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      • Open Access Article

        1 - Analysis of the Reflection of Patriotic Thoughts in the Poems of Loiq Sher-Ali
        Korosh Jamshidi Ali Asghar Bondshahriari Morteza Haji Mazdarani Amir Hossein Mahouzi
        Patriotism is a phenomenon that has had a special impact on contemporary literature in the last century. Aref Qazvini and Farrokhi Yazdi are examples of contemporary poets whose patriotism has a special effect. Tajik poetry also needs to breathe new life of national pri More
        Patriotism is a phenomenon that has had a special impact on contemporary literature in the last century. Aref Qazvini and Farrokhi Yazdi are examples of contemporary poets whose patriotism has a special effect. Tajik poetry also needs to breathe new life of national pride and patriotism due to the invasion of foreign nations and years of communist rule in order to help the Tajik people maintain national unity and achieve development. Layeq Shir Ali is the national poet of Tajikistan and one of the most prominent figures of patriotic poetry, who has shown his love for his homeland in his poems. The present article uses a descriptive method with a content analysis approach to study the analysis of the reflection of patriotic ideas in the poems worthy of the patriotic poet Shir Ali. Various aspects of patriotism in worthy poetry include mentioning the glorious past of the Tajik people, the importance of Persian as a mother tongue, being influenced by the Shahnameh, calling for peace, and cosmopolitan ideas. Has examined worthy poems and has come to the conclusion that worthy patriotic thoughts have deep humanitarian roots. Worthy, he wants peace, progress, equality and peaceful coexistence of all nations of the world, and this ideal will be achieved when every human being realizes his own inherent values; Therefore, the need for world peace from the worthy point of view of Shir Ali is self-knowledge and individual self-awareness. Manuscript profile
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        2 - Indicators in the mirror imagery content and language poetry Badriddin Hilali
        farhad naderi mehdy mohaghgh
        Badriddin Hilali, the late ninth century and early sixteenth century lyric poet whose poems he significantly with expressive images that are created using elements of imagery. Arches art is innovative in making similes and metaphors. Imagery of this study was to evaluat More
        Badriddin Hilali, the late ninth century and early sixteenth century lyric poet whose poems he significantly with expressive images that are created using elements of imagery. Arches art is innovative in making similes and metaphors. Imagery of this study was to evaluate the different species, "simile, metaphor, alliteration, irony, diagnosis," the poem is taken arches To answer the question of how much and how the poet of imagery and mental imagery is used in your poetry? He illustrations innovation or imitation of the past has been done in the area and what kind of imagery in his poetry is more frequent? In this speech was a library research method, the results were classified into descriptive analysis. It is with statistics to a holistic view of images and how to use them both quantitatively and qualitatively be provided. The results showed that compared high-frequency sensory especially in his poetry is metaphor. Stipulated metaphor, diagnosis, and metonymy allusion He also has the frequency. More images of his poetic descriptions lover or one of his moral and physical properties that are created with the help of natural manifestations. Arches art innovation and imagination in the use of force similes and allusions he is tangible. Manuscript profile
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        3 - Allegorical cotents in zaser khosros poems
        Seyed Ahmad Hosseini Kazerooni Leila khayatan
        Alkgory is a term with a broad semantic scope;however,in Persian poetry and rhetoric,it mainly refers to three areas of simile,proverb,and allegorical narratives.Bsides,it is believed that allegory has its roots more inphilosophy and theology than in literature,therefor More
        Alkgory is a term with a broad semantic scope;however,in Persian poetry and rhetoric,it mainly refers to three areas of simile,proverb,and allegorical narratives.Bsides,it is believed that allegory has its roots more inphilosophy and theology than in literature,therefore,it seems tobe directly related to rationalist writings. In Persian literary history,naser khosro ghobadiani,a poet from 5th century,is one of the people who has extensively used allegorical contents in his works especially in his poems.from this perspective,his poems have a high potential for literary critique.In this study, naser khosros tendency to use allegory and allegorical narratives have been shown the influence of Esmaeilie goverments belief an thought system on use of these allegorical contents has also been investigated.Naser khosro has maidnly used allegorical similes and allegorical narratives in his poems.In his narratives and similies, the surface-level is a collection of images,characters,objects and actions that,in their deep-level,have a moral or didactic message,or a mentalidea. Manuscript profile
