List of Articles Grimas

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  1 - Analyzing and adapting the narrative structure of Ibn Yamin Faryoumdi's pieces and the sonnet of Arash Azarpik's pieces based on Grimas' action model
  zeynab noroozali niloufar masih
  10.30495/clq.2023.1986461.2561
  Many critics, including the Paris school, have studied the structures and narrative forms and examined the elements and rules of their composition. Among others, we can mention the model of Grimas, who, by inventing a system based on the representation of shapes for nar More

  Many critics, including the Paris school, have studied the structures and narrative forms and examined the elements and rules of their composition. Among others, we can mention the model of Grimas, who, by inventing a system based on the representation of shapes for narration, proposes a plan based on how the relationships between units are. Semantics of the school of Paris and Grimas believe that reality is always elusive and the external factors involved in the emergence of the narrative and its real roots are always ambiguous. Therefore, narration is a kind of simulation of reality. In this article, which was done in a descriptive and analytical way and using library sources; By comparing Ibn Yamin's pieces and Arash Azarpik's works based on the action model of Grimas, he tries to answer the question of what kind of relationship (imitationist, revivalist, innovative, heretical, transcendentalist) exists between the works of these two. In fact, the purpose of this research is to investigate the degree of adaptation and understanding as much as possible to the pieces of Ibn Yamin and Arash Azarpik and to recognize the pattern of grimace, and it concludes that the narrative structure of Arash Azarpik's pieces is innovative compared to Ibn Yamin. Manuscript profile
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  2 - Analysis of two stories of "Homay and Darab" and "Moses and Pharaoh" based on the narrative pattern of Grimas
  Ehsan Avani
  By studying the Qur'an and Ferdowsi's "Shahnameh", it can find similarities between the characters and their narrations. One of the most famous schools of narratology used in the study of literary texts is structuralism. By simplifying Prop's story analysis model, Grima More

  By studying the Qur'an and Ferdowsi's "Shahnameh", it can find similarities between the characters and their narrations. One of the most famous schools of narratology used in the study of literary texts is structuralism. By simplifying Prop's story analysis model, Grimas showed that all the elements of a story can be analyzed and have an effective role. He introduces the role of characters in the narrative by presenting an action model hypothesis that is applicable to all narratives. Accordingly, in this research, it is tried to study the narrative structure of the stories of "Homay and Darab" and "Moses and Pharaoh" as an example of the stories of "Shahnameh" and the Qur'an based on Grimas' theory. After analyzing the text, it was concluded that based on the Grimas model, both stories are complete narratives. Manuscript profile
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  3 - The Structure of Sub-Narratives in the Plot of Khosronameh; Based on the Model of Grimas Actors
  Neda Najafi Manouchehr Akbari
  Grimas (1917) believes that there are six positions, including the sender, the receiver, the actor, the object, the deterrent, and the assisting force, and five positions, including the initial position, the destructive force, the intermediate position, the organizing f More

  Grimas (1917) believes that there are six positions, including the sender, the receiver, the actor, the object, the deterrent, and the assisting force, and five positions, including the initial position, the destructive force, the intermediate position, the organizing force, and the final position in each story. In the poem "Khosronameh", attributed to Attar, which is a lyrical and romantic poem, in addition to the said situations and positions, according to the role of a valuable object (Golrokh), which the main events of the story are created by his presence, except the main narrative, sub-narrative is formed with a plot separate from the main plot; As the multiplicity of characters caused numerous episodes in the story, and this is what adds to the appeal of this work. Accordingly, in this study, we intend to analyze the plot structure and the position of a valuable object in the story of "Khosronameh" based on the model of Grimas actors. The results of the present study, which has been provided in a descriptive-analytical manner using library resources, show that the existence of sub-narratives and plots hidden in the heart of the "Khosronameh" narrative, in addition to creating multiple structural patterns of plot caused suspense and various episodes. Manuscript profile
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  4 - Narrative analysis of the story of Zakariah in the Holy Quran and the Testaments based on the narrative analysis approach of Grimas
  Morteza Arab Maesoumah Sabok Dast Abdolreza Mohamad Hosein Zadeh mojtaba mohseni
  10.30495/qsf.2023.1958912.2864
  Narratology is one of the new branches of literary studies that seek the scientific analysis of narrative texts. In the meantime, several approaches have been proposed by literary critics and semantics, one of the most frequent ones in the field is Algerdas Grimas's nar More

