نقش مفهوم صورت ازلی نظریه روان شناسی تحلیلی یونگ در شکوفایی فرهنگی – ادبی زنان ایرانی
محورهای موضوعی : ادبیات فارسی
نگین حیدری زاده
1
(استادیار، گروه زبان و ادبیات انگلیسی، دانشکده علوم انسانی، واحد مسجدسلیمان، دانشگاه آزاد اسلامی، مسجدسلیمان، ایران.)
کلید واژه: صورت ازلی, روان شناسی تحلیلی یونگ, فرهنگی-ادبی, زنان ایرانی,
چکیده مقاله :
هدف پژوهش حاضر، بررسی نقش مفهوم صورت ازلی نظریه روان شناسی تحلیلی یونگ در شکوفایی فرهنگی-ادبی زنان ایرانی بود. جامعه پژوهش شامل کلیه متون مربوط به مفهوم صورت ازلی نظریه یونگ و آثار فرهنگی- ادبی زنان ایرانی می باشد. نمونه پژوهش آثار اعتصامی، دانشور، بهبهانی و فرخزاد بود. روش پژوهش توصیفی– تحلیلی است. گردآوری اطلاعات به شیوه کتابخانه ای و از طریق فیش برداری صورت گرفت. برای تحلیل داده ها از روش تحلیلی استفاده شد. نتایج نشان داد که طبق دیدگاه یونگ، صورت ازلی از طریق تجربیات مکرر و مشابه در زندگی پیشینیان در ضمیر ناخودآگاه جمعی به ودیعه گذاشته شده است. این صورت های ازلی به صورت های مختلف در اساطیر، رویاها و تخیلات فردی، در مذهب و هم چنین در ادبیات ظاهر می شوند. ماندگاری این کهن الگوها در اساطیر و ادبیات، به دلیل واقعی بودن آن‌ها است که می تواند معنای ژرف و عمیقی به زندگی انسان ها بدهد. یک نوشتار یا یک اثر ادبی با داشتن مضامین صورت ازلی است که می تواند یک مفهوم جهانی شود. بنا براین نویسندگان زن و شاعران زن با تصاویر معنایی مشترک یا همان کهن الگوهای مشابه با نماد جهانی روبرو می شوند، این ویژگی در ذهن انسان ها به طور همیشگی و جاودانه باقی می ماند.
The aim of the current research was to investigate the concept role of archetype in Jung's analytical psychology theory on the cultural-literary flourishing of Iranian women. The research universe included all texts related to the archetype concept of the Jung's theory and cultural-literary works of Iranian women. The sample of the research subsumed the works of Etisami, Daneshvar, Behbahani and Farrokhzad. The research method was descriptive-analytical. The data was collected via library method and through note taking on index cards. An analytical procedure was applied to analyze the data. The results showed that according to Jung's point of view, the archetype has been deposited in the collective unconscious through repeated and similar experiences in the lives of the ancestors. These archetypes appear in different forms in mythology, dreams and individual fantasies, in religion and also in literature. The persistence of these archetypes in mythology and literature was due to their realness, which could give deep meaning to human life. Writing or a literary work with eternal themes could become a universal concept. Therefore, female writers and female poets were faced with common semantic images or archetypes similar to the universal symbol, this features remain forever and eternal in the minds of people.
Abu Mahboob, A. (2018). Maple Green Cradle (Life and Poems of Simin Behbahani). Tehran: Nashre Sales. [Persian] URL: https://www.Gisoom.Com/book/1260635
Bahmirian Q., F., & Loimi, S. (2008). Familiarity with the role of women in literary developments. Women and Culture, 1(1), 56-68. URL: https://sid.ir/paper/189658/fa.
Behbahani, S. (2002). A Selection of Poems by Simin Behbahani. Tehran: published by Marvarid. [Persian] URL: https://www.Gisoom.Com/book/11790536.
Braheni, R. (1984). Male history: ruling culture and condemned culture. Tehran: Negah Publications. [Persian] URL: https://www.Negah.Com/book.
Darvishi, O., & Ziraksaz, K. (2019). Women in the poems of Simin Behbahani. Ormazd Research Journal,5 (53), 235-249. [Persian] URL: https://sid.ir/paper/525341/fa.