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        4 - Investigating allegories in Mojeer Al-din beileghani' Divan
        O. Malmoli
        This article aims to investigate the allegories in Mojeer Al-din beileghani' Divan which is revised by Dr Mohammad Abadi. Persian writers of 5 and 6 centuries made use of rhetoric's, allegories and other literary devices to adorn the language used in poetry. One of the More
        This article aims to investigate the allegories in Mojeer Al-din beileghani' Divan which is revised by Dr Mohammad Abadi. Persian writers of 5 and 6 centuries made use of rhetoric's, allegories and other literary devices to adorn the language used in poetry. One of the great experts in allegory is Mojeer Al-din beileghani; a poet of the early 6 century. This era coincides with the verbal and spititual beauties in odes by Anvari,Kamal-Al-Din Isfahani, Khaghani, Falaki Shervani and others. Mojeer Al-din pays a lot of attention to literary devices such as allegories and in order to introduce his style we should analyze his point of view toward allegory. The results of this study show that some allegories are coind by the poet himself and some others are derived from the works of Khaghani. Farokhi and Manuchehri.Furthermore, three kinds of allegories can be found in Mojeer Al-din divan: First, allegories which are common now. Second, allegories which were common in Mojeer Al-din day and allegories which are dead and uncommon.   Manuscript profile
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        5 - Place Of an Inmate Of the Great Mystics Of the Islamic Mystical Poetry by Qasim Anwar
        Yadollah Bahmani Motlagh
        Qasem Anwar (837 -757 AH.) Great Iranian mystic and poet of the Timurid era , mysticism and literature of Khorasan, Azarbaijan and Gilan and Ibn Arabic poetry compilation of thoughts about the perfect man and Unity along Kbrvyh Khorasan Sufi and Shiite movements Sfvyh A More
        Qasem Anwar (837 -757 AH.) Great Iranian mystic and poet of the Timurid era , mysticism and literature of Khorasan, Azarbaijan and Gilan and Ibn Arabic poetry compilation of thoughts about the perfect man and Unity along Kbrvyh Khorasan Sufi and Shiite movements Sfvyh Azerbaijan offers. He was a great Sufi Muslim mystics and the Court of Hussein ibn Mansur al-Hallaj, Bayazid Bastami, Ghazali and Hafy human goodness and learn to respect their praises high, often thought of as imparting to the Shiite Imams Ali, Imam Hussein, Imam Jafar Sadiq (as ) and Hazrat Mahdi (as) has expressed devotion . Among the bits from all over to Hazrat Ali (AS) and follow a spiritual sonnets dedicated to Imam Ali in which he explicitly declared that his true followers. Ghasemi pursuant to which the poet Poets Iraqi style is great, the greatest mystic poets like Rumi's poems orientation, Hafez, Sanai evident. This aspect of our study of poetry Qasim Anwar will lead to many hidden aspects of his thought. Manuscript profile
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        6 - Analysis of Qalandariat and Related Topics in the Poetic and Prose works of Sheikh Ahmad-e Jaam
        Jaanmohammad Afrazi Hamid Tabasi Abolghasem Raadfar
        Sheikh Ahmad-e Jaam is one of the famous mystics of Great Khorasan. He has created several books, many of which have been destroyed. What we have from him falls into the two general categories of prose books and poetry collections, which, of course, are considered by ma More
        Sheikh Ahmad-e Jaam is one of the famous mystics of Great Khorasan. He has created several books, many of which have been destroyed. What we have from him falls into the two general categories of prose books and poetry collections, which, of course, are considered by many to be poetry collections attributed to him. In this study, in order to confirm this hypothesis, the intellectual and ideological level reflected in the prose books and poetry collection with regard to the themes of Qalandariaat has been studied and explored. The reason for choosing Qalandariaat was that it has a pivotal and decisive role in reaching a convincing conclusion that the poetry collection belongs to Sheikh Jam or is attributed to him. This research has been done by descriptive-analytical method and based on library resources. The results of the research show that the frequency of Qalandari issues in the poetry collection is more diverse and includes such things as: pretending to be immoral; discrediting religion and rejecting the manifestations of Shariat; The name and the stigma are ignored. While Sheikh-e Jaam in his prose works has only mentioned such things as: criticizing the dishonest Sufis and the indebtedness of Inquisition, which are defined under the Qalandari religion. Overall, the obvious difference in the ideological level of Sheikh-e Jaam's views in the prose books and the poetry collection reinforces the hypothesis that these poems are attributed to him. Manuscript profile
