Symbolic Role of Color in Determination of Ethnic Identity of Wedding Dresses of the Caspian Regions of Iran
Subject Areas : Fabric and Cloth HistoryJavad Nouri 1 , Fatemeh Aghajani 2 , Abolghasem Dadvar 3 , peiman valipour 4 , Alireza Hoseinpour Kasgari 5
1 - Department of Textile apparel, Qaemshahr branch, Islamic Azad university, Qaemshahr, Iran
2 - PHD student of Art Research, Islamic Azad University, Kish International Branch
3 - Department of Art Research, Alzahra University, Tehran, Iran
4 - Department of Textile apparel, Qaemshahr branch, Islamic Azad university, Qaemshahr, Iran
5 - Department of Textile apparel, Qaemshahr branch, Islamic Azad university, Qaemshahr, Iran
Keywords: Ethnic identity, symbol, rituals, Wedding Ceremony Dress, Ethnic Groups of Northern Iran,
Abstract :
the color has a special representation in customs and rituals. Clothing is the most obvious cultural symbol and the most important and specific aspect of ethnicity and tribe, which is quickly affected by acculturation phenomena among different societies. The wedding dress has also been one of the important characteristics and dominated by this cultural element. which has been conducted in a descriptive-analytical way. Field and library methods have been used to collect information to study the symbolic role of the color of the wedding ceremony dress of the girls of the Caspian region of Iran and how it is influenced by its ethnic-tribal identity. The results of the research indicate that the application of color in the marriage ritual of the Caspian regions of Iran has symbolic meanings in addition to aesthetic aspects and is related to the theme of the intended ritual. For example, the presence of the green color in the wedding dress of the northern regions of Iran is a symbol of the greenery and freshness of these regions and indicative of the fertility and greenness of the couple. White color is a symbol of honesty and purity and the beginning of life based on intimacy. which is often seen in the headscarves of the brides in these regions.The symbolic role of red in these rituals is love, life, and happiness. As a result of the flexibility, the green color and red power are good complements for any beginning, including the beginning of a marital life,
[1] A, Tadayyon, "Fashion Design Tendencies", Tehran, Aban Publications, 2018, p. 51-63.
[2] J, Chevalier,. A, Gheerbrant, "Symbols Culture", translated by Soudabeh Fazaeli, Second Edition, Tehran, Jeihoon Publications, 2009, p. 32-38 .
[3] Sh, Bozorgmehr, "5000 years of clothes history of men and women of the world", Tehran, Toos Publications, 2009, p. 433-438.
[4] Sh, Shahin, "the paper on investigation into symbol, color in theater and literature and in the religion of nations", Fine Arts Magazine, Number 18, 2004, p.75-83.
[5] M, Gheibi, "eight thousand years history of clothes of Iranian peoples", Tehran, Hirmand Publications, 2008, p.422-425.
[6] R, Mohammadi, "the course of history and developments in clothing in Iran from prehistoric times to contemporary times", Tehran, Jamal Honar, 2017, p. 112-253.
[7] H. R, Soluki, "Local clothing of different ethnic groups of Iran", Rasht, Shahr Baran Publications, 2007, p. 151-170.
[8] Sh, Renjdoost, " Iran's Clothing History", Tehran, Jamal Honar Publications, 2008, p. 38- 160.
[9] R, Mehdizadeh Ari,. F, Abedi Firouzjaei, "Aspe Roosari (Customs and Culture of Parjai-Bandpei Women) ", Mabaath Publications, 2018, p. 37-38.
[10] J, Ziapour, "Iranian clothing from the earliest times", Tehran, Ministry of Culture and Arts publications, 1968, p. 107.
[11] S, Nouri, "a comparative study of the application of color in the poetry of Mahmoud Darwish and Manouchehr Atashi", Master's thesis, Faculty of Literature and Humanities, Razi University, 2012.
[12] M, Luscher, "Psychology of Colors, translated by Vida Abizadeh, 25th Edition", Tehran, Dorsa Publications, 2009, p. 78-81.
[13] J, Itten, "Color, translated by Mohammad Hossein Halimi, 9th Edition", Tehran, Ministry of Culture and Islamic Guidance Publications, 2007, p. 103.
[14] J.C., Cooper, " Illustrated Culture of Traditional Symbols", Tehran, Farhang Nashr No Publications, 2007, p. 97.
[15] M, De Beaucorps, "Live Secrets of Life, translated by Jalal Sattari", Third Edition, Tehran, Markaz Publications, 2007, p. 29.
[16] D. H, Sun, "Color your Life, translated by Naghmeh Safarianpour", Tehran, Hekayat Publications, 2008, p. 64.
