Heroic Discourse Formation in Post-Revolutionary Cinema Analysis of Discourse of Movies and Senators

Subject Areas : Media Management

Ali Delavar ^{1 *} , Tahereh Koopali ²

1 - Professor of Communication Science, Islamic Azad University, Science and Research Branch of Tehran, Iran.
2 - Student of Islamic Azad University, Science and Research Branch of Tehran, Department of Social Communication Sciences, Tehran, Iran

Received: 2017-02-23 Accepted : 2017-04-06 Published : 2017-11-22

Keywords: Incident Cinema, Hero, Anti-Hero, Self, Other,

Abstract :

In this research, the hero and heroic discourse in the genre of the incident is examined. In the present study, three levels of analysis have been selected to examine the cinematic samples to go beyond the level of descriptive character and to enter into the analysis of the discourse of texts. The purpose of this study is to examine the way in which insider representations are opposite. The hero's image alone has not been the subject of research, and is considered to be part of the anti-hero. In the first level, the methodology of the "Selvi and Kadyrie" model is used to examine the implicit and obvious meanings of the sequences, in the second level, Bart's narrative pattern is used to describe the semiotic. Subsequently, using the method of critical discourse analysis, Vendike's analysis of the heroic and anti-heroic discourse of the text has been analyzed. The findings of this research determine and characterize the type of personality, role in the plot, polarization and verbal literature and the levels of hermeneutics of meaning in the films. By observing and analyzing the films, what has been seen in the face of the other in all texts is "good modeling for itself" and "creating disadvantages for another".