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        7 - Analysis of Qalandariat and Related Topics in the Poetic and Prose Works of Sheikh Ahmad-e Jām
        Jaanmohammad Afrazi Hamid Tabasi Abolghasem Raadfar
        Sheikh Ahmad-e Jām is one of the famous mystics of Great Khorasan. He has created several books, many of which have been destroyed. What we have from him falls into the two general categories of prose books and poetry collections, which, of course, are considered by man More
        Sheikh Ahmad-e Jām is one of the famous mystics of Great Khorasan. He has created several books, many of which have been destroyed. What we have from him falls into the two general categories of prose books and poetry collections, which, of course, are considered by many to be poetry collections attributed to him. In this study, in order to confirm this hypothesis, the intellectual and ideological level reflected in the prose books and poetry collection with regard to Qalandari themes has been studied and explored. The reason for choosing Qalandariat was that it has a pivotal and decisive role in reaching a convincing conclusion that the poetry collection belongs to Sheikh Jām or is attributed to him. This research has been done by descriptive-analytical method and based on library resources. The results of the research show that the frequency of Qalandari issues in the poetry collection is more diverse and includes such things as: pretending to be immoral; discrediting religion and rejecting the manifestations of Shari’at. The name and the stigma are ignored. While Sheikh Jām in his prose works has only mentioned such things as: criticizing the Sufis and the indebtedness of Inquisition, which are defined under the Qalandari religion. Overall, the obvious difference in the ideological level of Sheikh Jām's views in the prose books and the poetry collection reinforces the hypothesis that these poems are attributed to him. Manuscript profile
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        8 - Examining Salman Herati's poems from the point of view of content aesthetics
        Mazaher Zamani Nematsara
        Salman Herati is one of the prominent contemporary poets who, by using simple language and creating pure and fresh compositions, was able to express many of his social and political, ritual, religious and idealistic concerns in his poems. He has never sacrificed the con More
        Salman Herati is one of the prominent contemporary poets who, by using simple language and creating pure and fresh compositions, was able to express many of his social and political, ritual, religious and idealistic concerns in his poems. He has never sacrificed the content and theme of his poems to the surface and external layers of the poem (rhyme and weight...), but his poems are always in terms of literary creations, melody, simple and clear language, careful choice of words, beautiful descriptions, imagination. Strong, the harmony of image and emotion, artistic and story techniques, the use of historical and mythological elements, and having a deep meaning and concept, have been worthy of attention. In this article, which is written in an analytical-descriptive way, attention is paid to the most significant content and conceptual expressions from the perspective of intellectual aesthetics in Salman Herati's poems. The obtained results show that Salman is interested in concepts and approaches such as idealism and libertarianism, ritual and religious attitudes, martyrdom and martyrdom, patriotism, revolution, manifestations of resistance and stability, nature, resurrection and death, love. , justice and anti-colonialism and some social components such as philanthropy have paid special attention, and among these things, religious and ritual themes as well as politeness have shown more special attention. Manuscript profile
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        9 - Examine some stylistic features or poetic images In the poems of Hakim Sanai Ghaznavi
        narjes keikha msood akbarizadeh behrooz romiani
        Hakim Sanai Ghaznavi is one of the famous speakers of Iraqi style and mystical poetry who has left works of poetry and prose in his memory. done. The power of imagery is always a hallmark of a poet. Therefore, the present article is devoted to the study of poetic images More