Dashtiannejad, S., & Baba Alyan, F. (2019). A study of men in Forough Farrokhzad's poems. Ormazd Quarterly, 5(42), 15-30. [Persian] URL: https://www.JR_OURMAZD.civilica.com/doc/795569/
Dehbashi, A. (2003). Book on the shore of the island of wandering, Dr. Simin Daneshvar's celebration letter. Tehran: Sokhan. [Persian] URL: https://WWW.Gisoom.Com/book/1287662
Etesami, P. (2005). Parvin Etesami's Divan, by Mozaffarian, First Edition. Tehran: Naghsh Andish. [Persian] URL: https://www.digikala.com/product/dkp
Fasihi, S. (2019). From the solitude of the home to the social arena, women's confrontation with the "duality of nature and culture" from the constitutional revolution to the end of the Qajar period. Journal of History of Islam and Iran, 8, 115-137. [Persian] URL: https://ensani.ir/fa/article/326118/
Fromm, E. (1995). Art Of Loving. Harper & Brothers. Dublin: Thorsons. URL: https://www.ISBN978-1-85538505-4.
Frye, N. (1990). Anatomy of Criticism: Four Essays. Translated by Saleh Hosseini. (1998). Tehran: Niloofar Publications. [Persian] URL: https://www.NiloofarPublications/Book/9789644480805
Jamshidi, R., Ghasemipour, G., & Abshirini, A. (2023). Archetypal Criticism: Theories and Approaches. Literary Arts,15(1), 19-48. [Persian] DOI: 10.22108/liar.2023.136241.2222
Junqani,M. E. (2016). Northrop Frye and classification of symbols. Literary Review Quarterly, 10(40), 7-39. [Persian] URL: https://www.magiran.com/p1855528
Karimi Qarababa, S., & Rezaei, M. (2014). An archetypal analysis of "tree" in the novel "Sushon". Journal of Fiction Studies, 3(2), 7-22. [Persian] URL: https://ensani.ir/fa/article/394658/
Karimi Rad, N., Pakdel, M., Heidarizadeh, N., & Visi, A. (2022). Comparative study of Forough Farrokhzad and Fereydon Moshiri's poems in individualistic and socialistic romanticism. Journal of Persian Poetry and Prose Stylology (Bahar Adeb),15(8), 149-163. [Persian] URL: https://www.sid.ir/paper/1032395/fa
Khajat, B. (2013). Female poetry, the role of female poets in today's Iranian poetry. Scientific Journal of Women and Culture, 10(15), 9-20. URL: https://www.sid.ir/paper/189740/fa
Nejadfardelrestani, E., Mehrsa, B., & Farrokhzad, F. (2000). Forough Farrokhzad Poetry Collection. Tehran: Shaghayegh Publications. [Persian] URL: https://www.gisoom.com/book/1281385/
Pakdel, M., & Sotoudeh, A. (2017) Examination of Archetype in Forough Farrokhzad's Poems. Place of Publication. The First National Conference on Symbolism in Iranian Art with a focus on Native Arts, Tehran. [Persian] URL: https://civilica.com/doc/748231/
Parvini, K., Ahmadzadeh, A., Roshanfekr, K., Mohamadzadeh, H. (2017). From " Identification " to " Individuation ": The challenge of "self" within Nasimi's poetry Relying on psychiatric criticism of "perfect man" archetype. Literary Criticism, 10(38), 121-145.
[Persian] URL: https://ensani.ir/fa/article/376304/
Payandeh, H) .2015). Literary Criticism and Democracy. Tehran: Niloufar. [Persian] URL: https://www.iranketab.ir/book/18465-literary-criticism-and-democracy
Rahimi, S. M., Sarukolai, A., & Mohabed, Z. S. (2013). The effects of romanticism in the poetry of Simin Behbahani. Research Journal of Ghanaian Literature,11, 21, 103-124. [Persian] URL: https://ensani.ir/fa/article/323127/
Salimi, H., & Mahmoudi, A. M. (2021). Analysis of the Evolution of the Content Elements of Contemporary Iranian lyric poetry. Scientific Journal of Women and Culture, 13(49), 49-61. [Persian] URL: https://jwc.ahvaz.iau.ir/article_686727.html
Seyed Rezaei, T. (2010). Woman in the poetry of Parvin Etesami, Simin Behbahani and Forough Farrokhzad. Journal of Persian Language and Literature, 1, 97-122. [Persian] URL: https://www.sid.ir/paper/199997/fa
Shamisa, S. (2011). Guide to contemporary literature (Description and Analysis of Selected New Persian Poetry). Tehran: Mitra. [Persian] URL: https://www.Gisoom.com.1736323
Shamisa, S. (2019). A Look at Forough Farrokhzad. Tehran: Morvarid. [Persian] URL: https://www.JR_JSHD.2645-3908
Yahaghi, M. J. (2002). Joybar Moments. Tehran: Jamee. [Persian] URL: https://www.Gisoom.com.1285752
_||_