Transformation and modernity of Allegory in the Theory of Existence Unity and Intuition Unity (Focusing on Sanai and Fakhr al-Din Ibrahim Iraqi’s Masterpieces)
Subject Areas : Research Allegory in Persian Language and Literature
Ali Akhlaghi
1
(دانشجوی دوره دکتری زبان و ادبیات فارسی، واحد دهاقان، دانشگاه آزاد اسلامی، دهاقان، ایران)
Maryam Mahmoodi
2
(دانشیار گروه زبان و ادبیات فارسی، واحد دهاقان، دانشگاه آزاد اسلامی، دهاقان، ایران)
Keywords:
Abstract :
The attitudes of famous mystics, facing epistemological matters and relationship between human being, the Creator, and the universe during eras and times, at any mystic level, differ from one another. Every thinking-mystic attitude is endowed with a particular analysis of the mystic and enjoys the exclusive writing methods or special thoughts to express their mystical discoveries, which might have been the results of other famous mystics’ team works. Although investigating mystics’ masterpieces, sayings, and writing structures have many things in common, much attention and evaluation of this piece with the special and pure mystical factors and literary language may provide precise readers with delicate differences regarding vocabulary, imagination, and thoughts. Allegory is considered to be the best mimetic method for the mystics to express more about mystical experiences and in higher levels, mystical-instructional thoughts, which have different structures and images in the two big inclinations of intuition unity and existence unity. By comparing the masterpieces of two mystic poets as the samples of these two mystical thoughts – i.e. Hakim Sanai Ghaznavi and Fakhr al-Din Ibrahim Iraqi – the author has tried to analyze this issue in order to explain and express the same through evidences.