List of Articles Allusion

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  1 - Analysis Of The Allusion s Structur FromPoint of Linguistics
  Ali Razzaghi Shani
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  2 - Study of the Image of Holy Messenger (PUH) as Depicted in Khajouye Kermani’s Collection of Poems
  Ali Mohammad Moazzeni Shahin Khakbaz
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  3 - The role of mystical allusions in the Masnavi-ye-Ma'navi (based on the narrative allegories of books 4, 5 and 6)
  Ehsan Ansari mehdi Mahouzi Seyedeh Mandana Hashemi Isfahan
  In Masnavi, Rumi has repeatedly tried to enlighten the minds of his audience to epistemological issues with mystical allusions, and by mentioning allegory and storytelling, he has raised the perceptual level of the companions and companions of Masnavi. By delving into t More

  In Masnavi, Rumi has repeatedly tried to enlighten the minds of his audience to epistemological issues with mystical allusions, and by mentioning allegory and storytelling, he has raised the perceptual level of the companions and companions of Masnavi. By delving into the narrative allegories of Masnavi, one can find and hide mystical hints that their reflection and semantic expansion at the narrative levels, ultimately paves the way for unity and oneness in Masnavi. This unifying attitude and effect on mystical allusions has escaped the scrutiny of many scholars and narrators. This research has been written by library and descriptive study method and tries to show the role of Rumi's mystical allusions in the processing of narrative allegories based on the narratives of the fourth, fifth and sixth books of the spiritual Masnavi. In this research, by deepening and using the narrative allegories of Masnavi, the relationship between superstructure and depth of allegories as well as the method of processing mystical materials in four types (allusions, themes, examples and internal stories) was revealed. Finally, the role of mystical allusions in two levels of narrative allegory (superstructure and deep construction) entitled "symbol", "guidebook" and also the semantic connection between narrative levels were examined. Familiarity with the method of processing mystical material and examining the semantic link at narrative levels is one of the research results of the present article. This research can be considered as a step towards understanding the structure and content of Masnavi narrative allegories. Manuscript profile
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  4 - Theme Creations of Shīrku Bīkas by the Allusion into the Prophets Story
  mohammad irani samira kanani
  The stories about the prophets by no attention into the conscience and ritual difference have been attracted for the difference-nation-poets. Reflecting this stories wasn't far from kurdish poets. . Shīrku bīkas is one of the biggets poets of kurdish literature in the c More

  The stories about the prophets by no attention into the conscience and ritual difference have been attracted for the difference-nation-poets. Reflecting this stories wasn't far from kurdish poets. . Shīrku bīkas is one of the biggets poets of kurdish literature in the current age and he -by utilication from prophets story- had notice to say the meanings and other destinations like political censure social difficulties and problems ethnic difficulties and kurds ethnic popular struggle. Shīrku- by using his artistic imagination- finds some shares between his items and prophets events and then according to his words he points the prophets life events and then he finds artistic connection between himself, his homeland, his history, his homeland events and prophets life. We, the writers of this essay, have tried to peruse the reflection of prophets visage analytically and descriptively in the shīrku bīkas poets and check the heterologies in how to represent the prophets try with rebuild the allusions and creat the political social themes in this well-known poets poem. The conclusions of this research shows that this famous kurdish literature poet, in allusion to the prophets story, doesn’t have any idea about the prophets religious and creedy belief event but his oppinion is to saying his homeland political and social meanings on the cover of literary images and arts. Therefore, he can be counted as an under taking poet that he had used his poet for reflecting the nation and ethnic difficulties. Manuscript profile
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  5 - Artistic Symmetry in two axes of connotation and substitution in GHEYSAR AMINPOUR'S poetry
  abbasali Vafaei zahra Ali Noori
  Creativity and innovation in different languages and literary genres cause the transforming of speech and placing of it in a higher position. Investigation of styles of poets and the characteristic manifestations result in careful cognition of poetry. GHEYSAR AMINPOUR i More

