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      • Open Access Article

        1 - Comparative Study of Syntactic – Stylistic Techniques and Literary Innovation in Farrokhzad and Shamloo's Works
        Bahman Gorjian Farangis Abbas Zadeh
        The goal of the present article is to study the syntactic and stylistic, innovation and literary depiction of Forugh Farrokhzad and Ahmad Shamloo. Foroogh is one of the most capable Iranian contemporary poets. Her poetry is made of humanistic emotions and thoughts &ndas More
        The goal of the present article is to study the syntactic and stylistic, innovation and literary depiction of Forugh Farrokhzad and Ahmad Shamloo. Foroogh is one of the most capable Iranian contemporary poets. Her poetry is made of humanistic emotions and thoughts – it contains figures of speech in lexicon and content both. The concepts of her poetries are based on her emotions and personal experiences. Shamloo's braveness is admirable in breaking the norms of Persian Language. The more distance between the terms and words the more literary the works. Shamloo's serious reaction to the political situation of his era has started from his youth and forms his thinking structure which reflects in his works and contexts. His writing style is full of literary figures. Manuscript profile
      • Open Access Article

        2 - Textual Criticism Approach to Humanitarianism Images in Shamloo and Al-Bayati’s Poetries
        Javad Hamidi Mahmoud Shakib
        Abd al-Wahhab Al-Bayati is an Iraqi leftist poet and Ahmad Shamloo is an Iranian poet and founder of Free Verse; both are pioneers of Arabic and Persian contemporary poetries and great ones in Romantic school who have common viewpoints in encountering problems of s More
        Abd al-Wahhab Al-Bayati is an Iraqi leftist poet and Ahmad Shamloo is an Iranian poet and founder of Free Verse; both are pioneers of Arabic and Persian contemporary poetries and great ones in Romantic school who have common viewpoints in encountering problems of society according to their individual and social conditions of their own eras. Both poets are pilots of free verse with simple language, musical words and new concepts creation. The keystone of Al-Bayati and Shamloo’s mind is human undoubtedly. These two great poets have enjoyed a unique method in talking about subjects such as myth, humanitarianism, rebelliousness, liberalism and ignoring oppression; both are patriots who applied common humanistic culture in order to meet their goals. Talking about society and policy is the characteristic of contemporary poetry which is of special position in Al-Bayati and Shamloo’s poetries. This research attempts to study some of their works and poetries by emphasizing   descriptive method. Manuscript profile
      • Open Access Article

        3 - A REFLECTION ON THE EMOTIONAL ASPECTS OF THE POETRY OF SHAMLOO AND MAQUT
        Alireza Mahakipour Vafadar Keshavarz
        The present era is the era of the domination of mental concerns for human beings which results in different emotions such as depression and disappointment, hope, kindness, happiness, despair and excitement. The ways these emotions appear in different people ar More
        The present era is the era of the domination of mental concerns for human beings which results in different emotions such as depression and disappointment, hope, kindness, happiness, despair and excitement. The ways these emotions appear in different people are as different as their characters.The qualities of these emotions are also different in different people. These conditions are the expressions of the inner and mental characteristics and they have been reflected in poetry and literature. The poetry of Shamloo in Iran and the poetry of Maqut in Syria who are known as the pioneers of blank verse are full of themes which includes their emotional and psychological status. The present article studies their similarities in this regard. Manuscript profile
      • Open Access Article

        4 - Ritual Blank Verse
        Zahra Mahmoodi Abbas Mahyar
        During the emergence of modern poetry in Iran and the literary ups and downs after Nima’s revision in Persian Poetry, many poets combined literary genres with socio-political motifs and experienced new literary works. A few others, however, favored religious and t More
        During the emergence of modern poetry in Iran and the literary ups and downs after Nima’s revision in Persian Poetry, many poets combined literary genres with socio-political motifs and experienced new literary works. A few others, however, favored religious and theistic motifs for one reason or another. The focus of this research is the history of ritual blank verse in Iran as well as introducing the after-Islamic-revolution works that affected by Ashura teachings brought up a new trend in Iranian contemporary verse. This trend, as a new approach, now is very important to some poets and they are experiencing it. This research also aims at investigating the role of some pre-revolution poets in bringing up this new type of poetry and the main elements of blank verse as used by them Manuscript profile
      • Open Access Article

        5 - Is Our Verse Blank? A Research on the Blank Verse and its Function in Persian Literature
        Sohrab Tavousi
        The question that this article is trying to find an answer for is whether Persian literature has blank verse. By analyzing the definition, history, and scanning what is, in the world literature, called blank verse, and comparing it with what is called blank verse in Per More
        The question that this article is trying to find an answer for is whether Persian literature has blank verse. By analyzing the definition, history, and scanning what is, in the world literature, called blank verse, and comparing it with what is called blank verse in Persian literature, the article comes to this conclusion that utilizing the title blank verse for the Persian poetry – especially for the inventor of this genre in Iran, Ahmad Shamlou – is an influential misunderstanding. By defining the free verse, this article believes that Shamlou’s poetry can, optimistically, be estimated free verse. Manuscript profile
      • Open Access Article

        6 - literary Creativity in poetry Shamloos
        roya parvin mansoure tadayoni Masoud Pakdel sima mansoori
        Abstract Ahmad Shamloo, a contemporary Iranian poet, by understanding the existing capacities in Persian language and mastering classical literature, especially prose texts, and his unique creativity, by using various linguistic techniques and achieving the natural aspe More
        Abstract Ahmad Shamloo, a contemporary Iranian poet, by understanding the existing capacities in Persian language and mastering classical literature, especially prose texts, and his unique creativity, by using various linguistic techniques and achieving the natural aspects of speech and music by changing In the structure and content of poetry, Nimai was able to establish another type of poetry, which we call Sepid poetry, so the purpose of this study is to show literary creativity, using linguistic tricks and techniques and new conceptualizations. Relying on a collection of poems is included. The desired data has been collected using first and second hand sources in the library environment. Then, based on the objectives and dimensions of the present study, the data have been studied in a descriptive-analytical manner. The naturalness of the word and the political and social outlook combined with the weight of the words that have highlighted and distinguished his poetry. And tell how the poet has changed the structure and content of contemporary Iranian poetry and established a new style of poetryKeywords: Ahmad Shamloo, Literary Creativity,, Sepid Poetry, Phonotactics, Linguistic tricks. Manuscript profile
      • Open Access Article

        7 - تحلیل مقایسه ای نگرش شاملو و نیما در وزن شعر
        لعیا تبار سعید احمد ابو محبوب