In classic Persian poetry, it was the prosodic rhythms as the most that aroused the emotions as well as the reader's sensations and placed him in the desired space, thus highlighting the image and imagination. But in contemporary poetry, especially Nima's poetries, More
In classic Persian poetry, it was the prosodic rhythms as the most that aroused the emotions as well as the reader's sensations and placed him in the desired space, thus highlighting the image and imagination. But in contemporary poetry, especially Nima's poetries, by interfering the prosodic rhythms through the inner music caused by composition, repetition, and the way the sounds are disseminated that the induction of emotions and space takes place; because each sound, with its own resonance and depending on its origin and mode of production in the organs of speech, has a special psychological and musical effect on the reader and evokes a special feeling and as a result a special atmosphere. Mehdi Akhavān-Sāles's fluency on Persian language and the combination of ancient, modern and colloquial words in his works and his rhymes have made his poems a good and distinctive example for studying the effect of their sounds and music on the creation the mentioned atmosphere. In the present article, the role of the congruent in creation of the poetic atmosphere of Nima's works is studied.
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Poetry turns to be an art in the contemporary era in order to interact with others and society. Contemporary poets are not inconsiderate to their countries and attempt to react for them, propose strategy and talk to society’s elements. Thus many contemporary poets More
Poetry turns to be an art in the contemporary era in order to interact with others and society. Contemporary poets are not inconsiderate to their countries and attempt to react for them, propose strategy and talk to society’s elements. Thus many contemporary poets unlike old poets possess dialogical principle and its elements such as reciprocal conversation, vocative phrases, carnival, multilingual and chronotope notably. Mahdi Akhavān-Sāles – Iranian contemporary poet – and Marouf Al Rusafi – Iraqi contemporary poet – are the ones whose poetries are full of social concepts and fought against colonization and exploitation and tried to solve social problems with a dialogical field and conversational process. Therefore the present research attempts to survey dialogical principle by Mikhail Bakhtin in “Sangestan Village” Ode by Akhavān-Sāles and “Poverty & Sickness” Ode by Marouf Al Rusafi comparatively. The results show that the abovementioned odes were created because of social conditions and two poets tried to transfer their experiences by enjoying dialogical principle and using its indicatives in order to have effective and symbolic discourse. Both poets’ emphasis was on dialogical principle by applying vocative, interrogative, exclamatory, imperative, chronotope and carnival phrases. The applied method in the research is descriptive – analytical based on American school of comparative literature.
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The beauty of the literary work, especially free poetry, is due to the cohesion of its different parts in form and content, so that it appears to the reader as a coherent construction of harmonious units from the beginning to the end. Organic unity is one of the most pr More
The beauty of the literary work, especially free poetry, is due to the cohesion of its different parts in form and content, so that it appears to the reader as a coherent construction of harmonious units from the beginning to the end. Organic unity is one of the most prominent issues raised after the emergence of free poetry of which the plot is the most important element. In this article, the authors examine the organic unity of narrative plot and its importance in forming organic cohesion and coherence of the constituents of poetry through the comparison between the pioneers of Arabic and Persian free poetry, Badr Shakir al-Sayyab and Mehdi Akhavān Sāles, from a comparative view point and reliance on the American school. They are also examine how each of these poets uses these elements. The findings of the research show that Akhavan is more successful in applying narrative plot, including rising and falling action (gereh goshāei and gereh afkani), in formation process of organic unity, because his poetry is in a clear linear process that is materialized this by using rising and falling action as well as logical systematic sequences of thoughts in which the richness of the Persian heritage in fictional language has been effective.
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Myth is one of the most precious treasures of human being, and it is the resource of many cultures. Myth is firmly connected with literature. It is claimed that, in the modern age, contemporary literature doesn't create new myths, but rather, it merely recreates More
Myth is one of the most precious treasures of human being, and it is the resource of many cultures. Myth is firmly connected with literature. It is claimed that, in the modern age, contemporary literature doesn't create new myths, but rather, it merely recreates the old and known myths.
This paper attempts to consider the relationship between myth and literature in the poems of Iranian contemprary poets such as Mahdī Akhavān Sāles, Sohrāb Sepehrī, and Ahmad Shāmlu, and compare their approach with Jean-Marie Gustave Le Clézio, in his work, "The Mexican Dream, Or, The Interrupted Thought of Amerindian Civilizations".
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