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      • Open Access Article

        1 - Comparison of Realism Components and their Application in Gileh Mard and Miramar
        Reza Dehghan Ashtivani Akbar Shabani
        One of the positive achievements of enjoying literary schools' principles is to analyze and precise studying of literary texts and finding out conditions of the society and its members. In Iran and Egypt's societies – according to improper political, cultural and More
        One of the positive achievements of enjoying literary schools' principles is to analyze and precise studying of literary texts and finding out conditions of the society and its members. In Iran and Egypt's societies – according to improper political, cultural and social conditions which has affected two countries' people, committed and public authors have emerged who studied and surveyed different literary schools specifically realism to express the improper situations and step toward the problems pathology. The works by Bozorg Alavi and Naguib Mahfouz are of special importance; because both were familiar with narration (writing) principles as well as literary schools specially realism; on the other hand they have created remarkable works by attending the society and feeling public's problems and issues. The present article is realism – comparative by the comparative approach (American school) and based on descriptive – analytical between two narrations: Gileh Mard by Bozorg Alavi and Miramar by Naguib Mahfouz. The outcomes show that two authors' ideas were very similar to each other; the similar structures and contents are remarkable. Manuscript profile
      • Open Access Article

        2 - A Study on the Story Thresholds in Bozorg Alavi’s Short Stories (Based on Robert Funk's theory)
        amin banitalebi masoud foroozandeh jahangir safari Esmail Sadege
        The world of short stories includes the characters and events in which they are created, and the ultimate goal of any writer is to persuade the reader to enter this creative world. The entrance that opens the way for the reader to enter and be drawn to this imaginary wo More
        The world of short stories includes the characters and events in which they are created, and the ultimate goal of any writer is to persuade the reader to enter this creative world. The entrance that opens the way for the reader to enter and be drawn to this imaginary world is the threshold of the story. Bozorg Alavi is one of the storytellers who has played a significant role in the evolution of short stories and the spread of critical realism insight, and in this regard, he has tried, especially in his early stories, to pay attention to modern storytelling techniques, including paying informed artists. Drawing on elements such as mystery and ambiguity, dialogue, conflict and indicative scenes evoke the reader's attention and interest. In the present study, the author, after a brief analysis of the theories presented in the field of storytelling, seeks to rely on Robert Funk's theory and add adverbs to it, using a descriptive-analytical method, after determining the beginning and end of the threshold of great short stories. Alavi and the mechanisms of their beginning, examine the initial sentences of the stories and, if necessary, point out their strengths and weaknesses. The results indicate that the great Alavi in his stories paid special attention to the combination of beginning and beginning with staging, and most of his storytelling skills were reflected in the initial staging section. Also, among the tricks of how to finish the threshold, he paid the most attention to the details of the story, which is the central focus of the narrative "clarity", but in this way, due to the rupture between the threshold and the middle of the story, he did not act very craftily. Manuscript profile
      • Open Access Article

        3 - A Critique of the Short Story "General Amnesty" by Bozorg Alavi in the Light of Sociological Theory of Emile Durkheim's Punishment
        Leila Khayatan Farzaneh Yousef Ghanbari Nasim Khajehzadeh Masoud Kheradmandpour
        Bozorg Alavi is one of the greatest contemporary novelists who has played a significant role in the development of short stories in contemporary literature. In all his stories, he has critically addressed various issues of society. One of Alavi’s short stories is More
        Bozorg Alavi is one of the greatest contemporary novelists who has played a significant role in the development of short stories in contemporary literature. In all his stories, he has critically addressed various issues of society. One of Alavi’s short stories is the story of “general amnesty”. In this story, the author depicts the social realities and changes of that time. In this research, an attempt has been made to adapt the issues criticized in this story to Durkheim's sociological theory of punishment. Emile Durkheim thinks about punishment that punishment has the function of integrating society. In his view, when a crime occurs, the values ​​and morals of society are violated. As a result, society feels threatened and reacts. Punishment is the emotional and natural reaction of society to the defect of collective values. In this research, the author intends to study the short story "General Amnesty" by Bozorg Alavi based on Durkheim's sociological theory of punishment in an analytical-descriptive and library method. The results show that although punishments change over time their origins will not change. From this point of view, the change of punishments is, in a way, the adaptation of the punishment to the collective conscience of the time. In fact, as society changes, so does punishment. Manuscript profile
      • Open Access Article

        4 - the sociological criticism of gile mard
        mahtab hedayati tahere eshani
      • Open Access Article

        5 - Examining and comparing the ways of representing the social position of "female characters" in the short story 20
        نجمه najmeh alireza shabanlu Abdolhossein Farzad
        Fictional literature in Iran has focused its attention on representing the realities of Iranian society from the very beginning of its formation. With a quick look at the works of fiction from the twenties to the fifties, the audience can clearly see the influence of re More
        Fictional literature in Iran has focused its attention on representing the realities of Iranian society from the very beginning of its formation. With a quick look at the works of fiction from the twenties to the fifties, the audience can clearly see the influence of realism in the heart and text of the stories. The main reason for this approach in fiction literature is the political and social structure and conditions that govern Iran. The present study tries to answer the main question in a descriptive-analytical way, that according to the realist view that prevailed in the short story in the twenties, what image did the male writers draw of "woman" and her "social position" at this historical moment? are The statistical population of this research is the short stories written by Ebrahim Golestan, Bozor Alavi and Mahmoud Etemadzadeh in this decade. The findings of the research show that "female" characters in these stories are often mentioned as secondary characters and their processing method is in a way that is related to other characters. It seems that none of the "female" characters are directly introduced in these stories and their "actions", "thoughts" and "speech" are the main tools of the authors. They are to introduce these characters to the reader. These women have different names; but they have common characteristics that they are condemned to suffer and finally surrender due to economic, cultural and political anomalies. In general, although these "women" have been represented differently in some cases; the overall picture presented of them under the influence of the realistic view of short story writers in the twenties has many points in common with each other. Manuscript profile
      • Open Access Article

        6 - The Reflection of Realistic Components of the story of " Guileh Mard from Bozorg Alavi
        Reza Dehghan Ashtivan Akbar Sha'bni
        Abstract         After the constitutional revolution and translation of Western stories into Persian, we have witnessed the presence of literary schools in Persian story writing. Among them, realism was the most appealing for Iranians More
        Abstract         After the constitutional revolution and translation of Western stories into Persian, we have witnessed the presence of literary schools in Persian story writing. Among them, realism was the most appealing for Iranians and experienced the different levels of socialistic, climatic and psychologic periods. Bozorg Alavi is of the prominent representatives of Realism in Farsi story writing. He has dealt with the situation of Iranian society and has challenged the ruling system of the time in the story of " guileh Mard ". His political, social and cultural concerns are highlighted in this story. We have investigated  and explored the most important realistic components of the story  in a descriptive – analytic method. It seems that Bozarg Alavi had realistic approach in representing the social, political and cultural problems regarding to the time, setting, characterization, scenery and description of events and views. These were the ideals that he believed in them and accomplished in his literary message. Manuscript profile