Preservation and Revival of Iranian Handicrafts: A Case Study of Tabari Chuqa Weaving Art in Mazandaran Province
الموضوعات :Fatemeh Aghajani 1 , Mohammad Gorbanian 2 , Javad Nouri 3
1 - Phd student of Art Research, Islamic Azad University, Kish International Branch
2 - Instructor of Textile Sciences, Department of Textile Engineering, Technical and Vocational University (TVU), Tehran, Iran
3 - PhD in Clothing and Textile Engineering, Marlik University of Nowshahr
الکلمات المفتاحية: Iranian handicrafts, Weaving process, Hand-woven textiles, Tabari Chuqa weaving art,
ملخص المقالة :
Iranian handicrafts, with their intricate patterns and vibrant designs, are at risk in the modern era. To protect this rich heritage, we must blend tradition with contemporary tastes while staying true to Iranian culture. Clothing is the most obvious cultural symbol and the most important and specific aspect of ethnicity and tribe, which is quickly affected by acculturation phenomena among different societies. In this tapestry of crafts, Mazandarani hand-woven textiles like Chador Shab, Jajim, Galim, and Chugha cloth stand tall. Among them, Tabari Chuqa shines as a unique weaving art in Mazandaran, setting itself apart from Chuqa fabrics made elsewhere in Iran. Unlike the standard felt-making process, Tabari Chuqa weaves its story through intricate techniques. This research delves deep into the Tabari Chuqa production, unveiling its secrets stage by stage. Field research and heartfelt conversations with devoted artisans paint a vivid picture. This study is a beacon for preserving the exceptional cultural legacy woven into Tabari Chuqa art in Mazandaran province, Iran.
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