List of Articles سجع

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  1 - An Analysis of Internal Music in Nima Youshij’s Modern and Semi-Classic Poetry
  mahmoud sadeghzadeh NIIA nourbalin
  One of the main features of Nimayi-style poetry (blank verse) in comparison with classical poetry is the change brought to the music of poems, and internal music in specific. The present research is to study, via a descriptive-analytical approach, the use of different t More

  One of the main features of Nimayi-style poetry (blank verse) in comparison with classical poetry is the change brought to the music of poems, and internal music in specific. The present research is to study, via a descriptive-analytical approach, the use of different types of internal music in Nima Youshij’s modern and semi-classic poems. To do so, the researchers have reviewed briefly the importance of internal music in poetry first, and then have examined and analyzed the different forms of internal music, including rhyming rhythm, pun, repetition, alliteration, and words. The results revealed that the use of assonance and consonance was more than other devices, and “A” (as pronounced in Persian /a:/) is repeated significantly more often, that associates the howl and outcry indicating the awakening and provoking spirit of the poet. On the other hand, while the repletion of clauses, phrases and homophonic puns have been less abundant in his poems, recursive puns appear frequently. Then, it is clear that Nima Youshij consciously has used internal music in his poetry as a way for compensating lack of meter Manuscript profile
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  2 - musical elements in kimiyaye sa'adat the study of
  hossein etehadi maryam shaban zadeh
  Sufi prose is a kind of Persian prose which, due to a enjoying different kinds of internal musical effects especially repetition, rhyme and pun ,has a tonal language. Moreover, in some cases, the prosodic rhythmic phrases, used in this kind of prose, which lead to more More

  Sufi prose is a kind of Persian prose which, due to a enjoying different kinds of internal musical effects especially repetition, rhyme and pun ,has a tonal language. Moreover, in some cases, the prosodic rhythmic phrases, used in this kind of prose, which lead to more and more closely, it is the language of poetry. The weight of prosodic and musical  elements of the internal differentiation of stereotypical language, which are caused by bumps and weirdness words. In this article, a book by Mohammad Ghazali The, kimiyaye  sa'adat which is one of the most important texts sufis, from the perspective of the musical elements have been studied. These studies show that, of all the elements Ghazali, whose influence in making instrumental music, the book has benefited The. Kimiyaye  sa'adat He used the harmony of sound and words and sentences and phrases harmonic frequency, while creating a rhythmic, in some cases, are intended to convey and instill been successful. Manuscript profile
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  3 - .
  ghahraman shiri
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  4 - Artistic application of verb in Golestan’s prose
  Hamed Zakeri
  Saadi is given the title of “master of speech” because his words since antiquity till present are quoted everywhere and by everyone and his unequalled prose and eloquent poetry stays forever enchanting.  Saadi’s prose style described as simple but More

  Saadi is given the title of “master of speech” because his words since antiquity till present are quoted everywhere and by everyone and his unequalled prose and eloquent poetry stays forever enchanting.  Saadi’s prose style described as simple but impossible to imitate flows quite naturally and effortlessly.  His manner of oration has inspired many researchers and poets to investigate different aspects of his art to reveal the esthetics of his discourse. In this article attempt is made to investigate the artistic application of verb in Golestan’s prose.  Examining rhetorical characteristics, semantic range of verbs,… reveal only a small part of the linguistic art of this great master. Manuscript profile