List of Articles Islamic Art

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  1 - Identifying the Islamic Art Elements of Naserid Darol-khalafe Citadel from the Perspective of Sadrol-Moteallehins Philosophy
  Seyed Benyamin Keshavarz Seyed Aghil Keshavarz Zahra Kheiroddin
  Sadr al-Maltahin, a prominent Iranian philosopher of the 11th century AH, authored significant works on philosophy. His beliefs, rooted in the teachings of Mu'azuddin Allah, emphasize the concept of revelation, which he posits must traverse layers of reason, example, an More

  Sadr al-Maltahin, a prominent Iranian philosopher of the 11th century AH, authored significant works on philosophy. His beliefs, rooted in the teachings of Mu'azuddin Allah, emphasize the concept of revelation, which he posits must traverse layers of reason, example, and matter before manifesting as speech. His philosophical framework is not solely based on Islam but also draws from Iranian culture. The term 'form' holds great significance in art and architecture, embodying three distinct meanings: representing structure, showcasing visual form, and elucidating interrelations between forms, which, according to Mullah Sadra, epitomizes the balance between rationality and spirituality in art. Contrary to common belief, the adherence to aesthetic principles and structured artistic expression in Islamic societies did not solely emerge during the Safavieh era. This article explores the intersection of Sadra'i philosophy and traditional Islamic philosophy, employing analogical reasoning to address this misconception. Manuscript profile
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  2 - The Role of Form in the Transcendence of Aesthetic Experience with an Emphasis on Islamic Philosophers’ Opinions and Look at the Tabatabaei House
  Maryam Bakhtiarian Firoozeh Sheibani Rezvani
  10.30486/pia.2024.2003994.1067
  The purpose of this research is to explain the role of the Islamic form and its relationship with meaning in Islamic art, from the perspective of thinkers in this field by citing examples of architecture in the Islamic era. In this qualitative research, the possibilitie More

  The purpose of this research is to explain the role of the Islamic form and its relationship with meaning in Islamic art, from the perspective of thinkers in this field by citing examples of architecture in the Islamic era. In this qualitative research, the possibilities of form in the excellence of Islamic art, beauty criteria from the perspective of Islamic sages, and considering the formal elements in the architecture of the Tabatabaei family's house were described and analyzed. The results of this research can be summarized as follows; from the point of view of known Islamic philosophers, the importance of the form in the excellence of Islamic art is that the audience approaches the spiritual experience through this art. In comparing the position of the form in Islamic aesthetics with the concept of form in Western aesthetic thinking, it is evident that the role of the Islamic form is in discovering and recognizing mysteries in the phenomena, and the importance of this role can only be identified in the connection between the form and its meaning. Islamic formal elements such as centrism and geometry, symbol and code, light and color, and abstraction have clear evidence in artistic works such as carpet art, painting, calligraphy, and architecture in the Islamic era. In a case study of the Tabatabaei house, elements such as center and geometry, code and symbol, color and light, and abstraction connect sublime concepts such as unity, goodness, perfection, and beauty. Manuscript profile