The basis of the present research is descriptive-analytical and the basis for collecting data, documents and the nature of the method used qualitative content analysis.Indeed, in this treatise, the poetry of these two wise men of the eleventh century AH was examined fro More
The basis of the present research is descriptive-analytical and the basis for collecting data, documents and the nature of the method used qualitative content analysis.Indeed, in this treatise, the poetry of these two wise men of the eleventh century AH was examined from the point of view of stylistic science.The use of the emotional language of poetry is a good case for a linguistic analysis-content based on stylistic science to express the scientific topics and explain philosophical issues by the philosopher of the language, such as Mirfendersky who has been fluent in addition to Farsi in Hindi.The same applies to Fayyaz Lahiji, who has devoted his poetic taste to explaining mystical and philosophical issues.In the field of content analysis, some of Mirferdeski's works are indications of the philosophy of illumination, and in others, there are strings of affection. This contradiction is also seen in Fayyad Lahiji's votes.Finally, it can be said that the content of the works of Fayyaz and Mirfendereski is rooted in the philosophical schools of Islam and Transcendentalism and Transcendental wisdom, and, of course, it can be considered a more serious poetry because of having a more poetic language and having a verse of poetry.At the same time, an analytical and comparative look at the content of the works of these two thinkers can be interesting in many fields, including semiotics.
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As we know,music and poetry weight were the most important elements. Different aspects of music, though not as a new approach, but it was not concerned. FayyaZLahiji was the poet of the eleventh century AD and his Divan includes sonnets and odes More
As we know,music and poetry weight were the most important elements. Different aspects of music, though not as a new approach, but it was not concerned. FayyaZLahiji was the poet of the eleventh century AD and his Divan includes sonnets and odes and parts of Mathnavi.
This article includes research in the field of music lyrics in his Divine, it examines how the rhyme and meter has been used in his book.
FayyazLahiji benefited from the lateral music to create music in poetry, that consist of internal music within original array(repeating, pun, conflict ...).
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Miracle as an effective tool in literary and especially mystical texts, has created a valuable and original work. Sometimes a historical and rare fact like attachment of the king Mahmud to the face and hair of his servant Ayyaz caused creation of the most beautiful arti More
Miracle as an effective tool in literary and especially mystical texts, has created a valuable and original work. Sometimes a historical and rare fact like attachment of the king Mahmud to the face and hair of his servant Ayyaz caused creation of the most beautiful artistic and intellectual masterpiece. What adds to the richness of these stories is the creativity and art of the most famous mystical poets such as Attar and Molavi who, in the description of their long mystical thoughts by expressing the allegorical and fascinating legends, bestowed this formal love, the divine and divine and heavenly aspect. Mahmud is considered as the allegory of God and Ayyaz as a symbol of a attracted slave.Ayyaz never forgets God even for a second and his envy ad prejudice to beloved is wonderful.Meanwhile intelligence and intuition of Ayyaz caused that due to lessons from the past, he took away the pride and with the help of God who Mahmud is allegory of this, be honored. Sometimes Mahmoud is analogy of perfect man and Ayyaz is example of devotee, so king’s overwhelming attention to him caused jealous of people around him, which reminds close relationship between Maulana and Shams.
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Among the works of mystical literature, Tazkerat al-Owliya, as one of the valuable works of Attar Neyshabouri to deal with the situations, thoughts and speeches of mystics and Sufi elders allocates a wide range of social relations. Attar's emphasis on this issue causes More
Among the works of mystical literature, Tazkerat al-Owliya, as one of the valuable works of Attar Neyshabouri to deal with the situations, thoughts and speeches of mystics and Sufi elders allocates a wide range of social relations. Attar's emphasis on this issue causes social agents to display their work in different ways. These representations are purposeful and in order to instill Attar's mystical ideology on the audience. The main purpose of this study is to analyze the discourse of Fazil bin Ayyaz based on Van Leeuwen's model and to examine the representation of social agents in it. Since Attar in this story seeks to transcend knowledge and show the spiritual status of Fazil by fading the discourse system of the thief and the ruler and also highlighting the discourse system of the mystic; Therefore, the analysis of Fazil's discourse as a discourse arising from the social strata of mystics at that time reveals new results. Therefore, in the present study, we decided to express the relationship between activations and passivations of social agents, to find out how Attar, in a stylistic creativity, familiarize the audience with the names of individuals, groups, places and times that social agents have an active role in it and what measures have been taken to determine the role and activation of social agents regarding the action of Fazil ibn Ayyaz and to make passive about the action of his followers, especially Harun al-Rasheed. This issue will be conducted with a literary and mystical analysis approach.
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