  Creativity and innovation in different languages and literary genres cause the transforming of speech and placing of it in a higher position. Investigation of styles of poets and the characteristic manifestations result in careful cognition of poetry. GHEYSAR AMINPOUR is well known for creativity in his poems. Poetry talent along with university education gave him a power to select words and combine them in such a way to create new combinations. He has a special technique in playing with words especially in pun, allusion, and literary devices. He used allusion devices to create new combination and this innovation can be seen throughout his literary works. The aim of this article is to recognize the new combination of words especially those that are very prominent. For carrying this investigation, five poetry notebooks; namely, AYNEHAI NAGAHAN, GOLHA HAME AFTABGARDANAND, TANAFOS SOBH, DAR KOCHE AFTAB, and DASTORE ZABANE ESHGH have been investigated. Manuscript profile
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  6 - Abstract The mathnawi of Golshan Raz is the most well-known versified work of Sheikh Mahmood Shabestari which encompasses his mystical thoughts. Though not so voluminous, this book is one of the most valuable monuments of literary mystical works in which the Sufi implications have been enthusiastically talked about. Shabestari has composed this mathnawi in answer to Amir Hossein Heravi's questions. The versified story of " The Golshan Raz
  Hamid Adalat Far Seyyed Mohsen Sajedi Rad Mohammad Ali Atash Sowda
  Abstract         The mathnawi of Golshan Raz is the most well-known versified work of Sheikh Mahmood Shabestari which encompasses his mystical thoughts. Though not so voluminous, this book is one of the most valuable monuments of lite More

  Abstract         The mathnawi of Golshan Raz is the most well-known versified work of Sheikh Mahmood Shabestari which encompasses his mystical thoughts. Though not so voluminous, this book is one of the most valuable monuments of literary mystical works in which the Sufi implications have been enthusiastically talked about. Shabestari has composed this mathnawi in answer to Amir Hossein Heravi's questions. The versified story of " The Golshan Raz " has the beauty of expression; it is more based on wisdom than imagery. In fact the content of this book is in short about the conquer of Mecca and some narratives from Ibn Arabi. The extension of Shabestari's familiarity in the Qur'an and traditions was so high that he uses them in the mold of allusion and simile in expressing the secrets of mysticism to prove his tenets. This article which is written in descriptive-analytic method, tries to demonstrate the impact of eloquence and its affectability in taking advantage of The Holy Qur'an and traditions. The distiches used here have been taken from the book written by Kazem Dezfulian and the numbers are applied according to the number of the page and the lines of the poems. Manuscript profile
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  7 - The Surveying, Rewriting and recreating the Mythological – Historical Allusions of Pre-Islamic era in Khagani and the Five Treasures of Nezami
  Maliheh Motaghayyer Atta Radmanesh Morteza Rashidi Ashjerdi
  Abstract           Nezami and Khagani, the two distinguished poets in Azarbaijani style, and because of the willingness of the praised ones ( prominent rulers ) to the historical and mythological kings and their own personal More

  Abstract           Nezami and Khagani, the two distinguished poets in Azarbaijani style, and because of the willingness of the praised ones ( prominent rulers ) to the historical and mythological kings and their own personal fondness to the ancient Persian stories , have used the Iranian historical and mythological allusions before the Islamic era  in their poetry. In this essay, to show the details of the issue, we have studied and analyzed the way the Persian mythological and historical allusions before Islam used in the works of Khagani and the five treasures ( Khamseh ) of Nezami and comparing their manipulations in the allusions. The writers of this essay which has been done in descriptive-analytic method have defined that Khagani, by his special art which has created in the mold of compounds and aesthetics in the themes of the stitches, has rewritten in seven occasions in the allusions of his book of poetry ( diwan ); on the other hand Nezami has also done a kind of recreation in the story of The Shirin and Farhad and The Bahram Goor in the works which had been written before him. Manuscript profile