        Hakim Sanai Ghaznavi is one of the famous speakers of Iraqi style and mystical poetry who has left works of poetry and prose in his memory. done. The power of imagery is always a hallmark of a poet. Therefore, the present article is devoted to the study of poetic images (similes and metaphors) in Sanai poetry. In this article, poetry and imagination (image) are mentioned. The similes and metaphors of Hakim Sanaei's poems have been studied in terms of frequency, subject (pictorial elements), compactness and breadth, as well as in terms of the poet's purpose in bringing these images.Hakim Sanai Ghaznavi is one of the famous speakers of Iraqi style and mystical poetry who has left works of poetry and prose in his memory. done. The power of imagery is always a hallmark of a poet. Therefore, the present article is devoted to the study of poetic images (similes and metaphors) in Sanai poetry. In this article, poetry and imagination (image) are mentioned. The similes and metaphors of Hakim Sanaei's poems have been studied in terms of frequency, subject (pictorial elements), compactness and breadth, as well as in terms of the poet's purpose in bringing these images. Manuscript profile
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        10 - بررسی و تحلیل تطبیقی کارکردهای آرایۀ تضاد(طباق) در بوستان سعدی و دیوان متنبّی
        حسین گیاهی حمیدرضا سلیمانیان حسن دلبری
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        11 - The relationship between God and man in the works of Jami
        zahra ghezelsofla akbar shaebani mohammad fazeli
        God, as the creator of man, has been in contact with him from the beginning of man's creation, and this relationship has expanded with the entry into the universe. The relationship between man and God and the mutual presence of this kind of relationship is one of the fu More
        God, as the creator of man, has been in contact with him from the beginning of man's creation, and this relationship has expanded with the entry into the universe. The relationship between man and God and the mutual presence of this kind of relationship is one of the fundamental issues in the field of Islamic mysticism. Man, as the Ashraf of creatures, has a valuable position among all of God's creations, which has given God special attention and attention to this caliph. Most artists, especially Persian poets, have dedicated their work to the relationship between man and the absolute Creator. Jami is one of the most prominent figures in Persian literature who seeks to address all aspects of his personality, precision, study, and exuberance with sufficient mastery over certain sciences.The relationship between God and man is one of the key points in Jami's poetry. The present study, with a descriptive-analytical approach, examines the relationship between God and man and analyzes the concepts related to this field in Jami'ah poetry. The results of this study indicate that the relationship between God and man in Jami'ah poetry has been applied in three ways: 1. Revelation, Verses, and Apocalyptic Verses 2. Creation and guidance 3. Manuscript profile
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        12 - Metodat e ndikimit të Mohammd Ikbal Lahorit në mënyrën e përshtatjes nga Kurani Famëlartë
        Ali Zaboli Mehdi Abadi Ahmad Sadeghian aboalghasem asi moznab
         The manifestation of the divine word in poetry becomes its source of freshness, depth and stability, and the more fruitful the literary work is than the transcendent concepts, the greater its power of influence and influence. Iqbal Lahori is one of the prominent c More
         The manifestation of the divine word in poetry becomes its source of freshness, depth and stability, and the more fruitful the literary work is than the transcendent concepts, the greater its power of influence and influence. Iqbal Lahori is one of the prominent contemporary poets in using the verses of the Quran who has used the verses of the Quran extensively in his poems in various ways. Array of solution and adaptation is one of the most important and effective literary industries in rhetoric and has been used in Iqbal's poetry in various ways that are effective in understanding concepts. Due to the high frequency of this array and its various forms of application, the need for this research is felt. This research, in a descriptive-analytical way, and library tools, seeks to analyze Iqbal poems in which the industry of solving and adapting has been formed using the verses of the Qur'an, and the methods of influencing and interpreting Iqbal from the Qur'an in the ways of using this array. Explore its various semantic aspects and its rhetorical secrets and mysteries. The results of the research show that the rhetoric of the Qur'an, in addition to the effect it has had on Iqbal's thought and language, has also played a significant role in the evolution of all kinds of allusions and guarantees in Iqbal's poetry. Manuscript profile
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        13 - Investigation and comparison of peripheral and psychic states in the poems of Alaadullah Biabanki
        , Saeed Karkabadi, mashoor Parvin Dokht, Farzad, Abbasi Mahboubeh Zia Khodadadian
        One of the issues that the mysticism of all nations revolves around is the issue of discovery and intuition. In general, mystical revelations in the Divan of Ala al-Dawla Biyabanki can be divided into two categories: formal and spiritual discovery and intuition, and eac More
