Secret Heavenly Prayers in Alexander Pushkin's Poems
Subject Areas : Islamic MysticismMarzieh Yahyapour 1 , Janolah Karimi Motahhar 2 , Maltseva Tatiana Vladimirovna 3 , Masoumeh Mirzaie 4
1 - استاد زبان و ادبیات روسی دانشکده زبانها و ادبیات خارجی دانشگاه تهران، ایران.
E-mail: myahya@ut.ac.ir
2 - استاد زبان و ادبیات روسی دانشکده زبانها و ادبیات خارجی دانشگاه تهران، ایران.
E-mail:jkarimi@ut.ac.ir
3 - استاد دانشگاه دولتی آ.س. پوشکین لنینگراد، سنپیتربورگ، روسیه.
E-mail: kaflit@yandex.ru
4 - کارشناسی ارشد ادبیات روسی دانشکده زبانها و ادبیات خارجی، دانشگاه تهران، ایران.
E-mail: m.mirzaei1973@ut.ac.ir
Keywords:
Abstract :
The article first makes a brief reference to the origin of prayer that is influenced by individual and social beliefs, and then goes into the literary works and how they are expressed by Persian and Russian writers and poets. Prayer literary works are often influenced by the beliefs of writers and poets. There is a lot of information about prayer in ancient and contemporary literary texts. Prayer has many forms, and in prose and poetry literature, it often carries the message of theology and human connection with the divine realm, and in fact the writer and poet are left with a God. Many writers and poets from Iran and Russia have addressed this issue in their works, such as Rumi, Saadi, Hafez, Farabi, Attar, Pushkin, Lermontov, Bonin, and others. Some are based on the themes of the religious texts or under the influence of the wonders of the universe. Persian worship literature begins with the praise of God, such as Ferdowsi's Shahnameh, Sa'adi’s Golestan and Bustan and Attar's Poetry Divan. Various centuries of Russian literature have also seen works of worship in various forms. The present study deals with the case of the prayer in Alexander Pushkin's poetry, which is influenced by his religious beliefs. Prayer in Pushkin's poetry is in the form of literal praise or praise to God and seeking blessings. His prayers for God, his neighbor, are the duty of poet and poetry. The spiritual peak of Pushkin's poetry is the emergence of the "Divine Verb". He leaves the material world with art and with the help of religious anthropology and then moves on to the supernatural world.
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