  Narratology is one of the new branches of literary studies that seek the scientific analysis of narrative texts. In the meantime, several approaches have been proposed by literary critics and semantics, one of the most frequent ones in the field is Algerdas Grimas's narratology approach, on the other hand, the study of narratives has always been part of the study of the Holy Qur'an, because a considerbale part of this sacred text is devoted to fiction and several stories are told in it. Some of them, like the story of Zechariah, have a common story with the Testaments. Therefore, in order to analyze the Qur'anic narration of Zakariah, the present study has considered the narrative approach of Grimas and has tried to achieve a scientific analysis of this text by analyzing the narrative plot of the Qur'anic narration of Zakaria, but since the texts are shaped in an intertextual relation with each other, the narrative analysis of Zakaria's testamentary narrative has also been considered in order to gain more knowledge of their storytelling style in this case by studying the narrative narrative of two stories that considered one Fabiola. Finally, while analyzing the narrative of the two narrations, the intertextual connection between these two explicit texts and the attention of the Holy Quran to the Old Testament story is revealed. Manuscript profile
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  5 - Intertextuality in the novel 'harb al-kalb al-sania' (The Second Dog War) by Ibrahim Nasrallah - a semiotic study according to the Grimas approach
  Alaa Hmoozee Reza Nazemian
  Semiotic approach of Grimas focuses on the relationships between the actants in the text to identify the poles of the conflict. This approach concentrates on whatever is oppose to the other one or helps it and the incentives generating the conflict, as well as seeking i More

  Semiotic approach of Grimas focuses on the relationships between the actants in the text to identify the poles of the conflict. This approach concentrates on whatever is oppose to the other one or helps it and the incentives generating the conflict, as well as seeking its concepts in the deep structures of the text. The novelist Ibrahim Nasrallah foresaw the future danger to the fate of man in his conflict with those who are similar and disagree with him in his novel 'harb al-kalb al-sania' (The Second Dog War). He used a lot of empirical methods and techniques including intertextuality. This descriptive analytical study is based on the semiotic approach of Grimas theory of actants, tries to reveal the forms of religious and literary intertextuality in the novel and show how the writer employs them to produce semiotic connotations, and to indicate the areas of innovation in treatment and the application of mechanisms of work of the actantial model and the semiotic square in analyzing the semiotic relationships. Some of the results of the study is that in this thematic novel the internal and external dialogues are apparent and connotative.  Manuscript profile
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  6 - Mystical engineering of the allegorical story of Pinocchio based on Grimas' theory of action
  fereshteh naseri
  10.30495/jpll.2023.1980539.1292
  Literary engineering, as one of the main structural mechanisms of words in literary texts, is of significant importance. Because the structural context of the speech, based on the type of each literary genre, shows a unique form and structure, which can be a manifestati More

  Literary engineering, as one of the main structural mechanisms of words in literary texts, is of significant importance. Because the structural context of the speech, based on the type of each literary genre, shows a unique form and structure, which can be a manifestation of moral, social, cultural relationships and... in a period or in a society. . In the meantime, mystical literature with its systematic structure, in order to have the basics of behavior and methods of seekers, includes a huge range of relationships and relations of fictional literature. It provides a suitable basis for criticizing and analyzing the structural principles of speech based on the intellectual principles of structuralists. This research has explained the mystical engineering of this story in a descriptive-analytical way and in a library method (studying books and theses). And the culture of the people is an era. T Manuscript profile
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  7 - Narrative mechanism in Leyli and Madman based on the narrative pattern of Grimas
  Farideh Tahmasbi Sargholi Omidvar Malmoli Sayyed Ali Sohrabnejad
  Leyli and Majnoon are among Ganjavi's nizami poems that have had a great impact on the storytelling of Persian literature and have been imitated many times. In this research, using analytical descriptive method, Ganjavi's nizami narrative models in Leyli and Majnoon's n More

  Leyli and Majnoon are among Ganjavi's nizami poems that have had a great impact on the storytelling of Persian literature and have been imitated many times. In this research, using analytical descriptive method, Ganjavi's nizami narrative models in Leyli and Majnoon's narration have been studied. The results show that the main confrontation in this work is the confrontation that arose from the society of the age, a confrontation that is rooted in ethnic nervousness. The actions of the actors in this story are also significant based on this confrontation. Madman is a dynamic character who changes and transforms, but Leyli has a static personality. The protagonist of the story is insane, and those around him also play a supporting role. The main deterrent to this story is Leyli's father, and the value object is love, and for this reason the story has found a mystical color and smell. Manuscript profile
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  8 - A Study of the Fables of the First Chapter of Kelile o Demne Based on Grimas’s Narrative Paradigm
  MohammadReza Haji AqaBabayi
  Grimas’s narrative theory is one of the most important theories of narrative which have been presented based on the bilateral contrasts of the text. Although his theory is Applicable in some areas of Persian literary texts, in some parts we observe incompatibiliti More

  Grimas’s narrative theory is one of the most important theories of narrative which have been presented based on the bilateral contrasts of the text. Although his theory is Applicable in some areas of Persian literary texts, in some parts we observe incompatibilities. In this paper, we examine the fables of the first chapter of Kelile o Demne based on Grimas’s narrative theory. In this study, we conclude that Grimas narrative theory is not applicable to all of the fables of Kelile o Demne. The components of Grimas’s theory have been synthesized in these fables. This is in contrast with Grimas’s narrative pattern, though it can be related to didacticism of Kelile o Demne in which the focus is on the content of their words not the structure. Although applying various literary theories in narrative area could lead us to a better understanding of the literary texts, due to the special features of Iranian fables, either an aboriginal paradigm or a change in the fables is required for investigation of narrative structures of these texts.    Manuscript profile