        One of the issues that the mysticism of all nations revolves around is the issue of discovery and intuition. In general, mystical revelations in the Divan of Ala al-Dawla Biyabanki can be divided into two categories: formal and spiritual discovery and intuition, and each of them has its types. These formal and spiritual revelations in some respects with the theory of W.T. Stacey is applicable to discovery and intuition. In this research, the revelations of Ala al-Dawlah based on formal and spiritual conditions have been studied and then their common features such as feeling of trust, objectivity, happiness, etc. have been explained. Of course, in some of these cases, Stacey's view differs or is not compatible with some of the characteristics of Islamic revelation. In addition, the specific characteristics of formal and spiritual states have been studied, and we have finally come to the conclusion that the revelations of Ala 'al-Dawlah, in addition to conforming to some patterns of Western mysticism, are unique in their kind and in some ways superior to Western mysticism. In this research, the author also tries to answer the question of descriptive-analytical method and library method whether the poems of Ala Al-Dawlah, in spite of their abundance, expressions related to discovery and intuition, adaptability and classification in the field of literary type "Literature" Does it have "prophecies and revelations" or not? Manuscript profile
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        14 - تحلیل زمینه‌ای نوستالژی در اشعار خاقانی
        نصرالله امامی افسانه سعادتی
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        15 - .
        farangis shahrokhi
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        16 - .
        Akram Haratian
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        17 - .
        حسین آقاحسینی parvaneh vesal
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        18 - .
        آسیه ذبیح نیا عمران نیرالسادات ابطحی
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        19 - .
        Fateme Chashnigir Azizollah Tavakoli Kafiabad محمود صادق زاده
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        20 - .
        narges afrooz احمد علی جعفری
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        21 - .
        ابوالفضل مرادی(رَستا)
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        22 - Introduction and analysis of the newly written manuscript of GHassab Kashani's court
        Elham Gholamkelisani Mehrdad ChatraeiAzizabadi morteza rashidi
        Manuscripts are written heritage and represent the scientific, cultural and social identity of nations. Since ancient times and as evidenced by history, Persian-language writers and poets have created many works, whose preservation and revival is the scientific and cult More
        Manuscripts are written heritage and represent the scientific, cultural and social identity of nations. Since ancient times and as evidenced by history, Persian-language writers and poets have created many works, whose preservation and revival is the scientific and cultural mission of researchers. Although researchers in the field of Persian language and literature have long paid special attention to the correction of ancient Persian literary texts, some of these texts have not been revived and corrected after centuries. Nevertheless, the copy of Diwan Kasab Kashani has been corrected five times by Parto Beizai, Abbasi, Javaheri, Karmi and Atefi, and the authors are trying to identify the copy and the author with the descriptive-analytical method and with the help of library sources. and examine the stylistic elements and components, express its linguistic features, its literary, religious, mystical and historical value. Also, address the corrections that have been made from this manuscript, and in each correction, briefly mention the motivations of the correctors for reviving Diwan Kasab, the methods of correction, and the additions and appendices in the corrections. review The results of the research show that the manuscript of Noor Osmaniyeh Library has not been used in the previous corrections Manuscript profile
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        23 - The Thunder of Revolt A study on the different manifestations of sins in Hafez’s Poetry
        hassan Bassak
        Sin is one of the new aspects Hafez has had in his poetry. It is not possible to present a clear outlook on different aspects of sin without a comprehensive look on his poetry. Hafez’s consideration on various aspects of the matter is of high value. He believes th More
