Moulana has drawn of his beloved and master Shams Tabrizi in his Ghazaliat.
Through this comparison and assessment, the writer seeks similarities in line of thought of the father and the son and also reveals point of departure in their thoughts.
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Depth and vastness of Moulana’s thought is due to the strong bond he has with koranic sciences. A glance at the frequent occurrences of the koranic concepts demonstrates that Moulana seeks redemption and salvation of man in the realm of prophetic revelation More
Depth and vastness of Moulana’s thought is due to the strong bond he has with koranic sciences. A glance at the frequent occurrences of the koranic concepts demonstrates that Moulana seeks redemption and salvation of man in the realm of prophetic revelation (wahy). Moulana has creatively incorporated the meanings and themes of koranic verses in his anecdotes thus focusing on these stories is expressive of the interpretative methods that have been employed in Mathnavi.
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This article seeks the reflection of BahaValad’s thoughts in Maaref regarding the matters of soul in Moulana’sGhazaliat and Roubaiaat. The selected subjects,each demonstrates that they share the same perspective and use similar mode of expression.  More
This article seeks the reflection of BahaValad’s thoughts in Maaref regarding the matters of soul in Moulana’sGhazaliat and Roubaiaat. The selected subjects,each demonstrates that they share the same perspective and use similar mode of expression. Their common features often dependent on old Sufis beliefs, in some instances seem to be contrary to what was customary among Sufis at the time. As far as the following discussions such as the origin of soul, characteristics of soul, Soul of other creatures in the upper and lower world, and also the finality of soul are concerned Moulana shares views with his father. A mere glance at the apparent similarities proves that Jalalu din Mohammad was under the influence of his father’s thoughts. با نگاهی گذرا به همگونیهای محتوایی ـ صوری و بدون دقیق شدن در ریشههای مباحث، میتوان تأکید کرد که جلالالدین محمد از اندیشههای پدر متأثر بوده است.
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