List of Articles نمادگرایی

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  1 - A conceptual model for designing of the city central squares,with the approach for identity (case study:Taleqani square in Qaemshahr)
  Sedighe Alereza Amiri Farah Habib
  City centers are as the cultural assets for the country; looking at them, we remember our past history and the life style of our ancestors. In the past, the city center was the initial point that the city was formed around it and it was known as the symbol of the identi More

  City centers are as the cultural assets for the country; looking at them, we remember our past history and the life style of our ancestors. In the past, the city center was the initial point that the city was formed around it and it was known as the symbol of the identity for the city. Nowadays, city centers are transformed to the busiest and the noisiest place in the city which have an uncoordinated architecture; so, the affiliations to the city centers are fading day by day and they are losing their identity gradually. The Identity is the main factor for characterization and discrimination of everything.The identity generally and the place's identity particularly are two important subjects which have the main role for the persons, the objects, the communities and the places characterization.City center is one of the main elements of the city identity and because of its role in the city formation; the historical city centers have a special effect on the city identity. The goal of the present article is to obtain a conceptual model for design of city centers with the identity approach. In the present research the theoretical principles related to three subjects of the city center, the main square and the identity are investigated. The methods of librarian studies, field studies, interviewing and questionnaire distribution are used for this research. Accordingly the designing principles for the city centers and main squares and the urban identity are introduced.The theories of some intellectuals such as K. Lynch, I. Bently, A. Rapoport and J. Jacobs are studied.According to the above theories, the five components of the urban spaces identity are: activity, physics, meaning, culture and environment. Two internal samples (including Imam Ali square in Isfahan and Shohada square in Arak) and three overseas samples (including Detroit city center- USA, Piazza del Campo in Siena- Italy, Baghdad city center- Iraq ) are investigated. Finally a conceptual model is proposed based on the identity approach for designing of a city center. Based on the proposed model, as the case study, some strategies are suggested for designing of the city center of Qaemshahr. The center of Qaemshahr was constructed at the first Pahlavi's time and actually this city center was the initial kernel for the city formation. The consequent developments of Qaemshahr reformed the city center to the current shape. On the other hand, there is a high potential for reclamation and organization in the central region of Qaemshahr. This city center confronts with various problems including traffic, destroying the historical and harmonic facade of the Main Square, unimportant or disorder land usages, and inadequate space for traffic of pedestrians and cyclists. City center could be the remembrance of a beautiful portrait of the city, so its design could make a special identity for the city on the citizens’ mind. More over, a good design has the potential to attract many tourists from everywhere in the country and it leads to the cultural and the economic growth of the city. Manuscript profile
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  2 - Self-recognition: The Achievement of Settlement Experience in Architecture Design Class
  Masoomeh Yaghoobi Sangherchi Seyed Gholamreza Islami
  According to Islam theories, the major duty of human being is to recognize himself, which under this circumstance he would be able to know God too. Scrutinizing such a divine message, we come to this conclusion that human being can achieve the highest aim of creation wh More

  According to Islam theories, the major duty of human being is to recognize himself, which under this circumstance he would be able to know God too. Scrutinizing such a divine message, we come to this conclusion that human being can achieve the highest aim of creation while getting the knowledge and recognition of the world’s infinite intelligence. It is obvious that achievement to the greatest aim of creation must be parallel to human perfection. Self-recognition and self-identification are two important issues that should be more concerned by Iran educational system. From this point of view, the success of any subject of education must be evaluated and assessed in terms of this criterion that how high the educational system can realize the human being. Based on what is said, there arises a very particular question: what method of teaching and creation of architectural work can result in self-recognition as the intersection of science and art? As the problem raised in this research has been ignored by many researchers, we got right into the fields involved with the issue of awareness of human conscious such as humanistic psychology, symbolism and phenomenology. The culmination of this analysis is to recognize the fact that all these field, have the same principles and strategies. All these fields strongly focus on the fact that if human is honest toward himself and communicates with the surrounding phenomena in the same manner of dwelling, he can have access on a great part of his own identity. Based on these approaches, phenomena are not things we can see or touch, but they are half recognized in material worlds expecting for being realized completely by creatures. Observing the honesty and avoiding the domineering view can pave the way to achieve the non -visible part of these phenomena. According to scientists` view, human being can have self-recognition with honest communication resulting in growth and development of virtues. This type of self-recognition accompanied by cosmology occurs in daily life activities unconsciously when the human beings have a complete compatibility with the surrounding phenomena and has a dwelling relationship. The most important point is that the self- recognition is concomitant with constructions. Therefore, the architecture topic can be regarded as the most suitable and reliable realm of self-representation for creator and audience of architectural work. The research hypothesis has been formulated in such way. The settlement -based design can result in self-recognition. Settlement refers to a strategy which relies on horizontalism and prevention from domination on the self-reality and surrounding. Based on the practical experiences of this research, the trainee tries to recreate what he has touched several times and can love. The phenomenological analysis of this design method shows that the experience of humanistic moments in revealing the details of architectural spaces helps the trainee to remove the duality and contrast of innate feeling and reality of the material world in a compromise towards the unity. The trainee is the organizer of functional spaces and also involved in the thought architecture. Manuscript profile
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  3 - سمبولیسم در شعر معاصر با تکیه بر شعر مهدی اخوان ثالث و هوشنگ ابتهاج
  محمدرضا قاری اعظم نیک آبادی اشرف روشندل روشندل
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  4 - مفهوم «الراسخون فی العلم» در ادبیات فلسفی و آرای تفسیری ملاصدرا
  اکرم خلیلی نوش‌آبادی
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  5 - The kinds of symbol in Arabic Contemporary Poetry
  Baqer Qorbani Zarin
  The Symbol has been discussed in Arabic Literature from a long time ago. Even some poems written by Imru’ al-Qays and Zuhayr are considered symbolic. In Arabic literature, this concept appeared after emerging the Symbolism school in France. Mane poets and writers More

