Feminine dialogism analysis in "Koli Kenare Atash" novel by Moniro Ravanipour with Mikhail Bakhtin's dialogism approach

Subject Areas : criticism

Malheh al sadat kashizadeh ¹ , abolhosein farzad ² , farhad tahmasbi ³

1 - persian language and literature . humanities and social sciences . islamic azad university. science and research branch. tehran. iran
2 - Associate Professor Institute of Humanities.Iran.Tehran
3 - Associate Professor Tehran university of Research Sciences Tehran.Iran.Tehran

Received: 2020-05-22 Accepted : 2020-08-30 Published : 2020-08-22

Keywords: polyphonic, Bakhtin, “Koli Kenare Atash”, novel, feminine dialogism, dialogism,

Abstract :

Dialogism is a characteristic of an expressive and mature text. In a dialectic text, the reader receives different sounds and opinions beside each other and enters inside the text as an active element beside other elements those build the text. in this kind of novel the author is not the only speaker and builds the story line beside other elements and the reader. Mikhail Bakhtin is an effective theorist in 20th century who brought up this theory in the scientific-literary research field. He accounts novel as a proper base for appearance of a dialectic text. In this study “Koli Kenare Atash” novel by Moniro Ravanipour is investigated on feminine dialogism structure in writer’s style from the perspective of Mikhail Bakhtin’s dialogism logic. The research method is analytic-descriptive and data collection method is library-documentary. This research found that the writer with feminine writing through various techniques including rotation of point of view, intertextuality, double voiced and polyphony created a dialectic and polyphonic opus. Keywords: polyphonic, novel, dialogism, Bakhtin, feminine dialogism, “Koli Kenare Atash”