List of Articles Iranian music

• Open Access Article
  • Abstract Page
  • Full-Text
  
  1 - Safavids Kings and Music
  قنبرعلی رودگر علی محمدی
  The Iranian music as many cultural and social manifestations and wasaffected by safavids era. The Iranian,s life style got so many effectsfrom politics of safavids government.These effects also in the periodsof various kings were different. In the age of first Shāh Abbā More

  The Iranian music as many cultural and social manifestations and wasaffected by safavids era. The Iranian,s life style got so many effectsfrom politics of safavids government.These effects also in the periodsof various kings were different. In the age of first Shāh Abbāsbecause of his tendency to the music,it developed.But in the ages ofShāh Tahmāsb and Shāh Solaymān because of Jurists, domination onthem, they were against the music. At that time this art was going todecline, the musicians were left their country and this art becameweak. Because of these issues many of them migrated to the otherlands out of the Safavids territory. Manuscript profile
• Open Access Article
  • Abstract Page
  • Full-Text
  
  2 - Rhythmic Patterns in a Treatise on Music Entitled Kulliyat-i Yusufi
  بابک khazraei
  According to the scribe of its unique manuscript, the treatise entitledKulliyat-i Yusufi, attributed to iya’uddin Yusuf, is written duringFatḥ‘ali Shah’s reign (1212-1250 A.H.). Despite its unoriginality,since very few numbers of Musical works are ext More

  According to the scribe of its unique manuscript, the treatise entitledKulliyat-i Yusufi, attributed to iya’uddin Yusuf, is written duringFatḥ‘ali Shah’s reign (1212-1250 A.H.). Despite its unoriginality,since very few numbers of Musical works are extant, this short treatisewhich indicates the continuity of writing works on music underQajarids, is very important. The fact that there is a reference to thenames of twelve musical model systems (dastgahs) at the end of theaforementioned treatise, shows an important turning point in thehistorical course of this concept. Like most of Safavid works onmusic, this treatise uses the word Uṣul for the concept of rhythmicpatterns in Music. The last chapter of this work on Uṣul has beendivided to two parts. The first part, under the influence of MirṢadruddin Qazvini (d. 1008 A.H.)’s work on music, commences withthe definition of the terms “Uṣul” and “Naqra”, and describes 5 oldand 17 recent Dawrs, and finally different rhythmic genres. Secondchapter, influenced probably by a treatise entitled Bahjat al-Rawḥ(written probably in the eleventh century) describes 24 rhythmicdawrs. Manuscript profile
• Open Access Article
  • Abstract Page
  • Full-Text
  
  3 - An Investigation of the Relationship between Images and the Impression Created by the Music: A Case Study of Traditional Music for the Elderly
  alireza rezvani Davod Baradaran Tavakoli
  Manuscript profile
• Open Access Article
  • Abstract Page
  • Full-Text
  
  4 - Adorno Analysis of Culture Industry and Commodity Theory in Iranian Music From a Sociological Perspective
  Meisam Mirian Hooman Asadi Shahla Eslami
  10.30495/jss.2021.1921872.1296
  The theory of the culture industry as one of the most important philosophical views of the philosophers of Frankfurt School philosophers has been considered with The focus on the concept of commodification of Art in the production of art works and the superficiality of More

  The theory of the culture industry as one of the most important philosophical views of the philosophers of Frankfurt School philosophers has been considered with The focus on the concept of commodification of Art in the production of art works and the superficiality of culture versus elite and sublime art and culture. from this point of view, the emerging forms of popular Music as an example of worthless cultural goods were able to dominate the life of the mass; hence, any attempt for rationality within a class of people who, according to adorno, are a classless society, will be failed. what is considered as the main subject of the present research is the impact analysis of culture industry theory on Iranian Music in various aspects, including Iranian Music, as well as the growing influence of popular culture on Iranian Music rows which during 60s and under the influence of Neo Marxists has increased in iran. Also, in the present study, an attempt has been made of present a structured analysis of the culture industry theory in the process of commodification in popular Iranian Music, through which aspects such as standardization and mass production of art works under the influence of mass media and market domination system are considered.  Manuscript profile