Study of Differences between the Mystical Ghazal of Attar and Mewlana with the Quasi- Mystical Ghazal of Sa’adi and Hafez
Subject Areas : Islamic Mysticism
Ali Akbar
Bezi
1
(PHD Student, Persian Language and Literature, Zahedan Branch, Islamic Azad University, Zahedan, Iran)
ahmadreza
keikhafarzaneh
2
(Associate Professor, Department of Persian Language and Literature, Zahedan Branch, Islamic Azad University, Zahedan, Iran.)
Mostafa
salari
3
(Assistant professor, Department of Persian Language and Literature, Zahedan Branch, Islamic Azad University, Zahedan, Iran)
Keywords:
Abstract :
The mystical poetry of Attar and Mewlana is the mystical poetry of the present, as they have told their experiences, and discoveries in the language of poetry, But Sa’adi's and Hafiz's mystical poetry is based on what they have learned, and they have composed poems with mystical themes. On the other hand, love is a phenomenon: it transforms all the emotions and currents of the lover, and makes him a new character; it takes over her, and it takes on a variety of effects to suit each individual. Love in the philosophical and logical sense is indefinable. Attar, Mewlana, Hafiz and Sa’adi are the best poets who have spoken about love. In their poems, they have used "certain interpretations" that signify their passion for love. The spirit of Attar's love is suffering, and the spirit of Mewlana's love is joy and passion and hope. Hafiz combines the two worlds of human and spiritual love, and in every lover's manifestation, Sa’adi seeks to know its creator. Considering the importance of the issue of love, this article: Love and its themes are examined in Divan of these great poets.
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