Religious and Mystical Themes in the Ritual Poetry (Case Study: Qazveh, Sabzevari, Harati)
Subject Areas : Islamic MysticismBelgheys Sobhani 1 , safa taslimi 2 , Ali Fallah 3
1 - دانشجوی دکتری گروه زبان و ادبیات فارسی، دانشکده علوم انسانی،واحد گرگان،دانشگاه آزاد اسلامی، گرگان، ایران.
2 - Assistant Professor, Department of Persian Language and Literature, Faculty of Humanities, Gorgan Branch, Islamic Azad University, Gorgan, Iran.
3 - استادیار گروه زبان و ادبیات فارسی، دانشکده علوم انسانی، واحد گرگان،دانشگاه آزاد اسلامی،گرگان،ایران.
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Abstract :
Ritual or religious poetry is a type of committed poetry that has a purely religious aspect in terms of spirituality and content and originates from revelatory and religious teachings in the shadow of prophetic, Alawite, Fatimid, Razavi, Mahdavi, and Ashura poetry. To take. This type of poetry has a unique semantic fit with mysticism and Sufism, because mystical and mystical poets, like religious poets, and in comparison with other poets of Persian literature in their religious poems have paid special attention to religious intellectual structures, significant presence and commitment. Serious attention to religious themes, Quran and hadiths and religious terms, and at the same time mastering the whole, illustrating these meanings to the semantic proportions of words, extensive use of imaginary forms, especially similes and enrichment to imaginary music, etc. in all works These poets are increasingly showing their convergence with ritual and religious poetry. In this article, the authors intend to consider the themes of the mystical poems of three poets of modern poetry, including Qazveh, Sabzevari, and Harati, from a ritualistic intellectual point of view, and to examine these poems carefully and meticulously.
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