List of Articles Hassan Hosseini

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  1 - A study of protest poetry in the poems of famous poets of the Islamic Revolution Islamic Revolution
  Reza Karimi Larimi Reza Forsati Joybari Hosein Mansoryan
  10.30495/dk.2021.1914326.2120
  In the period of the Islamic Revolution, committed and committed poets to defend the values of the revolution and promote revolutionary ideas have expressed the facts and criticized the problems and issues of social, political, cultural, religious, moral, economic, etc. More

  In the period of the Islamic Revolution, committed and committed poets to defend the values of the revolution and promote revolutionary ideas have expressed the facts and criticized the problems and issues of social, political, cultural, religious, moral, economic, etc. of their time, which These poems have been called "protest poems". Protest poetry as a nascent literary movement, a kind of social poetry and originates from the foundations of sustainability poetry. Among the poets; Tahereh Saffarzadeh, Simin Behbahani, Sepideh Kashani and Fatemeh Rakaei are among the women critical poets; This research tries to study the themes, methods of expression, tone and format of protest in the poems of famous poets after the Islamic Revolution in various fields (political, social, religious, moral, economic, cultural, etc.) and the common denominator and Examine the differences between their poems in this regard.This research has been done in a descriptive-analytical, statistical manner using library studies.Poets have a realistic and at the same time cross-border attitude in criticizing the problems of the country or human society; As their protest poems are a reflection of the socio-political conditions of society and time, and such poems in addition to the active presence of women poets in the political and literary arenas of society is a confirmation of the sociological theory of literature that always affects art from social and political contexts. Ultimately, the purposeof protest poetry is to preserve Islamic values, reform society, and combat injustice.The highest frequency of reflection of protest themes in Tahereh Saffarzadeh's poems and the lowest frequency is related to Sepideh Kashani, which has been composed in the form of Sepid, Nimai, Ghazal, Rubaei, etc. in political and social fields, respectively. These protests are global (foreign) and sometimes domestic, where the first type of protests revolves around protests against the policies of world powers, and domestic protests are related to injustices in society. Manuscript profile
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  2 - A Comparative Study and Comparison of the Symbol from the Perspective of Ambiguity in the Poetry of Salman Herati, Seyed Hassan Hosseini and Tahereh Saffarzadeh
  Jafar Mohammadi Dr.Arash Moshfaghi Dr.Aziz Hajjaji khjwaz
  From the point of view of rhetorical sciences, the symbol is a word, phrase, or sentence that, in addition to its apparent meaning, induces a wide range of semantic meanings for the reader. The expression of mystical ambiguous ideas and the indirect reflection of politi More

  From the point of view of rhetorical sciences, the symbol is a word, phrase, or sentence that, in addition to its apparent meaning, induces a wide range of semantic meanings for the reader. The expression of mystical ambiguous ideas and the indirect reflection of political and social ideas in a symbolic form have caused a special emergence of the symbol in the Persian poetic discourse. In contemporary literature, in addition to the above-mentioned factors, the emergence of schools that have a special ambiguity increases the attention to symbolism. From this study, the symbols of contemporary poetry are the unraveling of the ambiguity that rules them. In this research, which has been done in an analytical-descriptive way and library method, the symbols symbolized in the city of Herati, Hosseini and Saffarzadeh, who are considered to be the leading poets of the revolution and war, have been examined in terms of ambiguity. In examining the symbol from the point of view of ambiguity, real symbols, the symbol can be defined according to its original definition and the cases close to the symbol, that is, the symbolic allusions and metaphors of the symbol. The results show that Herati with 55%, Saffarzadeh with 30.8% and Hosseini with 14.2% are in the first ranks to the third of symbolism; Therefore, it can be concluded that gender does not affect the process of symbolism, but depends on the style and approach of the poet. Manuscript profile
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  3 - Critical Discourse Analysis in the Poetry of Seyed Hassan Hosseini Safarnameh Khaizaran on Fairclough Discourse Analysis Theory
  marzieh hosseini rokn abadi reza fahimi manijeh fallahi
  Discourse is a type of language application in a specific field and the study of social and cultural developments affecting the language structure. According to Fairclough, discourse analysis is the integration of text and society with the structure of language. Discour More

  Discourse is a type of language application in a specific field and the study of social and cultural developments affecting the language structure. According to Fairclough, discourse analysis is the integration of text and society with the structure of language. Discourses are different representations of social life that place social actors in different situations and represent social life in different ways to creatively create a regular world through everyday methods. The analysis of each discourse has three perspectives;Analyzing the forms and structures of syntax that represent the author's point of view, the use of literary arts that is a big step in the personalization of language, and the analysis of the nature of literary speech that is a great way of communication in the service of society. Hosseini connects the melodious words to the symbol of zeal and the anti-tyranny nation and removes the objective veils from this great event. In his Ashura poem "Safarnameh Khaizran", he depicts the oppressed martyrdom of Alamdar of Karbala with an epic and strong tone in the form of Nimai's poetry. The upcoming research with descriptive and Analytical metod looking for answer to this question that what is the use of language and discourse in this poem? Manuscript profile