تحلیل تطبیقی محتوای فرهنگی و روان شناختی عواطف زنانه در اشعار نجمه زارع، رزا جمالی و مریم جعفری با شعر غاده السمان
محورهای موضوعی : ادبیات فارسی
فاطمه تقی نژاد
1
(دانشجوی دکتری، گروه زبان و ادبیات فارسی، دانشکده ادبیات و علوم انسانی، دانشگاه سلمان فارسی کازرون، کازرون، ایران.)
سید محتشم محمدی
2
(استادیار، گروه زبان و ادبیات فارسی، دانشکده ادبیات و علوم انسانی، دانشگاه سلمان فارسی کازرون، کازرون، ایران.)
علی محمد محمودی
3
(استادیار، گروه زبان و ادبیات فارسی، دانشکده ادبیات و علوم انسانی، دانشگاه سلمان فارسی کازرون، کازرون، ایران.)
کلید واژه: محتوای فرهنگی و روان شناختی عواطف زنانه, اشعار مریم جعفری, اشعار رزا جمالی, اشعار غاده‌السمان, اشعار نجمه زارع,
چکیده مقاله :
هدف پژوهش حاضر، تحلیل تطبیقی محتوای فرهنگی و روان شناختی عواطف زنانه در اشعار نجمه زارع، مریم جعفری و رزا جمالی با شعر غاده السمان بود. جامعۀ پژوهش شامل کلیه اشعار نجمه زارع، مریم جعفری، رزا جمالی و اشعار غاده السمان می باشد. نمونۀ پژوهش اشعار مربوط به محتوای فرهنگی و روان شناختی عواطف زنانه شاعران مذکور بود. روش پژوهش توصیفی – تحلیلی است. جمع آوری اطلاعات کتابخانه‌ای و به صورت فیش‌برداری انجام شد. یافته‌ها نشان داد که یکی از مضامین مهم شعر زنان، بحث محتوای فرهنگی و روان شناختی و نشانه‌های آن است که هرکدام از شاعران زن با توجه به ذهنیت و فرهنگ جامعۀ خود برداشت متفاوت و گاه مشترک از آ ن ها دارند. از موارد مهم و مشترک دیگر در اشعار این شاعران، زبان عاشقانه و تغزلی زنانه بود. این شاعران هرکدام به نوعی زبان رمانتیک عاشقانۀ خاص خود را داشته‌اند که در بعضی موارد به غاده‌السمان شبیه و گاه متفاوت بودند. بن‌مایۀ فراگیر عاطفی شعر نجمه زارع اندوه و دوری از محبوب است. غزل عاشقانه و اجتماعی مریم جعفری در بحش گفتمان و زبان زنانه خاص تر بود. اشعار رزا جمالی بر پایه تخیل زنانه بود و بیشتر مضامین رمانتیک زنانه را در قالب رمز و نماد نشان داده است و اشعار وی از لحاظ کاربرد کلمات احساسی و زنانه در مقایسه با دو شاعر ایرانی دیگر بیشتر است. در مورد غاده‌السمان ترکیبی از موارد ذکرشده این سه شاعر ایرانی در زبان رمانتیک زنانه‌اش وجود دارد؛ یعنی هم شاعری گلایه‌مند از فراق معشوق و هم دفاع از حقوق زنان است.
The research was aimed to compare cultural and psychological feminine emotions content of Najme Zare, Maryam Jafari and Roza Jamali with Ghada Al-Samman poetries. The research universe included all the poems of Najme Zare, Maryam Jafari, Roza Jamali and Ghada Al-Samman. The sample encompassed the poems related to cultural and psychological feminine emotions content of the poets. The method was descriptive-analytical. To collect data library method via note taking was processed. The results showed that one of the important themes was the discussion of cultural and psychological content and their signs, which each female poet had a different and sometimes common understanding according to the mentality and culture of their society. Another important and common subject in the poems of these poets was romantic language and female lyrics. Each poet had her own romantic language, which in some cases were similar and sometimes different from Ghada al-Samman. The all-embracing emotional theme of Najme Zare's poem was sadness and separation from the beloved. Maryam Jafari's romantic and social odes was more special in terms of female's discourse and language. Roza Jamali's poems were based on female imagination and showed most of the female romantic themes in the form of symbols, and her poems used more emotional and feminine words compared to other two Iranian poets. In the case of Ghada Al-Samman, there was a combination of the mentioned cases of these three Iranian poets in her feminine romantic language; It means that it was both a poet complaining about the separation of a lover and a defense of women's rights.
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