Mystic Thoughts in Mohammad Qahraman’s poem

Subject Areas : Islamic Mysticism

Habibollah  Bakhshudeh ¹ (دانشجوی دکتری زبان و ادبیات فارسی، واحد همدان، دانشگاه آزاد اسلامی، همدان، ایران.)
Siyavash  Moradi ² (Assistant Professor, Department of Persian Language and Literature, Islamic Azad University, Hamadan Branch)
Manizheh  Zare’ei ³ (استادیارگروه زبان و ادبیات فارسی، واحد همدان، دانشگاه آزاد اسلامی، همدان، ایران.)

Received: 2021-02-27 Accepted : 2021-06-07 Published : 2022-12-22

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Abstract :

Mohammad Qahraman is a contemporary poet and researcher who, in addition to writing all kinds of poetry in Farsi and the local dialect of Torbat Heydarieh, published the divan of several poets of the Indian style, such as Sa’eb Tabrizi, and is one of the most influential poets of the last five decades of Khorasan. He wrote most of his poems in the form of traditional ghazal. The hero is a follower of the Indian style and has benefited from this famous style in terms of structure and content. This contemporary poet has paid special attention to mystical concepts and terms in his sonnets. In the present research, which was done in a documentary way, the poet's view of the mystical poetry is based on the mystical traditional texts. The attention of mystical authorities and terms, mention of Tahmidiyeh and beautiful mystical prayers, the composition of eight ‘Sāqi-Nameh’s in the form of sonnets, and the hiring of pub essentials and Wine in the service of mysticism has made the poetry book of his life worth reading. The authors of this research article, while analyzing the content of the mystical sonnets of Mohammad Qahraman, have investigated the content relations of his poetry with mystical texts.