  The Symbol has been discussed in Arabic Literature from a long time ago. Even some poems written by Imru’ al-Qays and Zuhayr are considered symbolic. In Arabic literature, this concept appeared after emerging the Symbolism school in France. Mane poets and writers welcomed this school and filled their work with different symbols. The varieties of these cases are so much, so we can fill a lot of papers and volumes with. Hence, in this essay we’ll just investigate the Symbolism in Arabic Contemporary Literature. Even in this case, gathering all related materials spends a lot of time; therefore, only prominent instances of Symbolism in Contemporary Arabic poetry have been analyzed. Symbol analysis has major effect on stating poems’ contents and themes; if the ‘Symbol’ won’t be identified and interpreted correctly, the poem’s whole content would be incomprehensible. For presenting the Symbolism generally, it hasn’t sufficed to a single country’s poets; and by dividing symbols, which was for the first time in this way, it was attempt to draw an overall image about symbolism in Arabic Contemporary Literature. Manuscript profile
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  6 - Symbol and Symbolism in Poems of Fereydoon Moshiri
  Shiva Amin Eskandari Ahmad Khiyali Khatibi
  Symbolism in literature and poetry has long lasted history full of ups and downs. Symbol or code has various definitions. In the book of world’s literary terms symbol means thing that stand on behalf of another thing, but this representation is not because of iden More

  Symbolism in literature and poetry has long lasted history full of ups and downs. Symbol or code has various definitions. In the book of world’s literary terms symbol means thing that stand on behalf of another thing, but this representation is not because of identical similarity between two things but also because of some vague implication or relationship that is by chance or arbitrary. Yung believes that the unconscious language is the symbolic language. The unconsciousness does not talk to us directly, there is always sign and secret and by the disguise of symbol. Fereydoon Moshiri is like other poets follow this rule. He by the use of symbolism in his poems has simple words multi-meaning. Therefore, the aim of this paper is to study the symbol and symbolism in poems of him and a question: what symbols he used more? Therefore, the result of research, that was carried out by the means of library, show that Moshiri was interested in natural phenomena such as flower, water, fire, as well as mystic subjects, mythical characters, heroes, religious figures, and poets. Manuscript profile
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  7 - Studying the Integrative Thoughts in Mahdi Akhawan Sales' Works
  Fatemeh Haji Rahimi Hassan Shahryari
  Abstract         The integrative thoughts in poetry, with any background, are basically of the most complicated outcomes of the poetic speculation and because of the extensiveness of the ideas and meaningfulness of the thought, and th More

  Abstract         The integrative thoughts in poetry, with any background, are basically of the most complicated outcomes of the poetic speculation and because of the extensiveness of the ideas and meaningfulness of the thought, and their paraphrase leads the reader in the way and quality of the looking at the poet. Akhawan Sales' poetry , as a distinguished contemporary poet is the owner of a style which integrates and combines the ancient literary tradition with novel language and thoughts that are presented in Persian poetry for the first time. His extensive dominance on Persian literary heritage has provided the opportunity for him to include his opinions beautifully in his poetry. The writers of this paper which is produced qualitatively by the descriptive – analytic approach, are studying the integrative thoughts in Akhawan Sales' works. Of the consequences attained from the research which have been done in three levels of lingual, literal, and speculation one can find the integration of archaic and colloquial language with modern and literary language; epic and ode in pre and post dominance of Islam; different religions; and also the integration of Nima's poetry with classic one. Akhawan has been able to create a new style in the sphere of poetry and literature by using symbolism and modern view point in Persian territory. Manuscript profile