        Sin is one of the new aspects Hafez has had in his poetry. It is not possible to present a clear outlook on different aspects of sin without a comprehensive look on his poetry. Hafez’s consideration on various aspects of the matter is of high value. He believes that the aptitude to sin is gifted in human being, so it is eternal and belongs to human destiny. It shows that human being tends to chaos although repent is an opportunity for him to gain spiritual evolution within himself. Human challenges with sin and narrating his conditions through Hafez bring a lot of questions and ambiguities about Hafez and his poetry. Considering adherence or non-adherence in Hafez and his belief in religious values provide lots of different perspectives on him to make superficial and sinful understanding of Hafez’s poetry. In Hafez’s view, the ability to sin does not mean the permission of blame, but it represents the belief that sin will not hurt religion. Therefore, Hafez assumes pretending sin against the proud of innocence – which emphasizes on its incorrectness – in the world of poetry. Pretending sin is the main point in Hafez’s poetry. It is on the opposite side of those pretending purity. To avoid the second group, Hafez tries to distance them to show he does not follow them. He knows innocent plaintiffs as real sinful individuals whose understanding is blur through proud and selfishness. According to Hafez, if piety and asceticism are considered as means of gaining value or to be considered magnificently in austere view, they will lose their values and worthiness. One of the most crucial factors in Hafez’s idea towards sin is his positive understanding of human relationship with God and his dependence on His commiseration. Through presenting his idea, Hafez tries to challenge those who not only claim their purity, but also cherish hypocrisy and selfishness. Hafez fights with insincerity and deceitfulness. Based on thought and philosophy taken from Hafez’s poetry, the present article investigates the educational aspects of revolt and sin. Therefore, sin expression of Hafez, pure libertinism and rebuking, avoidance of unity with hypocrites as well as mysticism and worthiness were analyzed through religion, morality and immorality, sin outcome and the effects of purity, sin and human willingness and finally God approbation.   Manuscript profile
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        24 - Components of Didactic Genre in the Azhari Shirazi’s Resale-ye Kamal (Treaties of Perfection)
        Fariba Chini Fatemeh Sadat Taheri
        Budaq Azhari Shirazi, an unknown poet of the tenth and eleventh centuries AH, has a poetic collection of 10,385 lines, which he called Resale-ye Kamal (Treaties of Perfection). The present article studies the didactic factors in Azhari’s poems. By using a descript More
        Budaq Azhari Shirazi, an unknown poet of the tenth and eleventh centuries AH, has a poetic collection of 10,385 lines, which he called Resale-ye Kamal (Treaties of Perfection). The present article studies the didactic factors in Azhari’s poems. By using a descriptive-analytical method based on Azhari’s poems, the researchers also attempt to answer what didactic teachings are in Azhari’s Resale-ye Kamal and what methods did the poet use to explain them? Through answering this question, the researchers argue that praising the Prophet’s family and Imams, the eulogy of the Safavid sultans, virtual love, the description of life events, satire and sarcasm are the main themes of Azhari's poetry. Like many previous poets, the poet advises and teaches goodness (affirmative education) to his specific and general audience, or forbids them from ugliness and evil (negative education). He has done it sometimes independently and sometimes in the midst of other literary themes and forms. Azhari teaches his educations to the audience either in the direct or in the indirect ways which includes using the devices of storytelling, abstraction, allusion to Quran verses and stories, allegories and genomic verse, hymn, oath, complaint, redundancies, satire and fables.  Manuscript profile
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        25 - نقد و بررسی تصحیح دیوان ظهیرالدین فاریابی به کوشش استاد فقید امیرحسین یزدگردی
        یاسر دالاوند
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        26 - Epic and Mythical Elements in Shānameh and Hadighat-al-Haghigheh and Divan of Sanāi
        Abolqasem Qavām Zohreh Hāshemi
        In Persian classic literature, Sanāi is considered as one of the first innovative poets who have helped to expand poetic theme in various aspects such as panegyric, mystical and especially didactic and philosophical ones. Having mystical and ethical insights, he has had More
        In Persian classic literature, Sanāi is considered as one of the first innovative poets who have helped to expand poetic theme in various aspects such as panegyric, mystical and especially didactic and philosophical ones. Having mystical and ethical insights, he has had a new attitude to various poetic contents and elements, including lyric, epic and so forth. In this research, we are going to answer this question: how has Sanāi applied the epic and mystic elements of Shānameh in Hadighat-al-Haghigheh and his Divan; and in what way did he look at these elements? On this basis, we conclude that Sanāi has employed these elements on aesthetic, didactic, mystic and panegyric bases respectively. Manuscript profile
