List of Articles خیال متصل

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  1 - The Basis of Artistic Creation in the Thought System of Sheikh Shahab al-Din Suhrawardi
  Bahman Dinarvand farajollah barati Goodarz Shateri
  The word "khayāl" (imagination) has been used in various forms, including conjecture, illusion, fantasy, thought, plan, and decision. Suhrawardi was the first to introduce the discussion of the world of khayāl into Islamic philosophy. He considered khayāl matter; howeve More

  The word "khayāl" (imagination) has been used in various forms, including conjecture, illusion, fantasy, thought, plan, and decision. Suhrawardi was the first to introduce the discussion of the world of khayāl into Islamic philosophy. He considered khayāl matter; however, he considered imaginary forms to be single (abstract) that remain in the world of khayāl. What is considered the goal of this research is to answer the question of what role the faculty of khayāl play in the creation of works of art? And is it at all influential in the creation of a work of art? And which works of art can be derived from the faculty of khayāl? It should be noted that this research is theoretical and based on exploratory research and the study of library documents and note-taking. The type of research method is content analysis or analytical-descriptive. In any case, in this research, we will present a description of the faculty of khayāl and its function from the perspective of Sheikh Shahab al-Din Suhrawardi in the two epistemological fields of khayāl (connected khayāl) and ontological khayāl, which is known in Islamic philosophy as the world of khayāl or the world of (disconnected khayāl), we will discuss the role of these two khayāl in the field of art and aesthetics. Manuscript profile
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  2 - شعر غنایی و عرفان
  مهدی تدین
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  3 - خیال و تناقض نمائی در عرفان ابن عربی
  مهدی نجفی افرا
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  4 - Creative imagination in Avicenna’s philosophy
  Mehdi Najafi afra Fatemeh mortaji
  Discussing on imagination is an important and vital issue in Islamic philosophy and mysticism. It has numerous ontological and epistemological dimensions. Avicenna was the first philosopher who cosmologically has distinguished imaginary world from material and intellect More

  Discussing on imagination is an important and vital issue in Islamic philosophy and mysticism. It has numerous ontological and epistemological dimensions. Avicenna was the first philosopher who cosmologically has distinguished imaginary world from material and intellectual ones. Epistemologically, he has made a distinction between imagination and imaginative taking two approaches to imagination which tends to the sense and tends to intellectual world. The material characters are devoted to the imagination tending towards sense but the imagination which tending towards the transcendental world is creative and immaterial which is able to change the things in the natural world. We, at this paper, by analytical and descriptive research method, have attempted to survey Avicenna’s approach to the imagination who has affected the next mystics and philosophers. Manuscript profile