Because love has an abstract meaning; Mystics have used sensory and tangible elements to explain and describe it, and have used metaphorical language for it. However, the subject of love has been the focus of poets and writers in all eras and times; But in the Iraqi sty More
Because love has an abstract meaning; Mystics have used sensory and tangible elements to explain and describe it, and have used metaphorical language for it. However, the subject of love has been the focus of poets and writers in all eras and times; But in the Iraqi style in terms of the importance and credibility of the works written and written about love; It has more prominence. One of the famous and famous madmen of the seventh century is the generalities of Shams Tabrizi by Maulana Jalaluddin Mohammad Balkhi. This work is linguistically more poetic and metaphorical and is mystical in meaning. Rumi in the generalities of the sun, according to the culture and ideologies that ruled the society of that time, has a special perception of love. This court also has a coherent foundation that is the result of metaphorical networks formed on the basis of one or more main common or individual metaphors in them. This research, which is a descriptive-analytical method and library tools, seeks to investigate the metaphorical systems of love in the generalities of Shams Tabrizi based on metaphorical theory. The results of the research indicate that the metaphors of the beloved in this work actually show the similarity between the beloved and God and the three metaphorical depictions of God's love, God is the beloved, God is love, is.
Manuscript profile
In Islamic Theology and Moslem’s Literature, Quran and Hadis are two primary rich and complete sources which poets and writers have inspired from constantly through the history. Molavi is one of the poets of Persian language who has benefited from them in an More
In Islamic Theology and Moslem’s Literature, Quran and Hadis are two primary rich and complete sources which poets and writers have inspired from constantly through the history. Molavi is one of the poets of Persian language who has benefited from them in an artistic manner.
Artistic selection and picking some verses and prophet’s sayings has made Molavi more successful than other poets in connecting with the audience; this issue has made Molavi’s Ghazaliaate specific and different in comparison with other poet’s Ghazaliaat. Although, this way of application is also observed in Sanaaie’s and Attar’s poem, it has noticeable frequency in kolliyaat-e- Shams and has particular variety there. This means that Molavi has now and then interfered in expressions of verses and prophet’s sayings or their meaning or he has sometimes used verses and prophet’s sayings in a meaning other than their real meaning. Molavi’s particular art lies in the type of entangling these phrases with other words of poems to make compound adjectives and nouns. The writer of this article has investigated some poems of Kolliyaat-e- Shams as a sample here and has shown how the poet has used verses and prophet’s saying and their artistic reflection. This is in order to linguistically artistic landscapes of Molavi’s Ghazals to the audiences.
Manuscript profile
The secret of beauty of Molavi 's Ghazals is to a large extent due to the poet 's language to which innovation and affluence of words and combinations has given a particular appearance. Molavi 's new experiences have caused him to find out various delicacies of language More
The secret of beauty of Molavi 's Ghazals is to a large extent due to the poet 's language to which innovation and affluence of words and combinations has given a particular appearance. Molavi 's new experiences have caused him to find out various delicacies of language and via this very realization find an appropriate language for his own poems.This survey is the outcome of a new attitude at Kolliyaat-e- Shams from a lingual viewpoint. An attempt has been made in this article to observe Molavi 's language as far as possible. Language is like other components of poems made of some units: Phonic unit, lexical unit and structural unit. The writer intends in this to observe Molavi 's lexical unit in Kolliyaat-e- Shams.Kolliyaat-e- Shams is unique among Ghazal poets due to extent of dictions. This extensiveness and variety is because of broad range of Molavi 's thoughts and emotions. Molavi 's attention to meaning has affected the application of dictions in a way that informal words and combinations are rare.Particular dictions which are rare in other Ghazal poet 's languages are affluently seen in Divaan-e- Shams. Molavi 's main art is innovating new words. Due to his experiences and based on emotional needs, Molavi has innovated new words and combinations which have not been used before him. Even the structural patterns of some of these words do not follow phonic and structural rules. These very agents not only have no harm to Molavi 's language but also clarify Molavi 's lingual art to the audience.
Manuscript profile
Sanad
Sanad is a platform for managing Azad University publications