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        27 - بررسی سبک شناسی لایه‌ای اشعار عارف سنندجی
        صباح حسینی محمد علی گذشتی اشرف شیبانی اقدم
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        28 - The Stance of Narrative Allegory in Seyyed Bahaoddin Mostofil Mamalek's Diwan ( book of Poetry )
        Shiva Deh Bozorghi Ali Mohammad Moazeni Sorollah Nowroozi
        Abstract         Seyyed Bahaoddin's Diwan is investigable from different approaches. One of its important and prolific implications and topics is the allegory – specifically narrative allegory. He has utilized the allegorical st More
        Abstract         Seyyed Bahaoddin's Diwan is investigable from different approaches. One of its important and prolific implications and topics is the allegory – specifically narrative allegory. He has utilized the allegorical stories to express his ideas and thoughts in the religious, ethical and social domains because this method mostly affects on the minds of his reader. The present research which is discussed by descriptive – analytic method, deals with the allegory and its function, studying the poem in the narrative allegorical axis, introducing its segments and tools and answering the posed questions which have been appeared in its findings. Seyyed Bahaoddin's tendencies in expressing the codified allegories is alphabetical and it is his most important poetic characteristic and from this perspective he has had much impression in the frequency compared with other elements. Manuscript profile
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        29 - The Intertextual Perusal of Allameh Hassan Zadeh Amoli's Mystical Poetry with the Holy Qur'an
        Javad Abedi Hossein Parsaee Reza Forsati Jooybari
        Abstract           The theory of intertextuality is one of the most prolific subjects on literary criticism; it is one of the items which adds exquisite beauty to the literary works. Affectability of the poets and writers fr More
        Abstract           The theory of intertextuality is one of the most prolific subjects on literary criticism; it is one of the items which adds exquisite beauty to the literary works. Affectability of the poets and writers from each other's texts and exploring them are really enjoyable. Allameh Hassan Zadeh Amoli's poetry is replete of mystical implications, Qur'anic and traditional themes. His poetry is saturated with mystical themes and is surveyable with the intertextual approach. In this paper, we have tried to analyze his poetry in mystical implications and themes which have rich supporting, by comparative analytical-descriptive method. Therefore, his mystical poetry is perusalled based on intertextuality with the Holy Qur'an. Allameh has tried, in addition to revealing his own feelings in poetry, to deal with belief problems and the Qur'anic Islamic manners. By scrutinizing in the poetry of Allameh one can see various kinds of intertextual relationship including: allusive, inspirational, thematical, technical, trivial and lexical. But by the sequence, the relationship of inspirational, thematical, lexical, trivial and technical are of the conspicuous ones. Manuscript profile
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        30 - A Narrow Research in the Spiritual Rhetoric Arrays in Mirza Mohsen Ta'sir Tabrizi Diwan
        Raziyeh Aghazadeh
        Abstract         From the aesthetic point of view, the rhetorics is a science by which the beauty of the word is revealed and it is a collection of the crafts which more or less converts the ordinary words to literary ones. One of the More
        Abstract         From the aesthetic point of view, the rhetorics is a science by which the beauty of the word is revealed and it is a collection of the crafts which more or less converts the ordinary words to literary ones. One of the basic elements of the poetry, especially in the Indian Style, in addition to narrow types of imagery, is the arrays used in the poetry of this period of time. Mirza Mohsen Ta'sir Tabrizi is of the poets who followed Saeb Tabrizi's school. He has taken great advantage by using eloquent language and innovative arrays which included verbal and spiritual skills in expressing his thoughts and tenets. In this research which has been done in descriptive-analytic method, Ta'sir Tabrizi's Diwas has been investigated from spiritual rhetorics and its significant points have been distinguished. Mystics' agnosticism, the manner of equity, paradox, the order of numbers, the true way of speech, comparison, using parallel words. Among the above-mentioned items: the abstraction, manner of equity, the true way of speech and allusion are of higher frequency. Manuscript profile