Critical Study and Analysis of the principles of Surrealism in Comparison With Anecdotes Junaid Baghdadi withEmphasis on the Memoirs of Attar's Tazkereh al-Awliya

Subject Areas : Comparative Literature Studies

Nasser Amir Mohammadi ¹ , Nemat Esfahani Omran ² , Hamid Tabasi ³

1 - PhD student of Persian Language and Literature, Jiroft Branch, Islamic Azad University, Jiroft, Iran
2 - Assistant Professor, Department of Persian Language and Literature, Jiroft Branch, Islamic Azad University, Jiroft, Iran
3 - Assistant Professor, Department of Persian Language and Literature, Jiroft Branch, Islamic Azad University, Jiroft, Iran

Received: 2021-12-02 Accepted : 2021-12-02 Published : 2021-11-22

Keywords: mysticism, Surrealism, Critical Analysis, Junaid Baghdadi, Tazkereh al-Awliya, Intuitive Stories,

Abstract :

 Surrealism is a school founded by Andre Burton and his associates in the early twentieth century after World War I, causing murder, chaos, destruction and absurdism. Looking at the school of Surrealism and Islamic-Iranian mysticism, we find that the surrealist aspects and aspects did not appear after the founding of this school, but had a history in the oldest religious and mythological texts and in Iranian mysticism, especially Sufi and especially mystical literature. , But with fundamental differences, has existed. In mystical texts, especially memoirs, anecdotes have a narrative, imaginative and mental format; In such a way that they present surprising and astonishing events in a realistic context. For this reason, these anecdotes, due to their subconscious and dreamy form, correspond to the principles and foundations of surrealism, and also the surrealists emphasize the liberation from reason to reach the highest point of existence with the aim of the mystical path of mystics in which all multiplicities are united. Become, mistakenly considered one; Therefore, in the present descriptive-analytical method, an attempt is made to briefly apply the various surrealist elements and components in Junaid Baghdadi's anecdotes with emphasis on Attar's memoirs, and at the end, a brief critique and analysis of surreal metamaterial thinking And Farangar's thinking in Iranian mysticism should be presented.