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      • Open Access Article

        1 - Comparative Study of the Impact of Persian Religious Epics on Kurdish Hymn Book of Gholam Reza Khan Arkvazi
        Akhtar Sultani Zaher Saraei Narjes Tohidi Far
        The present article attempts to study the impact of Persian religious epics on Kurdish hymn book of Gholam Reza Khan Arkvazi the great Shiite Kurdish poet from Ilam from a comparative point of view. Since the Shiite Kurds make up a great part of the population of Iran a More
        The present article attempts to study the impact of Persian religious epics on Kurdish hymn book of Gholam Reza Khan Arkvazi the great Shiite Kurdish poet from Ilam from a comparative point of view. Since the Shiite Kurds make up a great part of the population of Iran and they have played an important role in the formation of Shiite religion, study of their literary works and comparing them with Persian works is of great contention and it can help the national convergence. Manuscript profile
      • Open Access Article

        2 - Codicology of the manuscripts of Heidari Hamleh-ie Heidari of Bāzel and types of its Supplements (and the sub-genres of Hamleh based on the approach of Genres(
        Farzad Ghaemi
        Hamleh-ie Heidari of Bāzel Mashhadi is a work that has the greatest quantity and variety of manuscripts in Persian epic literature after Ferdowsi's Shāh-nāma. In this study, by codicological analysis of 100 manuscripts of the Hamleh, several new supplements were discove More
        Hamleh-ie Heidari of Bāzel Mashhadi is a work that has the greatest quantity and variety of manuscripts in Persian epic literature after Ferdowsi's Shāh-nāma. In this study, by codicological analysis of 100 manuscripts of the Hamleh, several new supplements were discovered and their its interactions with Hamleh was clarified, and then the text corpus was classified into five categories based on the approach of literary genres. Based on the approach of the textual criticism, the manuscripts of the Hamleh of Bazal, due to the Indian style of the poet and the ritual use of the work in Hamleh reading, unlike other literary works, over time, instead of adding and increasing verses, have suffered to reduce and remove verses. Of course, at the end of the manuscript, the situation is reversed because the Hamleh 's poems have been supplemented. Based on the classification of literary genres, the type of Hamleh was defined as follows: “Hamleh” composing, from the branches of the genre of secondary religious epic, and the subgenre of literary-artistic epic, was explained by the function of language epic. Also, the “Hamleh”s were in terms of content among the historical epic poems with two types of pure historical epic or historical-folk epic, and in terms of relation to the basic Hamleh (Hamleh-ie Heidari of Bāzel), they contained three subspecies: book completion, composition of similar works and book translation. Manuscript profile
      • Open Access Article

        3 - Abutaleb Esfahani, a pioneer in the Epic Verses of Haydari attack
        Sayyed Mortaza Taheri Barzoki Mohsen Baghmirani
        The influence of Shahnameh Ferdowsi in the Persian literature was the reason behind the formation of National epic poetry in Iran.  Following the gradual decline of National epics which has started in the late 5th and the beginnings of the 6th century Hijira, compo More
        The influence of Shahnameh Ferdowsi in the Persian literature was the reason behind the formation of National epic poetry in Iran.  Following the gradual decline of National epics which has started in the late 5th and the beginnings of the 6th century Hijira, composition of the historical epics and soon after religious epics began.  With the establishment of Shia faith and special regard towards religious thoughts in Safavid period and the support of the court for the religious composers, the inclination for composing epic-religious poetry in praise of Prophet Mohammad and Imam Ali and his descendents greatly intensified.  Mirza Abutaleb Fenderesky Esfahani was the pioneer of such poetry.  He composed a poetry under the name of “Haydari rapture” about the life of Imam Ali, thereby he initiated a tradition that very soon inspired other poets in that period and later periods to compose and imitate epic poetry of this genre under the general name of “Haydari attack”. These poetries were normally concerned with the life of Prophet Mohammad, Imam Ali, major events in the beginnings of Islam, and Imam Ali’s Wars.  Haydari Attack compositions in the 12th century Hijra, began with the composition made by Bazel Mashhadi and within a century after that, several people in his imitation, created works of this genre the last of whom was Lotfollah Ghajar, known as Majnoon.  This article is concerned with the life and works of Mirza Abutaleb Esfahani, as the pioneer in the composition of epic-religious poetry and his influence over the continuity of composition of this genre of poetry and thus forming a tradition in the name of “criticism” in the Persian Poetry Manuscript profile